He was trapped. Ensnared, caught in a claustrophobic containment unit in the Fenton's lab.
It was easier to refer to them that way. He couldnât mess it up after so many months.
Green eyes trailed around the lab, particularly to the ghost portal that swirled innocently in the corner, and Danny felt a painful twinge down his spine. He didnât want to be here. Especially not near that. Sure, heâd been through the portal many times into Amity Park, but heâd never really spent much time in his parentsâ their lab.
His thoughts were trailed off when his motherâ Maddie stood up from her workbench, turning and glaring at him harshly.
Once, those eyes wouldâve been staring at him with motherly love, but now they grimaced with aversion for the being he was. Memories that felt like years ago â really only months ago.
What Maddie said next made him freeze.
âI need your help, ghost.â The woman almost snarled, a gun clenched in her hand. What? Her asking him for help?
Normally, he wouldâve said yes, and his shoulders tensed, but this was closer than heâd ever been and they could find out â he just wanted to forget. Why couldnât they leave him alone?
The gun in Maddieâs hand whirred lightly, probably waiting for a protest if he wouldnât comply.
Danny found himself making the stupidest decision heâd made ever since he stepped into the portal.
âFine. What do you want?â
Unsurprisingly, the huntress seemed surprised at his easy compliance. Dropping the gun, the woman turned back to a workbench, and Danny peered curiously over, trying to get a look at what she was picking up.
Infront of the unit, Maddie lifted a square piece of paper, holding it for a few seconds so he could read it.
Danny almost lost his balance mid air in shock.
His mouth went sour as his eyes traced down the paper, reading it rapidly again and again, as if it was some sort of facade. The teenager shouldâve known he wouldâve expected it by now, but he just couldnât.
Look at what youâve gotten yourself into, you idiot!
The white haired boy inwardly cursed, his eyes directing back to Maddie, praying that she was just joking. But, she most definitely was serious. And if he refused.. well⊠his eyes averted to the discarded on the floor.
âI need you to help me find my missing son.â Maddie said plainly. âYou might know him? Danny Fenton, 14. Black hair, blue eyes.â
She held the picture back up again, the photo of his human self staring meekly back.
God, I was such a wimp back then. Danny gazed at the poster, interrupted by a cough from Maddie.
âIâll let you go, and you will help find my son. If you donât, then Iâll make sure you never see the light of dawn ever again.â said Maddie, her eyes narrowing as she glared at him, pulling her goggles over her head.
Terror filled his veins, and Danny curled inwards, floating in the middle of the containment unit. God, he was in such a mess. He couldnât tell them, heâd been here the whole time when theyâd been painstakingly searching, and then there was the extra deal of being a ghost, with ghost hunter parents.
He wanted to be flying right now. Flying made him feel free, as if could go anywhere, see all the stars and have no limits to freedom.
And now heâd compromised that by being so stupid and rash. He shouldâve stayed away. Danny wondered if it wouldâve been better if he just hadnât stayed in Amity Park. It wouldâve been better for everyone.
Because any answer to Maddies plea would change things. The gravity of the situation hadnât hit him until now. Of course, there wouldâve always been risks, but it had been months, heâd be fine around the Fentonâs, they had a truce with him. And it wasnât even that they were attacking him, but theyâd unintentionally put him in a problem he couldnât get out of.
Outside the unit, Maddie coughed, and Danny set down on the floor, making his decision.
He stared at the paper in her hand.
This would change everything. Whether he wanted it to or not, the web of lies would unravel one day.
Taking a deep breath, Danny took the plunge.
âIâll do it.â
Maddie let out a neutral nod, her eyes firm with fire of determination. She wanted to find her son.
Danny wavered nervously. He already had a countdown going off from when heâd have to tell the truth.
After all, itâs a difficult secret to keep that heâs been dead for six months, while his family search, unaware that heâs the ghost that haunts them.
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Another story with a plot twist ending. This is for everyone who asked for something similar to my Anglerfish-Hybrid!Reader story
Based on a true story. Cw for blood, murder
The contract comes through back channels- the kind that donât leave paper trails.
Private security needed. Remote estate. Long term placement. Competitive compensation. Discretion required.
