Jan 29
Non-writers never seem to understand the fact that characters have free will.
"you made them, just make them do what you want!"
I can't SUSAN.
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Non-writers never seem to understand the fact that characters have free will.
"you made them, just make them do what you want!"
I can't SUSAN.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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— Susan Sontag, from As Consciousness Is Harnessed to Flesh: Journals and Notebooks 1964-1980 (via lunamonchtuna)
The most amazing thing to me about Jane Austen is that she staunchly refuses to leave any woman behind. It doesn't matter if a woman is an antagonist, a side character, or what, the reader is assured that they will be okay. This is so different from fiction at the time or even now.
Marianne Dashwood, living a plot perfect for a tragic death by illness to preserve the beauty of her first attachment and disappointment? Nope, she lives and loves with her whole heart again. Maria Rushworth, the fallen woman who cheated on her husband does not die for her crimes or even fall into poverty or prostitution, her father and Aunt Norris will provide for her. She is punished, but she's protected. Lydia Bennet? Her two sisters will provide for her for the rest of her life. Her husband's debt will not destroy her. Miss Bates? There is an entire community around her no matter what happens and her newly rich niece will provide. No woman is even left as a governess, Miss Taylor is Mrs. Weston, Jane Fairfax becomes Mrs. Churchill instead. Mrs. Smith is pulled out of her indigent state by Anne and Wentworth.
The only woman Jane Austen allows to suffer a terrible fate is off-page and dead long before the novel begins: Eliza Brandon. Eliza Williams, her mother's affair baby, is ruined by Willoughby. Colonel Brandon could easily have washed his hands of her and her affair child, but he doesn't. Eliza Williams is going to be okay. Her child will be okay.
Antagonist women never fall into poverty or die for their crimes, most of them are even in loving marriages. Fanny Dashwood is cruel to her mother and sisters-in-law, one could imagine her falling low in karmic retribution, but no, she's fine. Lady Susan, the delightful anti-heroine, marries a baronet at the end of her novel. No punishment looms on the horizon for her promiscuity and deception. Caroline Bingley has a loving family that will never turn her away and an independent fortune. Mary Crawford has a loving sister. Isabella Thorpe may have lost the big prize, but she has her mother. Never is a woman thrown to abuse or poverty, even when they have attacked other women. The only punishment would come from their own conscience or regret for the goodness they have thrown away.
Jane Austen somehow imagines a world where even the worst women are safe.
movie so pleasantly surprising it made me open a drawing program again
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"Johnny loves space, Johnny loves women"
he's so real. talk your shit king
All photographs are memento mori. To take a photograph is to participate in another person's (or thing's) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt.
Susan Sontag, On Photography (originally published in 1977)