#userssid

OVERVIEW: LAYERS PANEL

LAYER 1: CURVES

i almost always start my coloring with a curves layer. rgb is for overall brightness but i like to go into each channel (red, green, and blue) to lift some of the existing colors before i get started with more targeted coloring. no S curves here, just some tiny slopes

LAYER 2: LEVELS

levels, my most beloved adjustment layer <3 in this layer, i also like to tinker with each individual channel. in rgb, i’m just increasing the highlights & darkening the shadows. in red, i’ve pulled the reds forward quite a lot by moving the right slider closer to the center. in green, i moved the left slider to the right by 6 to increase the magentas in the shadows. in blue, i bumped up... the blue lol.

in each step before the most “drastic” color manipulation, my #1 goal is to make photoshop recognize the reds in all spideys’ suits as a distinctly different color than the purple tone i want to make the sky. so when i make the sky purple, it doesn’t change the suit. my second goal, is for ps to recognize the blues in all spideys’ suits as a dif color than the purple sky (but i can cut this goal some slack bc it’s an easy fix at the end). 

at this point in the coloring, the sky still has a bit of red tones in it and the suit has a bit of magenta in it. so, trying to use something like hue/saturation at this point would only muddle all the colors together.

LAYER 3: SELECTIVE COLOR

between layer 2 and layer 3, you can see the sky is looking a lot more blue-indigo now. the most important step was boosting the coolness of the blues by pulling down the yellow sliders in the cyans, blues, and magentas channels. i’m also making the reds lean more on the warm, yellow-red side. so it doesn’t get mixed with the magentas.

a personal preference: i also like to boost the whites of the highlights using selective color. sometimes A LOT, like here. and i like to add a bit of the blacks back too

LAYER 4: LEVELS (PT. 2)

did i mention i love levels? here, i’m really bringing back the brightness and contrast by bumping up those highlights A TON and sliding down the shadows a bit. i’m also repeating some of the same steps i did with my first levels layer in the red and blue channels. the only major difference here is i didn’t touch the green channel. i usually only use green to help brighten really dark scenes a bit (adding some green can help give me a little more to play with when doing color manipulation). since this coloring doesn’t have green and my reds and blues are pretty close to where i need them, i didn’t need any green levels at this step. and i didn’t want to use the green channel for adding more magenta bc i find i have better control of manipulating that in the next layer...

LAYER 5: HUE/SATURATION

here she is, my other beloved: hue/saturation. you can do SO much with hue/saturation (i especially love this adjustment for color-correcting skin tones). 

before i jump into the blue → purple, something i do that may not have much consequence is fully take down the saturation (sometimes even the lightness) of any color i don’t need. some part of my brain tells me this will help keep my file small by telling photoshop it doesn’t need to account for those colors

anyway, the key players in this layer are: blues and magentas (i didn’t even touch red because it was the right tone and saturated enough already)

you can see on the hue slider for both blue and magenta, i pulled it to the right to get closer to the purple color i wanted. i’m not touching any saturation or lightness here bc i don’t want it too intense. you can also see how this adjustment didn’t affect my reds! but... it did mess with some of the blues in the suits 🤡

tbh sometimes this is just unavoidable at this step in the coloring, but no worries! we’ll fix it. plus, look at Peter 3. his legs are a bit closer to blue than the rest. thanks, Peter 3 🤗

LAYER 6: LEVELS (PT. 3)

levels have returned <3 this time just the rgb channel because i really love super black shadows and bright whites

LAYER 7: HUE/SATURATION (PT. 2) + LAYER MASK

again, i’m only playing with blues and magentas here but the real heroes (aside from the spideys) are layer masks. if you look back at my layers panel overview, you’ll see my last two hue/saturation layers are both masked (i put an overlay on the demo image above so you could see how it was masked). the white section is the only part that’ll be affected by this layer

heads up, this won’t always work. it really depends on the movement happening in the scene you selected (that’s why most color sets use relatively still scenes). but since i upped the shadows quite a bit in this gif, i’m able to get away with a static layer mask despite the movement of all the spideys jumping down (bc my adjustment won’t affect the blacks)

anyway, in the previous hue/saturation, i pulled the blues and magentas to the right in order to make them both more purple. but now, i want the suits to go back to the color they’re supposed to be, so i pulled the hue sliders to the left so the royal blue is restored

LAYER 8: HUE/SATURATION (PT. 3) + LAYER MASK

this layer is so Type A of me a;lskjdfls 

literally the only part that’s affected is that tiny circle lmao. but yeah, it bothered me that the outline of his eyes was skewing purple. so here, I did the same thing i did in layer 7 to make that bluer

why didn’t i just also mask this part in layer 7? because you can only really see the outline of Peter 1′s mask after he’s fully posed and facing forward, about halfway into the gif. so i applied this layer only to the second half of the gif (hue/saturation 19):

if I had masked this off in layer 7, I would have had a random blue circle in the middle of the sky in the first part of the gif lol