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Stinky
a heartless, broken mess

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wlw tumblr post notes simulator
weâre the only animals that know what will happen later in the day
deer: âwho knows. i might find a river. i may be attacked by wolvesâ
man, gods favorite creature: âtonight i will indulge in overwatch pornographyâ

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One of New York Centralâs âMercuryâ engines in Chicago, 1936.
Where did these go, because I desperately want them back.
You do NOT want them back.
They look neat but thereâs a reason these beasts were retired. The Mercury Streamliners, as they was known, got off to a good start. They improved the quality of travel and attracted many tourists to the rail service, which in the 1930s was already growing less popular as a result of the flourishing air travel industry.
But it was not to last. In 1938, a Mercury Engine plowed into a cow named Bessie in upstate New York and, lacking a cow catcher, the collision tore off part of the sleek streamlined veneer that covered the engine underneath. This is what a Mercury Streamliner Engine looks like under its slick armor:
Clearly visible are the three toothy skulls with phallic lobed craniums and bladed jaws. The public was horrified.
To explain, the Mercury Engine was designed by Hans Richard Giger, father of future âAlienâ creature designer Hans Rudolf Giger. Like his son, Hans Richard was known in the art world for his dark and disturbing designs. Having won the design contest for the Mercury Engine based on its exterior, the manufacturers were willing to ignore the unseen undercarriageâs necessary skeletal and demonic fashions.
Once seen however, the jig was up. The public demanded the engines be taken offline, and it didnât happen a day too soon. It seems the Swiss architect had designed his trains with much the same mentality with which Ivo Shandor designed 55 Central Park West- As a doomsday device.
Had the Engines been online only ten days longer, theyâd have seen The Day of The Awakening of the Unholy Star, a Neokhlystic holiday on which the world was mourned in preparation for the end of all time. As designed, Gigerâs trains wouldâve come to live, devouring and digesting their patrons in a blood sacrifice to the Satanic Lord of Carnage, Beelciftan. Had the sacrifice been accepted, the apocalypse wouldâve swept from New York across the globe. So said the legend.
Hereâs the thing- Legend or not if the Mercury trains had remained online a week after they were revealed as demonic devices, their owner, Bill Gruss von Krampus wouldâve had the funds he intended to send to the Nazi Regime in Germany in 1938, which wouldâve allowed them to start their nuclear program two years earlier. This wouldâve given them the Bomb in 1943, two years before the United States completed its Manhattan Project.
So the demonic plot may well have come true in reality had the unsettling underskeletons of these beasts been revealed. There is now a monument to the Cow of Albany that died to reveal the truth.
Thank you Bessie, for without you the world would be a different place, if it still existed at all.
What the fuck did I just read
in greek mythology, sacrificing the sacred cow of apollo can grant visions of hidden truth
my naym is cow and in new yack i hwile away on rale rode track
toward adolphâs nuek did krampus strain call it a fluek
i reck the trane
:)
This has been going around nearly ten years now and I just noticed the typo in my second dang sentence.
Fun actual fact this post got me mentioned in an article in Reuters.
Where did you get the art work for the skull heads
Itâs an H.R. Giger miniature for the film Species, the Reuters article covers it more thoroughly and clearly than my subtle nod in the text.
this paragraph is fuckn golden
Youâre right and you should say it
Heâs up for re-election and tied in the polls. Nowâs your chance Florida, vote him out.
How can I reblog this a million times? Â The 1% are master manipulators.
The existence of another poor person is not why youâre poor.

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âTo protect their copyright, streaming sites do not allow for screenshotting of any kind.â
Hey remember VHS where you bought a box to plug into your tv and you could legally record whatever was playing and then own it for free forever
I cannot emphasize enough that you not only COULD, it was ENCOURAGED. Blank video tapes for recording whatever you wanted were available everywhere and it was hard to miss the record button on the machines. They also deliberately designed stuff like VHS players that you could tell when to start recording things - as a kid I'd tell the player to record the cartoon channel beginning at 6 or 7 and then sleep in and watch the tape later - and then they would tell you how to do it in the owner's manual, this was no secret. You were SUPPOSED TO record shows you wanted to keep or that you wouldn't be home for to watch later.
The essential piece of information missing here is that the people who made the VHS machines and the people who made the TV channels were, and I cannot stress this enough, different people.
Like, of course Disney didn't used to want you to record their stuff for free and watch it forever. When VHS home recording came out, the companies that invented it were...sued! Of course they were!
It's just that the TV companies lost the lawsuit. It was deemed that once the signal got to your house legally you could do whatever the hell you wanted with it as long as it was for personal noncommercial use. It would have probably gone differently if the TV companies had the ability to detect whether you were recording them and then shut the signal off.
Like, I am 100 percent on the side of "you should be able to keep and own stuff permanently, I just also think there's a limit to how much breathless mythmaking about the halcyon days of the early nineties I can handle before it starts drifting into low-key misinformation.