Jul 13
"let's run away together" enjoyers when the characters don't make it out
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"let's run away together" enjoyers when the characters don't make it out
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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geocaching is not free anymore sadly, most apps/websites have been paywalled, charlotte it was magical. you go outside and you find a little treasure and you get to sign the log of other treasure hunters and you leave a trinket to take a trinket
wait like its literally not free now????????? we need to firebomb phone
I think movies like After (and the following series), the Kissing Booth (and its sequels), etc, etc, were hated and reviled so much because they were mislabelled as romance. They're not romance. They're tragedies.
I love happy endings, dont get me wrong, I love love love them. But there's something about a tragic ending when you know ahead of time that it's going to have a tragic ending, beautiful and such good angst. (I'm not a fan of surprise twist tragic endings. Or tragic endings you never see coming or the dumb bury your gays ending. I like tragic endings where you know the tragedy is going to happen since the beginning)But it also ups the happy small moments in the story. It makes you picture the characters being happy even more. Its like you want the angst and tragedy, but at the same time want the happiness? If that makes sense. But because when you see people in tragic endings you see love pouring out so much more. You can truly believe these characters truly love each other because they want to be with each other at the end. It makes me think of bitter chocolate. You want the sweet and the sour at the same time. Why I love love the untamed and wangxian because thats what you get. You get the sad tragic angsty ending but also your otp gets to live happily ever after.
Seneque
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i've been listening to hadestown again recently, and i think one of the (many) things it does well is really dig into why tragedies are such effective stories for us. from what i've heard, most people who go to see hadestown will likely have, if not already listened to the songs, at least heard of the myth of orpheus and eurydice. at least know that it doesn't end well. and yet people still cry at the ending, even when they knew, logically, that it was coming. because the point of tragedies is to make you hope, and then snatch that hope away.
it's like. the line 'maybe it'll turn out better this time,' is, imo, what fully encapsulates this; we know full well how it's going to end, but we allow ourselves, in the moment, to think that it might still end happily. it's a sort of suspension of disbelief. the most effective tragedies i've read aren't sad or hopeless all the way through -- maybe hamlet will still kill claudius without further bloodshed. maybe frankenstein and his creature will reconcile. maybe they'll make it out.
tragedies necessitate hope.
I feel like we have to cover that just because it has a happy ending doesn’t mean it can’t be a tragedy