Price reads it twice before passing it to Ghost, who reads it once and grunts.
âToo vague,â Gaz says when it reaches him. âNo specifics on threat assessment, no client background, no- â
âSheâs offering triple the going rate,â Soap interrupts, scanning the attachment on his phone. âFor what sounds like fuckinâ babysitting.â
The client photo is attached. A young woman, maybe late twenties, with soft features and nervous eyes. The kind of face that photographs well, pretty in an understated way, the type men want to protect.
Or ruin.
Price drums his fingers on the table. Theyâre in a shit pub in a shit part of Manchester, the kind of place that doesnât have cameras and doesnât ask questions. The kind of place men like them end up after everything else burns down.
Theyâd all gotten the same unofficial discharge. No trial. No publicity. Just a quiet severance and an understanding that theyâd never work for any government agency again.
The things theyâd done had been necessary, Price told himself. War makes monsters of everyone. Theyâd just been better at it than most.
Better, and worse at hiding it.
âClient is female, alone, no security infrastructure in place,â Ghost observes. His voice is flat, but Price catches the interest underneath. âRemote location. No witnesses for miles.â
âSheâs scared of ghosts,â Soap adds, grinning around his beer. âSays the house is haunted. Hearâs things at night.â His grin widens. âPoor lass.â
Gaz shifts uncomfortably. Heâs the one who still has enough conscience left to feel guilty about the direction this conversation is heading. Not enough to stop it. Never enough to stop it.
âWe taking it then?â he asks.
Price looks at the photo again. Soft. Vulnerable. Isolated.
âYeah,â he says. âWeâre taking it.â
They arrive on a grey afternoon, the kind where the sky and the hills bleed into each other until the world is nothing but shades of colorless damp.
The estate rises from the moor like something out of a gothic novel, all stone and sharp angles, towers that serve no purpose, windows that reflect nothing. The driveway alone is half a mile, lined with trees so old their branches tangle overhead into a tunnel.
âFuck me,â Soap breathes. âShe lives here alone?â
The house is massive. Victorian Gothic, maybe older in places, with additions that donât quite match: a wing here, a tower there, rooms that jut out at odd angles like the architect couldnât decide when to stop building.
Or like theyâd been following instructions from someone who didnât think in straight lines.
Price pulls the truck around the circular drive. There are no other vehicles. No lights in most of the windows.
The front door opens before they reach it.
You stand in the doorway, backlit by the warm glow of the foyer, and Priceâs first thought is that you look smaller in person. More delicate. Youâre wearing jeans and an oversized sweater, hands twisted together, smile uncertain.
âYouâre here,â you say, and your voice is soft, relieved. âIâm so glad. I was starting to think- â You cut yourself off, laughing nervously. âSorry. Iâm rambling. Come in, please. You must be freezing.â
The foyer is beautiful. All dark wood and oil paintings, a chandelier that probably weighs more than their truck. The kind of old money that doesnât need to announce itself.
You introduce yourself, shaking each of their hands. Your grip is gentle. Your palm is warm.
Price watches your eyes when you look at them, all four of them, big men, scarred and dangerous even in civilian clothes. You should be nervous. Wary.
You just look grateful.
âThank you for coming all this way,â you say. âI know the job posting was vague, but I didnât know how to explain without soundingâŠâ You trail off, biting your lip. âCrazy.â
âWhy donât you start from the beginning,â Price suggests, voice gentle. Paternal. âTake your time, love.â
You do.
You inherited the estate three months ago from a distant relative youâd never met. A great-great-aunt or something, the family tree was complicated. Youâd been living here for two weeks, trying to sort through centuries of accumulated belongings, and-
âThings happen,â you say quietly. âDoors that I know I left open are closed. Rooms that are freezing cold for no reason. I hear footsteps at night in the hallways, but when I check, thereâs no one there.â You wrap your arms around yourself. âI know how it sounds. But I swear, thereâs something wrong with this house.â
âYou live here alone?â Gaz asks.
âYes. The previous caretaker staff left before I arrived. Something about not being paid in months, but all the accounts are current, so I donâtâŠâ You shake your head. âDoesnât matter. Point is, itâs just me. And I donât feel safe.â
Ghost hasnât said anything, just watching you with that unnerving stillness he has. You meet his eyes once, then look away quickly, color rising in your cheeks.
