sodium hydroxide

Throughout the series, we see certain characters typically represented with elements of nature—predominantly, fire. However, I find it quite interesting how Sakura is associated with water instead.

The most egregious example of the former is Takiishi, who’s portrayed [in the manga’s art] with flames around him and is described as an ‘inferno’ by Endo.

He’s also shown to set his (metaphorical) world ablaze as he walks through it in Chapter 153—which brings us to our next contender, Umemiya.

Umemiya is also associated with fire (though his flames are blue), which is quite ironic given that everyone Furin student follows the common theme of having a tree or plant in their name. After all, fire sets nature and foliage ablaze, destroying it in the process.

Endo also alludes to Ume being similar to a fire (ie. a source of heat). He especially highlights this fact during Noroshi’s final battle.

Although he isn’t exactly portrayed with flames around him, Endo does have a connection to fire. The 棪 character in 棪堂 (Endo) has the Japanese radical for fire (火) in it twice—after all, his character is staunchly connected to both Takiishi and Umemiya. He expresses the desire to burn Sakura down:

I’m also aware that Hiiragi is drawn with fire around him in his Bishamoten art but I couldn’t find a place to fit him in this post so this is just a footnote

As I’ve mentioned at the beginning, Sakura is portrayed with motifs related to water. The only exception is when he’s first shown to team up with Sugishita as both of them have flames rage in the backdrop. Perhaps fire (in a rather ironic sense) symbolizes an inherent connection to Bofurin and it’s students/allies.

Since fire is connected to Furin, Sakura being represented with motifs related to water merely solidifies his status as an outsider. Fire and water have always been considered opposites, both thematically and in the real world.

This theme is especially prevalent during the Noroshi arc. When Sakura discovers Tsubaki’s collapsed body and has his dead wife flashback likens it to Nirei in KEEL, we see a large volume water douse him in order to illustrate his shock.

In the next page we see Sakura begin to sink in a body of water, hinting at his slow mental decline during his fight with Endo. It also symbolizes how unsure and insecure he is, as Sakura thinks of his peers advice and thoughts.

Though, the thought of his community by itself manages to pull Sakura back up and focus on Endo again, but this moment foreshadows what is about to come of Sakura’s fight with Endo.

When Endo digs into Sakura’s insecurities, Sakura loses himself—and drowns as snakes (representing Endo) pull him even deeper into the water.

What makes this symbolism especially cruel is the fact that Sakura doesn’t know how to swim. He’s unable resurface on his own (both literally and in a metaphorical sense), having to rely on his peers to help him—though Endo makes it out to be Sakura dragging his friends down instead.

Sakura does eventually come back up and defeats Endo—and indirectly reaffirms Ume to win his fight with Chika. Additionally, Bofurin would’ve been in much more trouble if Sakura had never contact their allies to assist in the war. In a way, maybe water (Sakura) managed to douse the Great Fires of Extinction (Noroshi).

Sakura being the water to Umemiya/Endo/Chika/Furin’s fire also makes Hashirao’s connection of Sakura and that trio implausible and ironic.

This brings us back to Chapter 184, in which he doesn’t come in direct contact with the river of Makoichi. Instead, it reflects off of his face.

Throughout his conversation with Natsuki, he divulges his own feelings to her in order to put them on an equal emotional footing. He reflects on his past experiences (with an unreadable expression) in the process, many of which involved him grappling with similar emotions as Natsuki.

It’s important to note that Sakura and Natsuki converse near the bridge where the Noroshi vs Bofurin war had begun. Despite the battle being difficult for Sakura (as his and fears insecurities were brought to the forefront in the arc) and water having a general connotation to his negative emotions, Sakura is able to accept his fears and divulge them when needed.

Bonus: Sakura is able to differentiate the taste between certain types of water. He’s either sensitive to flavor, or he’s accustomed to noticing the differences in something as plain as water (I assume had to drink from various sources of water due to his neglect). Kid’s had it rough growing up

Tranquility ∣∣ Wind breaker fanart

Going off on a tangent here, but Suo’s intelligence has to be one of my favorite parts of his character.

A little detail I like is how he references Japanese mediums of storytelling:

But the best example of Suo’s sheer intellect is during the Tsubaki chapters.

When Suo talks about the significance of Yui planting the dogwood tree, he first explains it’s Hanakotoba (Japanese flower language).

However, the “Am I indifferent to you” definition is not part of the dogwood tree’s flower language. In fact, Suo actually refers to this custom from the 19th century:

As Yui was the one who planted the tree (rather than Ito, the male), she (the woman) conveys that her feelings towards her husband are not of indifference despite his prior belief. Since this was a tradition from the Victorian Era (which predominantly took place in the United Kingdom and its colonies), Suo explains the meaning in English rather than Japanese.

And as you’ve mentioned here, Furin would’ve been cooked by Noroshi’s massive numbers if Suo didn’t come up with their main strategy. Additionally, Sakura would’ve never worked with Sugishita or realize that he can’t fight alongside other people properly if it wasn’t Suo who had guided him.

Because of Suo’s guidance, Sakura was able to take down enemies with Sugishita and fight well during the first half of Noroshi. In a way, Suo is the brains to Sakura’s brawn (and Nirei would be the heart).