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William Hogarth

The Laughing Audience

1733

Ausstellung/Exhibition: Franz Xaver Messerschmidt, Mehr als Charakterköpfe/More than Character Heads, Belvedere, Wien/Vienna

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modussoperandi

aristocrat, revolutionary politician, writer, famous forhis libertine sexuality.

readsfromthewasteland

"The books and essays on Sade are crusading, romanticizing, mystifying in the literal sense (that is, intentionally perplexing to the mind). Infused with a missionary passion, they boil down to this: Sade died for you—for all the sexual crimes you have committed, for all the sexual crimes you want to commit, for every sexual crime you can imagine committing. Sade suffered because he did what you want to do; he was imprisoned as you might be imprisoned. The “you” is masculine."

—Andrea Dworkin, Pornography: Men Possessing Women

plastiboo

my-corrupted-pixels

Arnulf Rainer, Erinnerung an Franz Xaver Messerschmidt, 1980

Mischtechnik auf Fotografie

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temporarysomething

Butoh: Body on the Edge of Crisis (1990)

garadinervi

Archigram: Experimental Architecture 1961-1974, (back cover), PIE Books, Tokyo 2005 [Benoît Waterkeyn]

bingyechen

Walking City

Author: Ron Herron

shihlun

Ushio Amagatsu (天児牛大) of Sankai Juku (山海塾) wandering around the city.

argtack

Exodus, or the voluntary prisoners of architecture Rem Koolhaas, Madelon Vreisendorp, Elia Zenghelis, and Zoe Zenghelis (1972)

Once, a city was divided in two parts. One part became the Good Half, the other part the Bad Half. The inhabitants of the Bad Half began to flock to the good part of the divided city, rapidly swelling into an urban exodus. If this situation had been allowed to continue forever, the population of the Good Half would have doubled, while the Bad Half would have turned into a ghost town. After all attempts to interrupt this undesirable migration had failed, the authorities of the bad part made desperate and savage use of architecture: they built a wall around the good part of the city, making it completely inaccessible to their subjects.

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nerdreamer

thethirdbear

noosphe-re

The timeless task of architecture is to create embodied and lived existential metaphors that concretise and structure our being in the world. Architecture reflects, materialises and eternalises ideas and images of ideal life. Buildings and towns enable us to structure, understand and remember the shapeless flow of reality and, ultimately, to recognise and remember who we are. Architecture enables us to perceive and understand the dialectics of permanence and change, to settle ourselves in the world, and to place ourselves in the continuum of culture and time.

Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses

obsessedbyneon

'City Room' by MEGANOM

Horse Lords - A City Yet to Come

#horse lords #a city yet to come #nu jazz #Youtube

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jca-archive

Neo Matsuoka, from Photographers Index 1 (1985)

2087

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