The Shutter Shak, built in 1976, L.A., housed a photo developing business, now houses a camera museum.

seen from United States
seen from China
seen from United States

seen from Singapore
seen from China

seen from United States
seen from United States

seen from Canada

seen from United States

seen from Italy

seen from United States
seen from United States
seen from Türkiye

seen from United States
seen from Russia

seen from United States
seen from China
seen from South Korea
seen from United States
seen from China
The Shutter Shak, built in 1976, L.A., housed a photo developing business, now houses a camera museum.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Q&A: Frost Prioleau, CEO Of Simpli.Fi Demand-Side Ad Platform
Q&A: Frost Prioleau, CEO Of Simpli.Fi Demand-Side Ad Platform
Frost Prioleau is CEO of Simpli.Fi, a demand-side ad platform based in Fort Worth, Texas, that handles all kinds of online advertising from desktop display to mobile to the hottest new platforms, Connected and Smart TVs. TVRev talked with Prioleau about the huge jumps in ad spend his company is seeing especially on Connected TV during the pandemic, what kinds of programming is working best, and…
View On WordPress
Currently, programmatic thought imposes itself everywhere. Both natural as well as cultural sciences tend to show that every finalistic and causal “explanation” is condemned to failure. Finalistic explanations have failed because they explain the present according to the future, that is, the concrete according to the abstraction “not yet.” And causal explanations have failed because they explain the present according to the past, that is, the concrete according to the abstraction “no longer.” It is possible to observe the same imposition of programmatic thought within the arts. Every current tendency demonstrates that reality is progressively experienced as an absurd game of chance, as a “happening.” But it is above all in the field of politics that the imposition of programmatic thought reveals its essence. If society’s behavior is progressively experienced and interpreted as absurdly programmed by programs without aim or purpose, the problem of freedom, which is the problem of politics, becomes inconceivable. From a programmatic perspective, politics, and therefore history, comes to an end.
Vilém Flusser- Post-History
Advertisers take action on brand safety
Brand safety concerns are growing. According to a survey commissioned by Oath and conducted in April by the research firm Advertiser Perceptions, 99% of advertisers concerned about their ads appearing in brand safe environments, and 58% said they were more concerned about brand safety this year than they were in 2017.
Oath learned advertisers thoughts on brand safety, and the action they are taking to ensure the integrity of their brands through the survey.
Check out the Brand Safety Infographic to find out more.
For more information or advertising inquiries, please contact us.
add custom header , footer into table view (ios)
my review points is 8/10

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Machine Learning is Critical in Programmatic Advertising
Machine Learning is Critical in Programmatic Advertising
If programmatic advertising is the car you are driving, machine language is what you will find powering your vehicle. Not all buying services and advertising agencies use it, and not all the ones that do can get the job done efficiently. Make sure the company you partner with has the right tools and the knowledge to use them.
Algorithms can process massive amounts of data, analyze what it does,…
View On WordPress
Oscar Romero's Update: Growing Sustainably: Q&A with Gavin Stirrat, VP Europe, Partner Services, OpenX http://dlvr.it/QT7qQ3
Constructed in 1941, the Idle Hour Café building is a two-story, barrel-shaped building constructed in the Programmatic style. The building was commissioned by Universal Studios film tech Michael D. Connolly and built by Silver Lake engineer George F. Fordyk.
Michael D. Connolly, the original owner/builder, was a film technician for Universal Studios, creating daily rushes for movie directors. In 1940, he acquired the land in North Hollywood for his Café and Tap Room, less than two miles from the studio. Connolly and his wife Irene would live above their new venture in a small apartment built into the head of the barrel, completed in 1941. On December 7, the United States was attacked at Pearl Harbor and Michael enlisted as a cook in the Merchant Marines. Upon his return he and Irene divorced. Irene continued running the café into the 1960s. Late in that decade it was renamed Rudy’s Keg.
In 1971, the building was purchased by renouned flamenco dancers Jose and Dolores Fernandez. The pair redecorated the dining room to create a dinner theater called La Caña. The restaurant closed in 1984 but Dolores continued to live in the upstairs apartment until 2009. The building would be shuttered for over 27 years.
In 2010, the City of Los Angeles designated the Programmatic style building Historic-Cultural Monument No. 977. The following year the "1933 Group" purchased the property and by 2015 the fully restored barrel-shaped building would once again open as the Idle Hour Café.
The barrel was actually once a more common type of mimetic architecture; local examples included The Barrel Inn, 1525 San Fernando, 1927; Twin Barrel Drive-in, 7200 Beverly Blvd., 1932, Giant Barrel, Los Angeles, 1935; as well as other examples around the country. The Idle Hour is the last remaining barrel-shaped structure in the Los Angeles area.
http://waterandpower.org/museum/Early_Views_of_the_San_Fernando_Valley.html