#runon

Kittygirl!Reader x Mommy!Abby

The one thing Abby loved was that you always kept yourself soft, warm, and pliant for her. When she was wound up too tight, you'd pad across the couch to roll out on her lap, and she'd lay a thick, heavy palm on your back, petting down your shoulderblades to the base of your spine, fingering between your cheeks to grab a handful of soft, supple ass.

Your head would perk up, lips all soft, drooly and parted, eyes pearl-round gone, in the special place, just how she liked it. She made quick work of your boyshorts, unceremoniously tugging them around your knees before slicking up a finger through your juices.  Her hands were calloused, thick fingers pushing through the gummy ring of your cunt and exploring you deeper, as your hungry lips grabbed on for dear life. Her other hand fumbled with the buckle of her belt, pulling it from the loop. You winced instinctively, yet she dropped it chattering to the ground as she released her belt loop. From it, the blue of Abby's thick cock sprang forward, catching you in the chin. You whined, and she used her free thumb to part your lips, craning your head to the tip.

"Gotta glaze it up for me kitty, else 's gonna hurt goin' in."

Puppygirl!Reader x Owner!Ellie

Ellie loves being high around you, calls you her little stress ball. Plops you down in the center of her thighs, just boxers and a bra separating skin from skin, and draws in gently as her fingers pad around your body. Soon, you're toppled over onto the bed, Ellie squatting down to drag your panties to the side and deposit a spit slick finger into the warm, tight, and wet between your legs.

"Fuckin' like that baby? Know you do."

Her tattoed knuckles grazing down your lips, your neck and momentarily caressing the globe of a breast before hooking into your collar and pulling you forward, ghosting trails of ivory smoke into your little mouth.

"Good girl... pretty baby."

It’s object oriented (I think. I’ve never done this before), and supports a lot of features that lisp has, including

I call it RunOn, because

The Syntax kinda looks like actual sentences, and

because the period character terminates the whole program.

Now you have Syntax that kinda reads like a run-on sentence:

*define the class DOG as being an instance of a MAMMAL with an attribute called fur_type*

ASSUME (A DOG) IS (A MAMMAL WITH (A SLOT NAMED fur_type INITIALLY “brown”);

*create an instance of a DOG named Fido.*

ASSUME fido IS (A DOG);

*Fido has Spotted fur now.*

SET (THE VALUE OF (THE SLOT OF fido NAMED fur_type)) TO “spotted”;

*pretty-print the object tied to the name fido to STDOUT (me).*

DESCRIBE (THE DOG NAMED fido) TO me.

* ——> “fido is a ‘dog’ with ‘spotted’ fur_type.”*

Also, each keyword (purple, blue, and green) takes only one argument, but expects a certain number of other keywords whose definitions change based on the context of the operators before it as well as the values given to those keywords. I did this for a couple of reasons:

Because it does a good enough job at forcing an English-like syntax,

It allows for methods specializing on all kinds of aspects of the data to be implemented, but more importantly

Because if I didn’t give myself that kind of restriction, I would’ve ended up having reinvented lisp for the third fucking time.

[ENG] Run On: Blu-Ray Commentary Behind - part 1 | part 2

I adore how the "male lead" is dependent on the gutsy female lead, quite opposite description of "how men should be according to the society". It's very intriguing how the story is pacing each character is very diverse — and they’re all able to meet as their lives cross paths.

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I love how they aren't "compatible", very different yet they resonate over this painting.

Seo dan ah describes his painting as “dark and foreboding” — a statement which Yeong-hwa never objects to, but weirdly agrees with it.

Kdrama icons: Run On

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Lee Yeoung-hwa mostrou que quando ninguém sabe quando irá acabar, apenas se sente, e se não sentiu, é porque não terminou.

Ki Seon Gyeom me mostrou que nunca é tarde para aprender e a nunca se arrepender do que foi feito.

E a Seo Dan Ah provou que quando o coração sente, nada se pode fazer para mudar isso, mesmo que diga 100x para a razão, o coração sempre vai sentir.

Finais felizes talvez não existam realmente, mas o percurso é uma maratona longa, onde cada passo decide o pódio na linha de chegada. Tudo que acontece nessa jornada serve para amadurecer (Lee Yeoung-hwa que o diga), mas nada disso é possível se não tiver amigos ao lado incentivando cada passada. Ou ainda, como Dan Ah disse, qual o seu objetivo? O seu sonho? Qual o motivo de estar nessa maratona? O que te espera na linha de chegada?

Cultivar amigos na maratona é essencial para concluí-la. Ser verdadeira, fazer o que quiser fazer sem deixar que outros ditam o seu sonho, ou diga como será sua vida, é ainda mais importante.