Triptych of the Madonna della Misericordia c. 1415 Tempera on panel, 86 x 113 cm Gallerie dell'Accademia, Venice
JACOBELLO DEL FIORE
Italian painter, Venetian school (b. 1370, Venezia, d. 1439, Venezia)
Š¢ŃŠøŠæŃŠøŃ Š±ŃŠ» Š½Š°ŠæŠøŃŠ°Š½ Š¼ŠµŠ¶Š“Ń 1415 Šø 1436 гоГами, ŠæŃŠøŃем наиболее Š²ŠµŃоŃŃŠ½Š¾Š¹ ŠæŃŠµŠ“ŃŃŠ°Š²Š»ŃеŃŃŃ Š±Š¾Š»ŠµŠµ ŃŠ°Š½Š½ŃŃ ŠøŠ· ГвŃŃ Š“Š°Ń, ŃŃŠøŃŃŠ²Š°Ń ŃŃ Š¾Š“ŃŃŠ²Š¾ ŃŃŠ¾Š¹ ŃŠ°Š±Š¾ŃŃ ŃŠ¾ ŃŃŠøŠ»ŠµŠ¼ Ā«ŠŃŃŠ¾Ńий ДвŃŃŠ¾Š¹ ŠŃŃŠøŠøĀ» в ŠŠøŠ½Š°ŠŗŠ¾Ńеке в Š¤ŠµŃмо. ŠŃли облик боковŃŃ ŃŠ²ŃŃŃŃ ā ŠŠ¾Š°Š½Š½Š° ŠŃеŃŃŠøŃŠµŠ»Ń Šø ŠŠ¾Š°Š½Š½Š° ŠŠ²Š°Š½Š³ŠµŠ»ŠøŃŃŠ° ā Š²Ńе ŠµŃе Š½ŠµŃколŃко оŃŃŠ°Š»ŠŗŠøŠ²Š°ŃŃŠøŠ¹ Šø ŠµŃŠ»Šø они Š²Ńе ŠµŃе кажŃŃŃŃ ŠæŃŠ¾Ńно ŃŠ²ŃŠ·Š°Š½Š½ŃŠ¼Šø Ń Š¼ŠøŃŠ¾Š¼ 1300-Ń Š³Š¾Š“Š¾Š², ŃŠ¾ в ŃŠµŠ½ŃŃŠµ Š½Š°Ń Š¾Š“ŠøŃŃŃ ŠŠµŠ²Š° ŠŠ°ŃŠøŃ, ŠæŃŠµŠ“ŃŃŠ°Š²Š»ŠµŠ½Š½Š°Ń как ŃŃŠµŠ·Š²ŃŃŠ°Š¹Š½Š¾ ŠøŠ·ŃŃŠ½Ńй божеŃŃŠ²ŠµŠ½Š½Ńй иГол, окŃŃŠ¶ŠµŠ½Š½Ńй ŃŠ¾Š»ŠæŠ°Š¼Šø веŃŃŃŃŠøŃ , коŃŃŃŠ¼Ń Šø ŃŠøŠ·ŠøŃŠµŃŠŗŠ¾Šµ положение кажГого ŠøŠ· ŠŗŠ¾ŃŠ¾ŃŃŃ ŠæŠµŃŠµŠ“Š°Š½Ń ŠæŠ¾ŃŃŠµŠ“ŃŃŠ²Š¾Š¼ ŃŃŠµŠ·Š²ŃŃŠ°Š¹Š½Š¾ ŃŠ¾Š½ŠŗŠ¾Š³Š¾ ŠøŃŠæŠ¾Š»ŃŠ·Š¾Š²Š°Š½ŠøŃ ŃŠ²ŠµŃа Šø ŃŠ²ŠµŃа. The Triptych was painted between 1415 and 1436 with the earlier of the two dates the more probable given the affinity of this work with the style of the 'Stories of Santa Lucia' in the Pinacoteca at Fermo. If the appearance of the lateral saints - St. John the Baptist and St. John the Evangelist - is still somewhat forbidding, and if they seem still to be firmly part of the world of the 1300s, the centre is occupied by the Virgin presented as an extremely elegant, divine idol, surrounded by crowds of devotees, the costume and physical attitude of each of which is rendered through an extremely subtle use of light and colour.











