Someone has to explain to me why over half the WBK fandom (specially outside of Tumblr) seems to share collective amnesia over the fact that Suo has been going to Makochi since Middle School, a full 3 years before the start of the manga.
Because all the time without fail I encounter takes rooted on forgetting that, like:
- why does he know so much about people and gangs in Makochi?
- why does he know so much about people from Furin?
He knows basically what other people who live in Makochi do, because he has been frequenting the town almost daily for years, because he was there when Furin was changed.
Also:
- why did he come this far just to join Furin, it's suspicious
No no, the real question is why did he start attending middle School in Makochi, nothing suspicious about him joining a school known for protecting people when he comes from an organisation that protects people in the town he's already attending school at. And I suspect the answer is probably that they don't have official schools in Bankoku-Gai
- Did he come to Makochi after Sakura?
Nobody knew who Sakura was before the first day of class (Hiragi and vices and Kotoha being the exceptions), Suo just heard about the incident and put two and two together. Suo was already in Makochi 3 years before Sakura.
Genuinely, what is with this level of selective amnesia🤔
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Something that's occurring to me is that Wind Breaker isn't just doing found family narratives, but also other examinations of non-standard family structures.
Sugishita is being raised by his grandparents because neither of his parents wanted to be involved in his life after their divorce.
Umemiya and Kotoha were raised in a group foster home.
Togame has lived with his grandfather since he was young.
And all of these situations are not just okay, they're good environments for a kid to come up in.
Then we have Tsubaki, whose parents we haven't seen directly, but who has loving non-custodial adults.
Kiryu is a situation where we see parents aren't always willing or capable to provide a nurturing environment, but his sister ensured he has support.
I have a feeling Suo will fall somewhere in here with his master and martial brothers.
It just, it really is underlining that there's no one true way to have a family, regardless of blood ties or direct descent.
DISCLAIMER: I am not fluent in Japanese. If I made any mistakes in this analysis or missed additional information, please let me know!
To this day, Chapter 50 might just be one of Wind Breaker’s most important chapters. It not only shows us a more unrestrained side to the enigmatic Suo, but gives us more insight into his (and Sakura’s) mentality, with the chapter containing one singular instance of Suo introspecting.
Granted, it is to put himself below Sakura (which is quite sad, given that his internal monologue mainly consists of him simply commenting on the situation around him). However, this specific line is quite interesting, because it sounds very similar to what Ito says to his wife at the end of Chapter 66.
It’s important to examine the context that leads up to these moments first. Suo and Ito realize that they are “no match” for Sakura and Yui when their perception of a person they deeply care for differs from their expectations. Both Suo and Ito know Sakura and Yui respectively well, with ItoYui being married for decades (though Ito remorse of being unaware about Yui’s true feelings) and Suo being able to decipher/understand Sakura’s psyche and feelings. These realizations about the other party do come as a surprise to Ito/Suo—and given their somewhat insecure nature, they put Yui/Sakura above them.
With Sakura, Suo expects him to get mad over Nirei/their classmates losing to KEEL, but the former tells the overtly emotional Suo that not only do they have bigger fish to fry, but he delegates the blame onto himself. Suo’s line here can have many interpretations—from it showcasing Suo’s sheer admiration towards Sakura’s character, to even Suo possibly harboring envy for Sakura—but it’s evident that Sakura’s reaction in KEEL subverts Suo’s careful expectations.
And with Yui, Ito finds out that his wife had always loved him as much as he loved her; only, Yui was always aware of her husband’s doubts about her love. Notably, it’s Suo that proposes this explanation, before Tsubaki corroborates his claim.
Back to the line itself: these quotes might not sound similar in the English translation. But both of them are near-identical in the original Japanese.
Ito says 「本当に敵わないよ」 (hontoni kanawanai yo), while Suo says 「…本当に君は敵わないな…」 (…honto ni kimi ni wa kanawanai na…). [EDIT: I’m aware Suo’s 「敵」 is written in Hiragana instead of Kanji; however I’ve decided not to include this aspect in my analysis because it’s most likely a stylistic choice. If it does carry another meaning, then I simply lack the adequate information about Suo’s character to draw any meaningful conclusion.]
本当 means “really”(with the に conjunction connecting it with the next phrase) and 敵わない (kanawanai) means “No match for” or “Cannot beat/compete [with]”. Disregarding the slight differences, these two lines mean the exact same thing: I really am no match for you.
However, both lines do have their nuances. The 敵わないよ Ito says has the よ (yo) sentence-ending particle. よ is typically used for emphasis in a sentence. It also marks the sentence as “informative” (ie. Ito finding that he is no match for his wife is new information to not only him, but the audience too). よ can also carry a more genial nuance to a sentence; showing that Ito is happy at this realization (the voice acting in the anime also carries this tone). Ito’s line also omits any pronouns, making the statement one-note and succinct; in a way, Ito is able to accept this and move on with a smile.
