A question for current famous Hollywood directors in 2044 when they start speaking up about their horror at the atrocities in Gaza and are making Oscar bait films about it.

Kiana Khansmith


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A question for current famous Hollywood directors in 2044 when they start speaking up about their horror at the atrocities in Gaza and are making Oscar bait films about it.

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well the thing is that's an extremely reasonable concern
Taylor Russel in Bones and All 2022
āØMadre NaturaāØ
Happy pride to those 5 seconds where Charlie Swan thought Jacob was coming out to him in the most insane way possible

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č±ęØ£å¹“čÆ / in the mood for love (2000), dir. ēå®¶č”
it is impossible to watch a movie. every night i think i want to watch a movie. no movie gets watched. because it's not possible
and yet they keep making movies with the hopes that one day humanity will discover a way to watch them. it's so inspiring
tamino and mitski photographed by ramy moharam fouad

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Hello, Emily. This is Adam Driver. I came across your blog in my free time today and it pained me greatly to find a post you made recently calling me ugly and, I quote, āgarbageā. I began to cry, because I have anxiety about my appearance. You have truly hurt an innocent 30 or 40 year old man who wants nothing more than to act and be happy. I hope you consider your actions in the future, as I am still crying because of you. Thank you, and goodbye.
GOUSJCJ DICJ
dude so distraught he forgot his age
In Pride month, I think it's important to remind you of this iconic dialogue. You don't have to talk about who you are if you don't want toā¤ļø
La ChimeraĀ (2023) dir. Alice Rohrwacher
paul atreides get your country ass over here my momma says you been in the desert riding a worm as big as a damn bus
challengers summer 2026 will be happening trust

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goo goo dolls if they were in dune: and i donāt want the worm to see me
One of my favourite bits of media history trivia is that back in the Elizabethan period, people used to publish unauthorised copies of plays by sending someone who was good with shorthand to discretely write down all of the play's dialogue while they watched it, then reconstructing the play by combining those notes with audience interviews to recover the stage directions; in some cases, these unauthorised copies are the only record of a given play that survives to the present day. It's one of my favourites for two reasons:
It demonstrates that piracy has always lay at the heart of media preservation; and
Imagine being the 1603 equivalent of the guy with the cell phone camera in the movie theatre, furtively scribbling down notes in a little book and hoping Shakespeare himself doesn't catch you.
Thou wouldst not downloadeth a car