ULYSSE, Homere, Lob, Pichard, Édition Jacques Glénat, 1981.

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ULYSSE, Homere, Lob, Pichard, Édition Jacques Glénat, 1981.

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De-Selfing by Hsin Wang
Metamorphosis, Photo by Herbert Bayer, 1936
“Two Possibilities”
Rorschach #11 (October 2021)
Tom King, Jorge Fornés and Dave Stewart
Black Label / DC Comics
“More than two thousand years later, monopolies are making quite the Gilded Age comeback. Let’s start with the obvious one — Amazon. The mammoth company found a particularly clever way to own the olive press. Millions of shoppers begin their search there, which means sellers cannot easily afford to leave its marketplace. Amazon then uses that market dependence to discourage merchants from offering lower prices elsewhere. Every vendor knows that if you cut your price on another website, Amazon can make your product harder to find on Amazon. Naturally, if lowering the price on your own website could cost you access to Amazon’s enormous customer base, the safer choice is to keep the price high everywhere.”
— Monopolies Made Life Unaffordable

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Really funny to reference that one René Magritte painting, but reveal the face of the guy, and he's all excited about the dollar sign in front of him.
Gigi Cavenago
A New Study Reveals Migration Isn’t a Solo Affair—It’s the Social Event of the Season
Migrants face myriad challenges. That's why certain songbird species choose to travel (and possibly even work) together, according to research drawing on a trove of bird banding records. In a pioneering study published last week in the Proceedings of the National Academy of Sciences, researchers discovered that songbirds socialize across species lines, forming “migrating communities” as they travel. While ornithologists previously believed migrant species like the American Redstart and Magnolia Warbler just happened to end up flying near one another, we now know that this closeness is no coincidence: It’s a sign that different bird species can form ecologically meaningful relationships and may even help each other out along their migratory journeys...
Read more: https://www.audubon.org/magazine/new-study-reveals-migration-isnt-solo-affair-its-social-event-season
Aegian Sea
Portrait of Urania, (Details), (19th century), by the British School, oil on canvas, 76.2 x 63.5 cm (30 x 25 in), Private Collection

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Imagine traveling to a new and distant place using only your senses to guide you.
"A new study published in Nature has found these little moths have a navigational trick up their wing—they use the stars and Earth's magnetic field to find their way."
"In a 2018 study, researchers discovered the bogong moth can sense Earth's magnetic field and use it as a guide. Now, the same team of scientists have revealed that magnetism is just part of the story."
""If you go to the Australian bush where these moths live and look around you at night, one of the most obvious visual landmarks is the Milky Way," (...).
"We know that daytime migratory insects use the sun, so testing the starry sky seemed an obvious thing to try."
To test their hypothesis, Eric and his colleagues built a special non-magnetic lab in a remote, rural location to avoid any interference from the outside world.
Inside the lab, they created simulations of the night sky and Earth's magnetic field. Their results were astonishing.
"I think the biggest surprise was discovering that bogong moths can migrate … under a projected image of the natural local starry night sky and in the total absence of Earth's magnetic field," says Eric.
When the researchers turned the artificial night sky 180 degrees, the moths flew in the opposite direction. And when the stars were randomized, the poor moths were just confused."
"It turns out the magnetic field is a backup navigational aid the moths rely on during cloudy conditions when the stars aren't visible."
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Corto Maltés
Corto Maltese
The “Manta Diablo” in action: David Grove cover art to young adult novel, The Black Pearl (1977).
"[...]Calipso, che è dea, e desidera Odisseo, potrebbe renderlo immune da vecchiaia e da morte - in una parola, sottrarlo al suo immune da vecchiaia e da morte destino di uomo, e con ciò alla sua prima identità. Aristotele dirà che chi non appartiene al consorzio degli uomini (chi non è polites) o è animale o è dio: una sottoumanità, oppure una sovraumanità, che in ogni caso escludono l'appartenenza dell'individuo alla società umana. Calipso pecca in un eccesso di «livello», laddove Circe, la maga, che trasforma gli uomini in animali (x), pecca in difetto.
E Odisseo piange, sulla riva del mare, proprio come aveva fatto Achille nell'Iliade (I), ma non per l'onore (time) offeso quanto per una sorte che gli appartiene e gli viene tolta. Se il pianto di Gilgamesh è pianto sulla mortalità dell'uomo, quello dell'eroe greco è invece rimpianto proprio di questa mortalità, che per lui prende la forma di un ricordo - la patria, il figlio, la sposa: non delle imprese in terra troiana, bensì è in Itaca che «si riconosce» Odisseo, il luogo di partenza, il luogo dove vorrebbe tornare."
Elisa Avezzù, commento all'Odissea.
Immagini tratte da “Odissea”, di Milo Manara.
Alex Folla (Italian, 1980) - Ulisse (2020)

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As Above, So Below by Clayshaper, 2024
Kronos' Chalice by Hitoshi Karasawa, 1979