With Suo, he says 君には敵わないな. The な(na) sentence-ending particle is used in comparison; な can have multiple connotations but I suspect that it mainly marks this sentence as introspective in nature. Another usage I think fits the most is “to seek confirmation”. Suo sees his inability to compete with Sakura not as a 100% given. な can also carry a sense of wonder, which can emphasize Suo’s uncertainty in his feelings (a way to translate it into English would be “I am really no match for you, huh…”). Overall, な adds a certain emotional nuance to a sentence (similar to よ, only な is more emotionally overt).
Suo also starts this phrase with 君には (I am). Japanese likes to eliminate the subject in its sentences sometimes (as seen with Ito’s version). However, the presence of “you” here indicates that Suo is directly addressing Sakura. You could interpret the sentence as words Suo wants to say to Sakura, but ultimately cannot; instead keeping the thought in his mind.
The wording of this quote overall is different in not only the English manga translation but the anime’s English sub and dub (which is fair considering the context to both scenes are very different; but “I am no match for you” is a rather uncommon phrase especially in Wind Breaker) so it makes sense why this connection isn’t obvious at first.
Given that Suo and Sakura’s relationship shares such an explicit parallel with a married couple, I suppose it makes sense why they were drawn getting married in a formal Chinese marriage setting in the fifth volume bonus…? All the other arts have Sakura and co. in normal attire, what did Nii Satoru mean by this……
I used to think Wind Breaker was a sports series where the sport happened to be bare knuckle street fighting but after 219 I understand
This is a dating sim.
No no no, by all means let’s pause the action about this mysterious town who had a spy among the main characters FOR YEARS so that the cute boy can cook the other cute boy breakfast as they discuss their feelings and recurring dreams about yet another cute boy
Endo said the furthest thing from the truth, and it's completely understandable that Sakura reacted so aggressively.
Okay, Suo wasn't honest with the boys and constantly lied to them. But does that mean he wasn't their ally?
What about everything Suo did during his time at Furin? It was Suo who suggested Sakura become first-year grade captain because he believed in him. It was Suo who trained and motivated Nirei. He was seen as the brain and heart of their team, when he proved himself as the strategist during the Noroshi War.
Throughout his time at Furin, Suo supported the boys, helping them develop. He cared about their well-being and making them even stronger. If that's not behavior worthy of an ally, I don't know what is.
Suo did what he had to do and disappeared and only his disappearance should be considered betrayal. I refuse to believe that what he did while he was with the boys stemmed from malicious intent. He brought too much good to the group to be considered anything other than an ally.
I believe Suo was the strongest ally from the very beginning.
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we've seen the moon utilized an awful lot for particular characters, havent we? first with endochika, then with momisakus fight, and now with suo. but what does it mean?
i cant say with certainty how endochikas moon mirrors suos, but heres what im thinking. yamato had been masking his entire life, and therefore the emotions he experienced were blunted in a way he never had cause to consider.
UNTIL. HE MET TAKIISHI. there were clouds in the sky on that night, but none of them covered the moon. so right here, the moon symbolizes honesty, lack of concealment. takiishi pulled back the curtain on yamatos life and made him experience emotions he hasnt before.
moving onto momijikawa, we dont see the moon until momijikawa says THIS line, his intention to have an honest conversation with sakura.
before their fight vs after. so it means a lack of concealment, and possibly even a connection with others. NOW. SUO.
his moon is COVERED. we've seen something similar with sakura once before--a flashback in 203, and for sakura, its the sun. suos moon is only focused on after nirei leaves, and even then, its still somewhat obscured. and what sky do we see afterwards? overcast, downpouring.
which can symbolize both the deliberate distance that suo keeps from everybody else but ALSO!!!! his extreme emotions, which nii sensei has brought explicit attention to BOTH times it was mentioned!!!!! WHICH COULD MEAN THAT WE GET A SUO WHO CANT MASK HIS EMOTIONS, AS FORESHADOWED BY THE DOWNPOUR
do you guys think that we never see suo eat because of the issues implied to be happening in bankoku-gai?
in chapter 217, we see suo in the city with rakta and bacchus. when suo’s resolving the small conflict, we can see this guy trying to steal an apple (at least i think that’s an apple)
then in the same chapter, there’s this interaction
i’ve seen lots of people saying that suo’s talking about bofurin when he says this, and while i like the idea, i don’t think it quite fits the context of the scene. there’s definitely something they know that they aren’t telling the rest of the people that live here, and based on the events of this specific scene, i think it may have something to do with a food shortage, economic troubles, or something that’s similar.
