Fyrish Monument, Scotland by Kier Allen

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Fyrish Monument, Scotland by Kier Allen

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Sun glitter on the water.
it's pretty easy to imagine that you are one of some fractional holdout against AI while everyone else has fallen into some misguided love affair with LLMs, and I am so happy to tell you that this is not the case.
the US public is deeply suspicious of AI's impacts on jobs and education. Kamala Harris and the Republican party are both polling better than AI. 8/10 gen zers are concerned about AI's impact on education and only 18% are positive about this technology. there is widespread, bipartisan grassroots organizing against data centers. 97% of Britons are against Grok's "undressing" technology. the majority of Americans are concerned about AI in arenas like self-driving vehicles and healthcare. Even polling data from companies centered on AI shows significant concern around generative technology. OpenAI isn't meeting internal growth bench posts. On top of all that, Musk and Altman are currently both making fools of themselves in a very public trial.
âbits to use in everyday conversationsâ
i think one of the worst things the left wing internet ever did was push the idea that oppression is basically a virtue, and being oppressed is a sign of your morality. it has made it likeâŚimpossible for some of you to hold the idea that most people are privileged in some ways and oppressed in others. AND a lot of you seem to have it in your mind that terrible people cannot be oppressed, and that oppressed people cannot do terrible things, which is a dangerous rhetoric to hold imo.

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Edvard Munch, Drawing for The Kiss, 1895
Color charts of undifferentiated (top) and specialized (bottom) plumage of different warbler species from Charles Keeler's Evolution of the colors of North American land birds (1893).
Full text here.
Character designs from the Art of Encanto by Meg Park
Henri Matisse Apollo 1953
âGeologic cross-sections shown in color in 9 classes, and faults.â Tourtelotte Park Mining District Sheet. 1898. Colorado.

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âFreedom always has a price.â
â Persepolis (2007) dir. Marjane Satrapi, Vincent Paronnaud
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Contrasting tile patterns. Sud-italienische Fliesen-Ornamente. 1886.
Internet Archive
Loie Fuller, early 1900â˛s
donât worry moomin you know enough to be happy

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Mayan stone lintel at Menche. Elephants and ethnologists. 1924.
Internet Archive
Seed bearing plants. My own science problems. c.1935.
Internet Archive