sorry everyone we won’t be seeing any men today they’ve all been bricked into their enclosure
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sorry everyone we won’t be seeing any men today they’ve all been bricked into their enclosure
The Masc of Amontillado

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It’s too much for coffee early on, but perfect for a proper knight out
get back here
Kilroy Was Here!
He’s engraved in stone in the National World War II Memorial in Washington, DC – back in a small alcove where very few people have seen it. For the WWII generation, this will bring back memories. For younger folks, it’s a bit of trivia that is an intrinsic part of American history and legend.
Anyone born between 1913 to about 1950, is very familiar with Kilroy. No one knew why he was so well known….but everybody seemed to get into it. It was the fad of its time!
At the National World War II Memorial in Washington, DC
So who was Kilroy?
In 1946 the American Transit Association, through its radio program, “Speak to America,” sponsored a nationwide contest to find the real Kilroy….now a larger-than-life legend of just-ended World War II….offering a prize of a real trolley car to the person who could prove himself to be the genuine article.
Almost 40 men stepped forward to make that claim, but only James Kilroy from Halifax, Massachusetts, had credible and verifiable evidence of his identity.
“Kilroy” was a 46-year old shipyard worker during World War II (1941-1945) who worked as a quality assurance checker at the Fore River Shipyard in Quincy, Massachusetts (a major shipbuilder for the United States Navy for a century until the 1980s).
His job was to go around and check on the number of rivets completed. (Rivets held ships together before the advent of modern welding techniques.) Riveters were on piece work wages….so they got paid by the rivet. He would count a block of rivets and put a check mark in semi-waxed lumber chalk (similar to crayon), so the rivets wouldn’t be counted more than once.
A warship hull with rivets
When Kilroy went off duty, the riveters would surreptitiously erase the mark. Later, an off-shift inspector would come through and count the rivets a second time, resulting in double pay for the riveters!
One day Kilroy’s boss called him into his office. The foreman was upset about unusually high wages being “earned” by riveters, and asked him to investigate. It was then he realized what had been going on.
The tight spaces he had to crawl in to check the rivets didn’t lend themselves to lugging around a paint can and brush, so Kilroy decided to stick with the waxy chalk. He continued to put his check mark on each job he inspected, but added ”KILROY WAS HERE!“ in king-sized letters next to the check….and eventually added the sketch of the guy with the long nose peering over the fence….and that became part of the Kilroy message.
Kilroy’s original shipyard inspection “trademark” during World War II
Once he did that, the riveters stopped trying to wipe away his marks.
Ordinarily the rivets and chalk marks would have been covered up with paint. With World War II on in full swing, however, ships were leaving the Quincy Yard so fast that there wasn’t time to paint them. As a result, Kilroy’s inspection "trademark” was seen by thousands of servicemen who boarded the troopships the yard produced.
His message apparently rang a bell with the servicemen, because they picked it up and spread it all over the European and the Pacific war zones.
Before war’s end, “Kilroy” had been here, there, and everywhere on the long hauls to Berlin and Tokyo.
To the troops outbound in those ships, however, he was a complete mystery; all they knew for sure was that someone named Kilroy had “been there first.” As a joke, U.S. servicemen began placing the graffiti wherever they landed, claiming it was already there when they arrived.
As World War II wore on, the legend grew. Underwater demolition teams routinely sneaked ashore on Japanese-held islands in the Pacific to map the terrain for coming invasions by U.S. troops (and thus, presumably, were the first GI’s there). On one occasion, however, they reported seeing enemy troops painting over the Kilroy logo!
Kilroy became the U.S. super-GI who had always “already been” wherever GIs went. It became a challenge to place the logo in the most unlikely places imaginable. (It is said to now be atop Mt. Everest, the Statue of Liberty, the underside of the Arc de Triomphe in Paris, and even scrawled in the dust on the moon by the American astronauts who walked there between 1969 and 1972.
In 1945, as World War II was ending, an outhouse was built for the exclusive use of Allied leaders Harry Truman, Joseph Stalin, and Winston Churchill at the Potsdam Conference. It’s first occupant was Stalin, who emerged and asked his aide (in Russian), “Who is Kilroy?”
To help prove his authenticity in 1946, James Kilroy brought along officials from the shipyard and some of the riveters. He won the trolley car….which he attached to the Kilroy home and used to provide living quarters for six of the family’s nine children….thereby solving what had become an acute housing crisis for the Kilroys.
The new addition to the Kilroy family home.
* * * *
And the tradition continues into the 21st century…
In 2011 outside the now-late-Osama Bin Laden’s hideaway house in Abbottabad, Pakistan….shortly after the al-Qaida-terrorist was killed by U.S. Navy SEALs.
>>Note: The Kilroy graffiti on the southwest wall of the Bin Laden compound pictured above was real (not digitally altered with Microsoft Paint, as postulated by some). The entire compound was leveled in 2012 for redevelopment by a Pakistani company as an amusement park….and to avoid it becoming a shrine to Bin Laden’s nefarious memory.
* * * *
A personal note….
My Dad’s trademark signature on cards, letters and notes to my sisters and I for the first 50 or so years of our lives (until we lost him to cancer) was to add the image of “Kilroy" at the end. We kids never ceased to get a thrill out of this….even as we evolved into adulthood.
To this day, the “Kilroy” image brings back a vivid image of my awesome Dad into my head….and my heart!
Dad: This one’s for you!
Resting Female by Pauline Wallen (American, 1922–2010)
“transition poses some ethical questions. Such as, from what age should you be allowed to irreversibly change your body.“
This of course completely ignores the fact that puberty makes irreversible changes to your body. But let us just rephrase the question: “from what age do you gain bodily autonomy?” Now it gets very easy to answer: From the moment you’re fucking born.
I’m sorry, I’m reblogging this twice in a row it is that important
Stand up and say it again for the people in the back row.
This is all completely true and correct, of course, but on the topic of changes that irreversibly change a child’s body, prithee, go and talk to a fucking ballet dancer.
If you start ballet at 16, you are too old to ever expect to be able to do it seriously. If you start at 12 you’re too old. If you want to do ballet as a serious thing, as a career, you need to start at like eight years old or even younger, because your bones and joints need to be trained while they’re still flexible in order for you to be able to perform many of the required motions and stances of ballet. In particular, you need to be able to perform turnout of the hips, but all of your joints in your legs and feet will be affected, and this irreversibly changes your body.
And yet! Nobody talks about this as a negative thing! Little girls say they want to be ballet dancers, and if their parents have enough money, that’s what they get to be! Does it cause problems in later life? Yeah, sometimes! Often, even! But nobody talks about that because it’s a thing for cis people to do and so naturally it’s all fine!
Go and talk to a fucking ballet dancer.
I was a ballet dancer (among other styles of dance) for 10-11 years, starting at age 6-7ish. I loved it, but not enough to make a career out of it. Dance was just a way to exercise is a fun way.
By the time I was done dancing at age 18, I had been through physical therapy for 3 separate issues caused by ballet. The worst one was because of how my hips and muscles developed and it cause discomfort in my knees so bad that I couldn’t walk very far without pain, much less climb stairs. One time at a pt session, a neighboring patient, who was elderly, said I was “too young to be here”. I was in middle school so I rolled my eyes. It was/is funny to me.
I am 23 now, and I still get stiff in some places, and I’m sure it is related to dancing as a kid. I snap, crackle, and pop like Rice Krispies.
I have no regrets because ballet and was a big part of my life. I just know that it will have long term effects on my body and there is nothing I can do to change it.
I didn’t know that ballet would affect me physically the way it did, but I still did it. If somebody wants to transition and goes in knowing and wanting the changes they will experience, then they should be allowed to do it.

