Ford Econoline Van, 1964
First Generation (1961–1967)
Source: The Giki Tiki Archives
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@the60s70s
Ford Econoline Van, 1964
First Generation (1961–1967)
Source: The Giki Tiki Archives

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Home Decor, 1973
THE GOOD, THE BAD, & THE LAUNDRY WITH BRENDA KAHN
In Features, Interviews by Jason L.05.28.19
Originally published at Hard Rock RPM
Poet. Guitarist. Songwriter. Publisher. Activist. Mother. Brenda Kahn’s music career stretches from the anti-folk scene of the East Village in the early 1990s to a recently published book of poetry about parenting aptly titled The Good, The Bad, And The Laundry. Along the way, Kahn recorded with her friend Jeff Buckley, played Lilith Fair multiple times, ran a website focused on women in music, and answered the call when Bob Dylan wanted her to open a show. While she may have traded the drug dealers of Avenue A for her children and a life in the countryside, Kahn’s keen eye for detail continues to serve her well.
...
The Ryan Adams news was not the least surprising in terms of the issues that persist in the business. How much of that did you experience during your career? While I feel like the 90s were a hugely successful time for women in music, I am terrified to imagine what the artists were experiencing.
I think this is finally changing because of access to the internet. I wish I’d been able to google “Should I get a Fender or a Gibson guitar”. Or “what are the chords to “Like a Rolling Stone” back when I was in high school. I met several guys along the way who treated me as total equals. One of whom was Jeff Buckley who taught me the two drum beats I can play on a kit now. And my producer Tim Patalan on Outside the Beauty Salon, who handed me a guitar and said – “You play the lead.”
...
Any memories about touring with Dylan and Buckley that you could share?
Opening for Bob Dylan was one of those bucket list moments that seemed so unlikely, it wasn’t even on the list. We found out about the tour dates while I was in France doing a promotional tour for Epiphany in Brooklyn. My manager busted into the room and said he had good news and bad news. The good news was I was going to open for Bob Dylan, the bad news was I wasn’t allowed to open for him solo acoustic. I had to have a band. I was in France, the show was in two weeks, and the guys I made the album with were all on tour with other artists. Of course, I said yes. I had just written the song “too far gone” and the timing was all over the place. I didn’t know if I would get in trouble, but the band dropped out and I did that one song solo acoustic. The feeling of being on that stage, where you could hear a pin drop, singing to 6000 Bob Dylan fans… best ever moment.
With Jeff Buckley it was really different because we were friends. I don’t have a lot of tour stories because we were in different vehicles, but we would hang out at sound checks and play blues songs sometimes or eat together, but mostly we played our shows and went onto the next town. But my memories of Jeff are more about hanging out in New York. We spent hours together doing nothing. Shopping in random thrift stores or making up dumb songs on the guitar. In my mind, I can see him wheeling my 50lb amp down 9th street to a gig at Brownies, I remember him calling me last minute to come see him open up for Patti Smith at Irving Plaza.
The one serious recording we made together came from a time we were in my apartment and he was playing my tele, this really beautiful riff, and I said, ‘I have something that might work for that’ and started reading these snippets of poems I had written in these tiny notebooks. After about 10 minutes he stopped and looked at me and said “four-track”. So funny because now you would just pull up an app on your iPhone and click a button, but back then, you had to set up microphones and plugin guitars and set levels. Jeff had a reel to reel tape machine in his apartment. Anyway, that song turned out to be “Faith Salons” and it’s one of the last things he recorded. When I hear his foot tapping and his vocals in the background it gets me every time.
In honor of Jeff's birthday I would like to share this photo of me with Jeff at Barrister's Bar in Memphis in late April 1997, just a few weeks before he died. I'm not sure if this is the last known photo of Jeff or not, but it could be. I wish I would have written down the set list from his performance that Monday night. I do remember him getting a bit tipsy from drinking a bottle of red wine during his set and actually messing up the order of the verses of Hallelujah and laughing about it. He was amazing as usual - just him, his voice and his guitar. He was so witty and charming in addition to being an amazing musician. This photo was taken after his performance and after I summoned the courage to go talk to him and ask him if I could take a picture with him. Of course he was super-cool about it and was impressed that me and my two friends had driven 4 hours one-way to see him during our college finals week. I consider myself very fortunate to have been able to see him perform live four different times between 1994 and 1997 - 2 times in Chicago, once in D.C. and this performance in Memphis. My heart was broken when I found out he drowned a few weeks after I saw him in Memphis. Happy birthday Jeff!
From FB by Mark McCully
Jeff Buckley, an overlooked inspiration
Sept. 30, 2015
PUB: UWIRE
In a society dominated by artists such as Taylor Swift and One Direction, it is difficult for songwriters of equal or greater talent to achieve the same level of fame if they don't adhere to the conventions of today's popular music.
According to Rolling Stone magazine, Jeff Buckley is considered the 39th greatest singer of all time, surpassing Mariah Carey (79), Christina Aguilera (58) and Brian Wilson (52). This may be a surprising fact, considering that Buckley is generally less notable amongst the general population compared to the likes of Carey.
However, his vocals are immediately attention-grabbing, and it's not necessarily because of his wide vocal range. Longwood sophomore and listener of Buckley, Joel Worford explains that it's his emotion that makes his vocals feel so powerful.
"The big thing about Jeff Buckley was the way that his voice conveyed emotions... through his vocal tone, as a listener, he made you feel a certain way," Worford said.
So, with acclaim from a popular magazine such as Rolling Stone, one may wonder why Buckley isn't as well-known as his peers on the list of 100 greatest singers of all time.
One reason for this may be that Buckley passed away shortly after releasing his first album, "Grace." Another reason may be the amount of profundity that Buckley tries to provoke within the listener.
"I think his music is too complicated, and his lyrics touch on subjects that are foreign to most people. If you've never felt loss or loneliness, then his lyrics aren't going to mean anything to you... His lyrics really transcend basic feelings," Worford said.
Buckley also purposefully tries to stray away from the norm with the way he writes his music. His songs tend to be longer than the three to four minutes of the average pop song. For example, his song "Lover, You Should've Come Over" is six minutes and 43 seconds. His music also features aspects of Eastern music and vocal experimentation. In his song "Grace," he almost sounds as if he is shrieking by the end of the song.
Despite Buckley's tendency to deviate from the average, his music is still relatable to a lot of people. He has been covered many times, specifically his rendition of Leonard Cohen's "Hallelujah."
Buckley's version of this song is generally the first to show up in the search results for the song "Hallelujah" on iTunes, ahead of Cohen's original version. This song also gained popularity from being covered multiple times on talent shows like America's Got Talent.
Buckley has been a huge influence on Worford, as a musician. He said that he is influenced "mainly by (Buckley's) lyrics because his lyrics are more like poetry... And his guitar playing is just really tight."
Although Buckley only released one album, his music proves that there still may be room for growth and diversity in a world that is dominated by pop stars. With Buckley as an example, there are more underrepresented artists and genres that need to be heard and explored.
Worford encourages others to give Buckley's music a chance.
"I would suggest to anyone to listen to Jeff Buckley," he said. "You just never know who it's going to click with, and for the people who it does, it's amazing."

