ambient sound collage consisting of on-site field recordings and hydrophone samples, etherwave theremin, and effects pedals, plus the voices of Tumblr User Beaft and sundry others (taken from a live folk music session at our local pub). all sounds used are either created by me or available as royalty-free media. the song itself is "bold riley", a traditional sea shanty and hauling song, popularised by A. L. Lloyd in 1962.
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A reef degraded by coral bleaching or disease can be revived by broadcasting audio from a rich coral soundscape elsewhere.
A reef that has been degraded—whether by coral bleaching or disease—can’t support the same diversity of species and has a much quieter, less rich soundscape.
But new research from Woods Hole Oceanographic Institution shows that sound could potentially be a vital tool in the effort to restore coral reefs.
A healthy coral reef is noisy, full of the croaks, purrs, and grunts of various fishes and the crackling of snapping shrimp. Scientists believe that coral larvae use this symphony of sounds to help them determine where they should live and grow.
So, replaying healthy reef sounds can encourage new life in damaged or degraded reefs.
In a paper published last week in Royal Society Open Science, the Woods Hole researchers showed that broadcasting the soundscape of a healthy reef caused coral larvae to settle at significantly higher rates—up to seven times more often.
“What we’re showing is that you can actively induce coral settlement by playing sounds,” said Nadège Aoki, a doctoral candidate at WHOI and first author on the paper.
“You can go to a reef that is degraded in some way and add in the sounds of biological activity from a healthy reef, potentially helping this really important step in the coral life cycle.”
Corals are immobile as adults, so the larval stage is their only opportunity to select a good habitat. They swim or drift with the currents, seeking the right conditions to settle out of the water column and affix themselves to the seabed. Previous research has shown that chemical and light cues can influence that decision, but Aoki and her colleagues demonstrate that the soundscape also plays a major role in where corals settle.
The researchers ran the same experiment twice in the U.S. Virgin Islands in 2022. They collected larvae from Porites astreoides, a hardy species commonly known as mustard hill coral thanks to its lumpy shape and yellow color and distributed them in cups at three reefs along the southern coast of St. John. One of those reefs, Tektite, is relatively healthy. The other two, Cocoloba and Salt Pond, are more degraded with sparse coral cover and fewer fish.
At Salt Pond, Aoki and her colleagues installed an underwater speaker system and placed cups of larvae at distances of one, five, 10, and 30 meters from the speakers. They broadcast healthy reef sounds – recorded at Tektite in 2013 – for three nights. They set up similar installations at the other two reefs but didn’t play any sounds.
When they collected the cups, the researchers found that significantly more coral larvae had settled in the cups at Salt Pond than the other two reefs. On average, coral larvae settled at rates 1.7 times (and up to 7x) higher with the enriched sound environment.
The highest settlement rates were at five meters from the speakers, but even the cups placed 30 meters away had more larvae settling to the bottom than at Cocoloba and Tektite.
“The fact that settlement is consistently decreasing with distance from the speaker, when all else is kept constant, is particularly important because it shows that these changes are due to the added sound and not other factors,” said Aran Mooney, a marine biologist at WHOI and lead author on the paper.
“This gives us a new tool in the toolbox for potentially rebuilding a reef.”
Adding the audio is a process that would be relatively simple to implement, too.
“Replicating an acoustic environment is actually quite easy compared to replicating the reef chemical and microbial cues which also play a role in where corals choose to settle,” said Amy Apprill, a microbial ecologist at WHOI and a co-author on the paper.
“It appears to be one of the most scalable tools that can be applied to rebuild reefs, so we’re really excited about that potential.”"
a list of some ambient experience youtube channels that don't use ai*
*as far as i know.
some of my friends have recently been lamenting that it's tough to find fun seasonal/nature ambient videos that aren't just made with ai bullshit, so i thought i'd post several channels i follow that don't use it. i hope others find it useful!
Hi, I'm Dean. I use sound, design, animation, and a lot of imagination to create immersive ambient experiences that help you escape from the
Welcome to New Bliss
___
New bliss is a channel for everyone who wants to escape from the real world and find the most blissful places. It'
Friend of cats and monsters alike. #noai
Hi! I'm Melinda, a multimedia artist and sound designer.
I make ASMR ambience videos that are sp
A collection of yesteryear-inspired cinemagraphs with historical themes, for ambience and ASMR.
Upload schedule: every 3-4 weeks.
*
What
The Guild of Ambience records and produces original ambient music and soundscapes, along with digital art and animation. These videos are us
Welcome to The Vault of Ambience – your destination for relaxing fantasy ambience, immersive soundscapes, and calming nature sounds.
This c
Welcome to Autumn Cozy, an all-season ambience channel for those looking for rest, relaxation, and coziness! My name's Autumn, and I use 3D
Calmed By Nature creates audiovisual experiences for quality sleep, deeper focus, and calming relaxation. From beautiful natural landscapes
updated 22 July 2026
🌙 A Quiet Place to Dream
Hi, I'm Laura. Welcome to my personal hideaway, Night Dreams.
Based in Italy, I’ve always been a creator at heart.
*disclaimer: i have followed these channels for several years, they've been around quite awhile before the huge influx of ai-generated ambient video channels. to the best of my knowledge, these above channels don't use ai in their creative process, per what they have stated in their respective page descriptions, re: the tools they use to create their videos, their statements about being anti-ai, etc.
Here is my first ever Vaporwave track, “Down The Boulevard”, named so because of the votes of a few cool people who chose it through Tumblr's voting system.
I am still very much a novice in this particular genre...however!
Thanks to the calming nature that this style has exerted upon me, I look forward to creating an album's worth of tracks if my health and time allow it.
Until then, though, I hope that the users below might be somewhat pleased with my efforts:
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Kicking off our first Starbound ambient soundscape with The Star Hopper Crash Site!!
I enjoy this one immensely. Maybe I’m just biased because I do personally live on the edge of a swamp/wetlands but like,,, idk something about it is really homey and relaxing to me :)