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At night before bed let's all brush our teeth it will be epic
Can I drink orange juice after...please
Not funny as it seems
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Reblog on Tuesday to let your followers know it’s safe to leave the bog
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Edited for all my writer friends out there
There's this notion that being able to stream professional theater shows will hurt the industry, because people won't go to the effort to support live theater anymore, and this is based on the anxieties of the film industry, but live theater isn't a film. The better analogy is sports.
Look me dead in the eye and tell me that people being able to sit at home and watch The Game -- the fandom that encourages, the ongoing investment over the years, the memories and traditions of Watching the Game with family and friends -- harms the ticket sales of real live go-to-the-stadium sports. Of course it doesn't. Of course all that *is the reason* that people care so much about sports they'll invest a small fortune on not only tickets but often travel costs to be part of it all in person. And the people who aren't doing that *can't* do that and weren't going to regardless, but their at-home participation and investment still boosts the profile of pro and NCAA sports as cultural institutions.
Maybe it's possible to fall in love with film and be immune to the romance of Going to the Cinema such that you'll just freely choose the same film in the comfort of your living room. It's not possible to fall in love with something that happens live and not want to be there to experience it. The consequences of procasts, for theater just like for sports, can only be A) more people motivated to make live theater part of their worlds, aka more money, when theaters everywhere could desperately use more money, or B) more love. Which is worth arguing for because reasons I assume I don't have to defend.
It should also be noted once more: study upon study finds that the people pirating films and shows are still most of the time the people who also are spending the most on films and show adjacent stuff. Like, the people who pirate movies a lot tend to be the people who just love movies and also have a ton of physical media.
And I mean, I can also speak for myself: there is a lot of shows I would LOVE to buy, but that never got a fucking physical release. (And some of them are not even available for streaming in my country.)

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art by Olly Jeavons
Nom nom nom
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Why are all music teachers like this 😭😭😭
When writing always remember… a character flaw is only a flaw until becomes useful.
Is your protagonist manipulative? Well that’s awful… until they manipulate the antagonist into making a decision that saves the lives of their friends.
Is your protagonist a skeptic? Well that’s not good… until someone tries to lie to them.
Is your protagonist overprotective? That sucks… until someone they love is in danger.
Is your protagonist remorseless? Well that makes them pretty unlikeable… until a hard decision has to be made.
The flipside is also true!
Your protagonist is honest? That’s good… until their survival depends on them being able to lie convincingly.
Your protagonist is brave? That’s good… until they foolishly run headlong into danger without a thought for the consequences.
Your protagonist is forgiving and able to see good in everyone? That’s good… until they continually forgive someone who doesn’t deserve it, and get taken advantage of because they can’t fathom that some people just suck.
Your protagonist is funny? That’s good… until they piss off everyone around them because they don’t seem to be taking the situation seriously, and they keep avoiding dealing with their problems by hiding behind humor.
Most personality traits aren’t inherently good or bad. It’s all about context, and how far they go.
The everest chronicles
I love the design of these

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they need to invent the opposite of an nda called an fda where u have to tell everyone everything
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food and drug administration?????
War thunder for the win