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Someday You’ll Be a Star!
Western Electric (Bell System) Picturephone, 1968
Source: The Giki Tiki Archives
Alexander Calder, 'Taches de rousseur' (Freckles), 1976,
From La mémoire élémentaire (Elementary Memory),
Lithograph in colours, on Japon nacré paper, the full sheet.
S. 51.9 x 72 cm (20 3/8 x 28 3/8 in.)
Ads in the New York Times newspaper with date of March 3, 1965
This iconic photo of KISS was taken on October 26, 1974.
It was part of a photo shoot by photographer Bob Gruen for the cover of their third studio album, Dressed to Kill. Here are a few fun facts about the shot:
Location: The corner of Southwest 23rd Street and 8th Avenue in Manhattan, New York City.
The Suits: At the time, Peter Criss (far left) was the only band member who actually owned a suit. The other three—Ace Frehley, Paul Stanley, and Gene Simmons—had to borrow suits from their manager, Bill Aucoin.
The Contrast: The band wanted to contrast their "wild" stage makeup with professional business attire, which led to this legendary street session.
If you look at the original album cover today, you'll notice it's a slightly different frame from the same session, but this specific outtake is a fan favorite because it shows the band looking a bit more relaxed on the NYC sidewalk.

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HALL OF MIRRORS: Halston’s Rise and Fall and The Link to New York’s Olympic Tower
By Jeremy Lewis
1967 Advertisement for General Electric Portable Electronics
From The Archives
March 1968. ‘California: The FUn-Loving Fashion Scene’

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Janis Joplin photographed by Jim Marshall.
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