i’m wondering if it’s because of this that they don’t tell the general public; the rumors. there’s already talk going around about the red chanpru, and if they add to the fire by bringing in more issues to light for the public, it’d look bad.
we obviously don’t know what exactly these rumors are yet, and i’m very curious to know what they are, but the way endo phrases it makes me think it’s not something like “their economy is doing badly” or something like that, which would theoretically be separate from what they could be hiding.
while sakura and the gang are in bankoku-gai, i noticed upon re-reading that they really like to show off a lot of food stalls and samples being given out or sold. instead of sellers trying to advertise a different kind of product like clothing or tangible items, or maybe even services, they make a point to show us a lot of food. two examples of this are when sakura and sugishita get momentarily held up by advertisers giving them free samples to eat, and then when they return umemiya showing sugishita the butcher’s stall. of course this could just be showing the contrast between the two cultures of their respective cities, but i noticed it and wanted to point that out.
we also have this in chapter 225.
this specific interaction makes me lean more towards economic troubles than food troubles. a child has to steal food because his sister hasn’t had proper food in days. and he has to steal because he supposedly doesn’t have enough money to pay for it.
now we obviously don’t know what the prices are like in this city, but for what we can see is a relatively small amount of food, it can’t cost an outrageous amount, meaning this kid can’t afford a small amount of food, which should raise some alarms. there’s no mention of any parents or anything, so we can’t say for sure if they’re absent, or if the entire family is struggling with money, because otherwise they would’ve just paid for it.
so all of these allegedly point to troubles with money/food in bankoku-gai, so what does this have to do with suo not eating?
well, first of all we’ve never seen him eat ever. in the one manga panel that shows him eating, it was ‘corrected’ in the anime adaptation. so technically, nobody’s ever seen him eating anything.
suo claims to be on some sort of diet, but never goes into depth or actually explains what it is. instead he just says it and leaves it at that, leaving us to wonder what this supposed “diet” would actually allow him to eat.
if the city is starting to struggle with food or the money for food, and the red chanpru was established in order to protect the city, i feel like it wouldn’t be that big of a stretch to say that at least the officers would start cutting back on their own meals to help give everyone else full ones.
“what about suo not eating at bofurin?” well i think this is because he’s used to it, and if he eats meals in a completely different city that’s not struggling, that would be unfair to those who are in bakoku-gai.
if his city was struggling with food and he starts eating meals they don’t have access to in a different city, i can imagine that wouldn’t sit very well. not only that, but if suo were to continue eating, he wouldn’t necessarily be used to being hungry, and if he isn’t used to it, it could hinder his performances during a fight. which is. kinda sad to think about :(
anyways im sorry if i explained a lot of this poorly and it’s probably not even what’s actually going on, but i had the idea and i wanted to share it in hopes that it could spark some new theories that could be true :-p
Why Shishitoren was a good first arc and what it established about our main characters [Analysis]
(Pretty long post ahead!!)
[From chapter 10]
Who I'm referring to when I say main characters: Sakura, Umemiya, Sugishita, Suo, and Nirei (even though I had nothing to say about him in this analysis). And I personally do not count the first four chapters as an arc, considering it's literally just an introduction.
We're gonna go in order, so:
Sugishita vs. Arima
I adore how fast that fight happened, if we can even call it a fight. It really didn't need to be longer, because Sugishita already had his time to shine during his fight against Sakura.
Though, it does put into perspective just how strong Sugishita is (and how skilled Sakura is, considering he was able to keep up with him) and it establishes that his high pain tolerance is one of his main strength.
But it also displayed his biggest weakness: Umemiya, or, how much he cares about Umemiya, even above himself or his own safety.
[From chapter 10]
Despite his outward nonchalant attitude, it becomes obvious very quickly that Sugishita is very fragile emotionally. He struggles to handle and hide his emotions, and lacks the emotional maturity a fifteen years-old should have (which we learn later why), as we can see with just how jealous he is of Sakura being skilled, but most importantly, the fact that Umemiya recognises Sakura's potential too.
But the thing is, he's clearly aware of it, which is why he's so focused on staying by Umemiya's side, who guides and reassures Sugishita like it's breathing.
[From chapter 10, 11, & 28]
Sugishita and Umemiya's dynamic also emphasises Umemiya's own maturity, patience and natural leadership. It would be easy for Umemiya to force Sugishita to be more social, to sit in the circle and talk with others, but he doesn't. He doesn't tease him for it either, he just lets Sugishita stay in his comfort zone where and when he wants to, without babying him or coddling him in that comfort zone either.