Good, Price thinks. Be nervous. Be afraid.
Itâll make everything easier.
âWeâll do a full sweep of the property,â he says. âCheck the perimeter, test the locks, set up a security protocol. Youâll be safe. I promise.â
The smile you give him is luminous with relief.
âThank you,â you whisper. âReally. Thank you.â
You show them to their rooms in the east wing, you explain, close together. Your room is in the west wing, you add, then immediately seem to regret mentioning it.
The rooms are pristine. Four poster beds, heavy furniture, attached bathrooms with clawfoot tubs. The kind of luxury that makes Soap whistle low under his breath.
âLass is loaded,â he says once youâve left them to settle in. âDid you see this place?â
âEmpty though,â Gaz observes, sitting on the edge of his bed. The mattress doesnât even creak. âToo big for one person.â
âToo isolated,â Ghost adds. Heâs at the window, looking out over the grounds. Nothing but moor and forest for miles. âNo neighbors. No cell service.â
âChecked that already?â Price asks.
Ghost holds up his phone. No bars.
âShe mentioned the landline works,â Gaz offers. âIn the library.â
Price nods slowly, mind already working. Isolated. No witnesses. No way to call for help except a single landline they could cut at any time.
âWeâll take it slow,â he decides. âGet her comfortable. Let her trust us.â
âAnd then?â Soapâs grin is sharp.
âThen weâll see how grateful she really is.â
Later, dinner is laid out in a formal dining room that could seat twenty. Youâve set places for five at one end, candlelight making the crystal gleam.
Youâve cooked. Roast chicken, vegetables, fresh bread. The kind of meal that takes hours.
âYou didnât have to go to all this trouble,â Price says.
âI wanted to.â You pour expensive wine, from a bottle without a label. âYouâre doing me a huge favor. Itâs the least I can do.â
The food is incredible. Soap tells you so between bites, and you smile, pleased.
âMy family was big on traditional cooking,â you explain. âRecipes passed down for generations. Some of these are centuries old.â
You eat delicately, like you were taught etiquette. But Price notices your eyes track each of them as you eat. Watching. Cataloging.
Prey behavior, he thinks. Trying to figure out the threat.
After dinner, you give them a tour of the main floor. The library with its floor to ceiling shelves. The sitting room with its massive fireplace. The conservatory with dead plants in ancient pots.
âI havenât had time to care for them,â you apologize. âIâm not much of a gardener.â
The house is a maze. Hallways that branch and turn back on themselves. Doors that open onto other doors. Rooms that seem to serve no purpose, too small for furniture, too large for storage.
âEasy to get lost,â Gaz comments.
âVery,â you agree. âIâm still finding new rooms. Yesterday I found a whole wing I didnât know existed.â You laugh, but itâs strained. âThis place is ridiculous.â
By the time you show them back to the east wing, Price has mentally mapped maybe a third of the ground floor. The rest is a labyrinth.
âIâll let you get settled,â you say, pausing at the base of the stairs. âMy room is in the west wing if you need anything. Third floor, end of the hall. Thereâs only one door, you canât miss it.â
Youâre telling them where you sleep. Where youâll be alone. Vulnerable.
You donât seem to realize the danger in that.
âSleep well,â Price says.
You smile. âYou too.â
They donât sleep.
Price gathers them in his room once the house goes quiet. Ghost reports what he found during his âbathroom breakâ earlier: the windows are original, single pane, easy to break. The doors have old locks, the kind you can pick with a hairpin. Thereâs a servantsâ staircase that connects all the floors, hidden behind a panel in the hallway.
âNo security system,â he concludes. âNo cameras. Nothing.â
âSheâs got money but no sense,â Soap observes. âLiving out here alone, no protection.â
âNot anymore,â Gaz says quietly.
They look at each other. They donât need to say it out loud. Theyâve done worse than what theyâre thinking. In war, in peace, in the grey spaces between. This is just one more thing.
One more sin that wonât matter in the end.
âWe take our time,â Price orders. âBuild trust. Let her depend on us. Then- â
A sound cuts him off.
Footsteps. In the hallway. Slow and deliberate.
They freeze. Ghost moves to the door, cracks it open.
The hallway is empty.
But the footsteps continue, receding down the corridor. Getting fainter.
Going toward the west wing.
Ghost steps into the hall, following the sound. The others trail after him.
The footsteps stop at the end of the corridor. Where the hallway branches.
Thereâs no one there.
âWind,â Gaz says, but he doesnât sound convinced.
âOld house,â Soap adds. âSettling.â
Ghost says nothing. Heâs looking at the wall where the footsteps stopped. Thereâs a door there, narrow, almost invisible in the paneling.
He tries the handle.
Locked.
âLeave it,â Price orders. âWeâre not here about ghosts.â
But as they return to their rooms, Price catches a smell. Faint. Metallic.
Like old blood in the walls.
***
Morning comes grey and cold.
Youâre already in the kitchen when they come down, humming softly as you flip pancakes on an ancient stove. Youâre dressed in soft clothes again: leggings, an oversized cardigan, fuzzy socks. Your hair is pulled back in a messy bun.
You look even younger in the morning light.
âI hope you all slept well,â you say, smiling over your shoulder. âI made coffee. Strong, I hope thatâs okay. And thereâs tea if anyone prefers.â
The kitchen is warm, full of the smell of butter and vanilla. Soap drops into a chair at the worn wooden table like he belongs there.
âYouâre spoiling us, lass,â he says.
âYouâre keeping me safe,â you counter. âFair trade.â
Breakfast is easy. Comfortable. You ask them about their background, military, you already know, but what kind? Where did they serve?
Price deflects, keeping it vague. You donât push.
âThe house,â Ghost says abruptly. âYou said youâve only been here two weeks.â
âYes.â
âBut you knew about the servantsâ stairs. Last night, you mentioned a wing you found yesterday.â
You pause, spatula halfway to the plate. âI⊠yes. Iâve been exploring. Thereâs a lot to see.â
âHouse this size, youâd need months to map it properly,â Ghost continues. His eyes donât leave your face. âBut you walk through it like you know where youâre going.â
Something flickers across your expression. Too fast to read.
âI have the original blueprints,â you say. âIn the library. They help.â
Itâs a reasonable explanation.
Ghost doesnât look convinced.
After breakfast, you show them those blueprints, massive sheets of yellowed paper spread across the library table. The house is even bigger than they thought. Four floors, not counting the attics and cellars. Wings that branch off like fractal patterns. Rooms within rooms.
âChrist,â Gaz mutters. âWho builds something like this?â
âMy ancestor, apparently.â You trace a finger along the main hall. âShe started construction in the late 1500s. Kept adding to it for decades. Some of these additions donât even make sense architecturally.â You point to a tower that seems to serve no purpose. âThere are staircases that go nowhere. Doors that open onto walls. Itâs like she was building a puzzle instead of a house.â
âShe?â Price asks.
âFamily legend says it was a woman. Very wealthy. Very private. They say she died here, actually, walled up in one of the rooms.â You say it matter of factly, like itâs not horrifying. âNo one knows if it was suicide or murder.â
âCheerful,â Soap mutters.
You laugh. âSorry. I know itâs morbid. But the house has history. Dark history. I think thatâs why it feels soâŠâ You trail off, looking around the library. The books rise to the ceiling, leather bound and ancient. âWrong.â
âWeâll make it right,â Price assures you. His hand settles on your shoulder. You donât pull away. âThatâs what weâre here for, love.â
You look up at him with such trust it almost makes him feel guilty.
Almost.
They spend the day doing a security assessment. Itâs legitimate work: checking locks, testing windows, mapping sight lines. But it also gives them an excuse to learn the house. To understand the layout.
To plan.
Ghost finds the first oddity in the east wing. A door that, according to the blueprints, should open into a bedroom. Instead, it opens into a narrow hallway that isnât on any of the plans. The hallway ends at another door, which opens back into the same corridor they started from.
âThatâs not possible,â Gaz says, looking between the blueprint and the actual space. âThe dimensions donât work.â
But they do. