-The Awakening.18ā²
-Paintings. Tawny Chatmon.
PAINTINGS??
he wasn't even looking at me and he found me
$LAYYYTER
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor
Claire Keane
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Jules of Nature
Sweet Seals For You, Always

Andulka
The Bowery Presents
tumblr dot com
I'd rather be in outer space šø
Xuebing Du
hello vonnie
ojovivo
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
cherry valley forever
untitled

tannertan36

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@thekillerbees
-The Awakening.18ā²
-Paintings. Tawny Chatmon.
PAINTINGS??

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EVERYBODY LOOK AT THIS
Favorite trope 348234: when person who nearly died wakes up in hospital bed, looks around, sees the object of their affection asleep in a chair next to them because they havenāt moved in days
A lot of wild things happen in the World Cup but this was definitely up there
During the 1980s, more gay men died in New York City during the AIDS crisis than all recorded deaths of American soldiers in Vietnam. You need to know that.

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donāt forget the man weāre all celebrating this fathers day
āi donāt wanna die, i sometimes wish iād never been born at allā remains the rawest fucking lyric in the history of music thanks freddie
HAPPY FATHERS DAYĀ

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i randomly wandered into an art gallery with live music and a full cheese spread and im going ape
if u eat it the fey own u tho
thatās the feyās problem
If you are saying that, youāve clearly got more bravado than sense.
i donāt have either actually i just have an empty stomach and the ability to make my presence everyoneās problem
Actually genuinenly enjoying my customer service job sometimes
Customer (calling from Ireland): āYes hello, I would like to -ā
Sheep in the background: *gentle baa*
Customer: āUh, sorry, what I want to do is -ā
Sheep: *slightly more insistent baa*
Customer: āNo, not now! -cough- Excuse me. I have a reservation and -ā
Sheep: *VERY LOUD ACCUSATORY BAA*
Customer: āArnulf! Please be quiet, I am on the phone! ⦠Sorry, I sincerely apologize on behalf of Arnulf.ā
me: āI love and forgive him.ā
Customer: āDonāt, he doesnāt deserve it. Anyway, Iām calling about -ā
Arnulf: *small, very self-satisfied baa*
I once took my kids to a local farm and we found a lil goat with its horns stuck in a fence, just sitting there kinda mournfully on the grass. We tried to help it get free but it was stuck tight. We petted it for a while and fed it some grass (as it had lawnmowered a circle around itself as far as it could reach), and then went back to the ticket office to tell them it needed help, but before Iād said more than:Ā āThereās a goat-ā the guy cut me off with a weary wave and said,Ā āYeah, we know. Stuck in the fence. Thatās Brenda. She can get herself out whenever she wants. She just likes the attention.āĀ
Trolled by a fucking goat.Ā
iām fucking dying āyeah thatās brendaā
What she says: Iām fine What she means: What time period does A Series of Unfortunate Events actually take place? There is mention of horse-drawn carriages, but also of motor cycles and automobiles, but the way the three Baudelaires dress is indicative of the nineteen hundred-somethingās. Characters are dressed in both early twentieth century clothing as well as up to date clothing. There is mention of computers, fax, and phones but some things seem rather dated. What time in history is it??
I remember reading an interview with Lemony Snicket when I was a kid, where they basically asked him that exact question.Ā
His answer wasĀ āthe year of the Ratā.
when i watched the film i was extra confused because i thought they were Victorian but count olaf was drinking a slurpee so i just lost all sense of direction
I think thatās the point
Lemony Snicketās entire career was based on fucking with everyone
hey guys. this is my invention. check it out
listen no matter how depressed I am whenever this post shows up on my dash I fucking lose it I just laugh so hard, itās such a good post. The way itās presented? Soap on a sink nozzle, okay clearly this is some sort of handwashing appliance. Then thereās just water going everywhere no further explanation itās so good Iām so happy

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Every time I reread the Hunger Games trilogy I become more furious about the movie representation.
These books were about an indigenous woman (with a brain injury in book 3) living in poverty overthrowing a corrupt white government.
She was demisexual, had stomach hair, was not even remotely romantically driven (and canonically didnāt even find romance until after she had finished a revolution.)
And Peeta was disabled and physically abused as a child and they both suffered from mental health problems and the parallel between the Capitol and the ruling rich was so very transparent.
And Iām seeing fun coloured makeup in stores labeled āCapitol colours from the Hunger Gamesā!
These books were about the revolution of the most oppressed taking over the extravagance and elitism and decadence of the ruling class while citizens starved.
These books were a parallel to our current social dynamics, they were a call to arms. They were a battle cry for the impeding ruin of the rich white ruling class.
And the movies portrayed them as a fantasy, a romance story, a cute little tale. When the real story in the books was one of strength and upheaval and shifting paradigms and revolutions.
And likeā¦ā¦ the death of a young Black child sparked the rebellion.
When Katniss thinks about running away in the second book it is the memory of Rue that makes her decide to stay and ācause all kinds of trouble.ā
That is an indigenous woman deciding that the death of a Black child is so horrific and unacceptable that she needs to start an entire uprising about it. That is WOC solidarity.
Then again, when Katniss is talking with Peeta about not leaving he literally, canonically and verbally SAYS itās because of Rue.
The movies did not lend enough weight to the injustice and violence that Black women face; they didnāt waste any time in deciding the rebellion came from their White Katnissās determination to overthrow the Capitol.
The movies purposely and aggressively erased all of the racial oppression and power and dynamics that were so apparent in the books.
They made Katniss white, they made Gale white, they erased Peetaās amputation, they seriously diminished the PTSD both of them faced (which was actually one of the more accuract accounts of PTSD I had ever read in the books), they drastically lessened the weight and importance of Rueās death.
Anyway, fuck the movies. The books are miraculous. Right down to the respect of survival sex workers. Right down to the power imbalances of society being set in the hands of a violent old white man who has surgery to appear younger.
I also found it so ironic because the books constantly talked about how the media would portray horrors in different ways to make them āviewableā and desired by the audience. How the hunger games would make it into a tragic love story instead of a horror show.
And you know what? The movies became basically that. People were fighting over #teampeeta or #teamgale and totally missed the point (but partially because the movies watered it down to be a tragic romance instead of a revolution and in doing so, being exactly like the Capital)