Suo vs. Kanuma
During his very first introduction, we're clearly told there's something off about Suo, but he's still so friendly!! And helpful to Sakura! It's hard to know just how genuine this friendliness is, but with this fight, we get a much better idea of Suo's personality as a whole. Yes, Suo is kind, playful and protective, but he's also got this much darker, sadistic, and childish part of himself.
I like the difference in which Umemiya and Sakura see Suo letting the fight go on, instead of ending it just as quickly as Sugishita did. Umemiya has more experience, and is able to see Suo as a whole, both his kindness and childish desire to show how strong he can be to Sakura, despite the fact that Sakura doesn't understand that and instead sees Suo's way of handling this fight as cruel.
[From chapter 12]
But this fight also gives us clues on who Suo used to be, or who he's trying not to be, and on his master as well, with his Staircase to adulthood metaphor, which is ironic because he's still a teenager himself.
[From chapter 12 & 13]
We're also told to expect a fight between Sakura and Suo at some point.
Hiragi vs. Sako
I really don't have anything to say about their fight xD Other than the tension between these two is so thick you could cut it with a knife
like.
[From chapter 14 & 15]
I'm honestly really glad that Sako came back later on, it was a nice surprise!
Sakura vs. Togame
While this fight is a lot more about Togame than Sakura, Togame's problematic with Tomiyama's behaviour and how much he's indulged him in this behaviour serves as a great warning on the ways that love and devotion can turn into something twisted, even if the love is pure.
But I think that Togame sort of giving up at the end (and then trying to talk to Tomiyama when he came on stage) is also a good comfort for Sakura to see that even someone who he considers trashy can change, actually.
[From chapter 1 & 20]
The story keeps on pushing Sakura to face this new perspective, the one where he doesn't have to reject people and stay alone, to aim for the top alone, simply because he believed so for so long, he's allowed to meet new people who expend his perspective on life and himself.
I was thinking this might have also been an important fight for Sugishita to see, even if he seemed more focused on Sakura being a good fighter than the way his own devotion for Umemiya parallels Togame's for Tomiyama. But, to be fair, we barely get any insight on Sugishita's thoughts in general, so he might have noticed but just thought something along the lines of: It's not like Umemiya would ever lose his mind like Tomiyama, right? Right.
[From chapter 22] (Umemiya isn't in the shot here but he is sitting where Sugishita's looking at, on his right.)
Also, this fight was a good way to start Togame and Sakura's friendship, which becomes really important later on!
Now, about Sakura, we've got yet another claim that he'd prefer death over humiliation/giving up, and while it may seem like an exaggeration, we learn much later on that he means it. So, Sakura values his goals above himself or his own safety, and he might have suffered or even still suffer from some type of suicidal ideation/thoughts.
[From chapter 17]
And once again, the story insists on Sakura's instinctive protectiveness, when he tries to attack Tomiyama for kicking Togame.
One last thing I think this fight did well was 'refuse' to give the answer of who's the strongest between the two. By making Togame give up, the author basically said "This story may have fighting as a mean to create tension and push its characters to change, but it's still at its core about teenagers learning to be better people." and I think that's neat.
Umemiya vs. Tomiyama
This fight was perfect to showcase Umemiya's emotional maturity regarding his title, and his talents as a fighter, which were contrasted by Tomiyama's current mental and emotional instability.
I've also just found the depiction of Tomiyama's breakdown beautiful, both in the textures and emotions on their faces, but also in how calm, patient, and stable Umemiya stays toward Tomiyama, like an anchor during a storm. Even when it would have been more than justified to just throw him of, Umemiya makes a point to have a conversation with Tomiyama, to try to guide him out of this lonely path.
[From chapter 25]
Forgiveness is a core character trait of Umemiya, and knowing about his past, his patience and gentleness toward Tomiyama make a lot of sense.
Now, back on Sakura. Sakura and Tomiyama have one trait in common, which is the one that drove Tomiyama out of line: they love fighting and find purpose in it.
Sakura seeing just how destructive letting yourself fall into that feeling of loneliness, while pushing others away (or having others pushed away from him, in Tomiyama's case) was crucial for him and his journey as the next leader of Bofurin.
Basically, this arc is a direct continuation of Sakura's first obstacle in the story: Kotoha's claim, clashing with Sakura's core belief that he can only count on himself.
[From chapter 29 & 28]
Despite being one of my least favourite arc (I don't hate it, I just prefer other arcs), I think it did a really good job at 'selling' itself and wbk. The way the fights gradually become more and more interesting made sense, it's basically a tournament arc but remixed and a lot more interesting because there are only 5 fights, and it shows us that despite the anatomy, poses, textures, and angles of the 'camera' being mastered, wbk also has many stories to tell with its characters, and that Sakura's journey will be a lot more complex than getting strong enough to beat Umemiya in a fight.