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@tedthetalk
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My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
The bird app has a lot of garbage but this thread really tickled me this morning:
Bonus:
every day it just concerns me how little compassion people have. no compassion for those living in the global south. no compassion for immigrants. no compassion for disabled ppl. no compassion for addicts. no compassion for prisoners. no compassion for children. like holy shit ...
i made a separate post about this but actually there are plenty of people cough white people who care about animals more than they ever do human people . not what i'm talking about make your own post
Look, Eden gave me a tattoo. The COI made me burn it off. I didn't choose either of them. I still get a scar.
Simon's Scar Iron Lung (2026) dir. Mark 'Markiplier' Fischbach

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"Transandrophobia doesn't exist outside of online"
Scary Movie 6 literally had a transmasc character who existed purely to be the butt of:
1. No strength jokes
2. No dick jokes
3. "She's my son" jokes
4. Jokes about pronouns
5. Attack helicopter jokes
(Note the word "joke" here is doing SERIOUSLY heavy lifting)
But sure, it's TOTALLY not in mainstream media and is only just guys complaining about nothing online.
(Good to note that there were zero jokes about trans women and transfems in that entire movie)
I think the battle is long since lost on what the “-coded” suffix means, but I (old movie guy specifically invested in queer coding) seem to be unable to let go of how annoying I find the fuzzy popular use of the term. This is probably a flaw in my character.
Coding is intentional, it’s a way of communicating indirectly with the audience through a shared language of signs. That’s why it’s called coding, because it’s communicating in code. It isn’t when a thing reminds you of another thing.
@argumate
United Airlines Flight 232 was a regularly scheduled United Airlines flight from Stapleton International Airport in Denver to O'Hare International Airport in Chicago, continuing to Philadelphia International Airport in Philadelphia, United States. On July 19, 1989, the DC-10 (registered as N1819U) serving the flight crash-landed at Sioux Gateway Airport in Sioux City, Iowa, after suffering a catastrophic failure of its tail-mounted engine due to an unnoticed manufacturing defect in the engine's fan disk, which resulted in the loss of all flight controls. Of the 296 passengers and crew on board, 112 died during the accident,[a][3][4] while 184 people survived. Thirteen passengers were uninjured. It was the deadliest single-aircraft accident in the history of United Airlines.[b][5][6] Despite the fatalities, the accident is considered a good example of successful crew resource management, a new concept at the time. Contributing to the outcome was the crew's decision to recruit the assistance of a company check pilot, on board as a passenger, to assist controlling the aircraft and troubleshooting of the problem the crew was facing.[1]: 76 A majority of those aboard survived; experienced test pilots in simulators were unable to reproduce a survivable landing. It has been termed "The Impossible Landing" as it is considered one of the most impressive landings ever performed in the history of aviation.[7][8][3]
On the 19th of July 1989, a United Airlines DC-10 bound for Chicago was rocked by a massive explosion…
Linking to this article by Admiral Cloudberg.
Good on her to not only have a clear goal at that age, but to clearly have gotten her parents on board with helping her get the education she needs to achieve it.
vincent price calling christopher lee a bitch asmr
great work everybody
by the way it's fine to like sexual content just for the sake of it. "we can't ban porn because other stuff will get banned" "sometimes nude art has value" "the government will classify queer people as sexual" this is all true but it's okay to just like porn. its okay to not want porn to be banned because you like it.

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ive been thinking about how some trans spaces and media lack representation of bottom surgery and itd be nice if we could talk about and depict it more. but my attempts to formulate this into a coherent thought lead me to standing in front of the microwave idly thinking "we should normalize men with penises" as if thats a brave new frontier nobody has ever considered.
I like this post. Because it shows that sometimes, what at the surface sounds like reinforcement of the norm, is actually necessary for a minority that's not included in the norm.
Y'all have seen this post, right?
It was a vaguepost of a trans man who complained about feeling pressure to be feminine. Yet people refer to it completely outside of queer context.
I’m literally so excited for art fight. Art of my girl on the horizon.
Gay kink stores are like here’s the fuck master 5000 gnome king pig blaster it goes in your ass obviously pigfag and pansexual kink stores are like here’s like gender sensory backdoor pridefun exploration pleasure rod and it’s the same toy
im fascinated by this. how much can you tell about the christian sex store without doxxing yourself i need to know more
Bats getting glamour shots
The Lost Souls appear.

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THE BUTCHER / THE BUTCHERED
"Hey there pepperhead, legal isn't super exited about this tweet"