after extensive research concerning the question is Measure for Measure a tragicomedy or a romance, I have come to the conclusion that it is indeed a Hot Mess and Shakespeare flipped genre convention the bird and called it a day
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after extensive research concerning the question is Measure for Measure a tragicomedy or a romance, I have come to the conclusion that it is indeed a Hot Mess and Shakespeare flipped genre convention the bird and called it a day

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Warren Mitchell as Shylock in BBC Television’s Shakespeare (1980). Mitchell is one of the few actors to portray Shylock who is also jewish in real life.
Years later, he would portray the character again in a BBC Radio 4 production.
He is my favorite Shylock.
I love the concept of the problem plays so much.
First of all, it’s basically a bunch of academics looking at a play and deciding “yeah, I don’t know, this seems a little problematic to me.” And then just cancelling the play.
Second, it implies the existence of non-problematic Shakespeare plays. Which, DUDE. These were written in ELIZABETHAN ENGLAND. THEY’RE ALL PROBLEM PLAYS. THEY ARE RIPE WITH PROBLEMS.
Like damn. It’s just such a stupid and hilarious concept and that’s what I’m thinking about today at one in the morning.
Oscar James (Priam) on stage during a preview of 'Troilus and Cressida' directed by Trevor Nunn. London on 15 March 1999.
(Photo by Peter Jordan - PA Images/PA Images via Getty Images)
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The Tempest
(1963)
Derek Smith as Stephano, Roy Dotrice as Caliban and David Warner as Trinculo.
@amalthea9 @ardenrosegarden @superkingofpriderock

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Edric Connor as Gower in Pericles, Prince of Tyre
(Royal Shakespeare Company, 1958)
Edric Connor was the first black actor to perform in the Royal Shakespeare Company.
@ardenrosegarden @princesssarisa
Ian Holm as The Young Shepherd in The Winter’s Tale.
(The Winter’s Tale, The Royal Shakespeare Company, 1962).
Ian Holm as Tróilus.
(Tróilus and Créssida, The Royal Shakespeare Company, 1962).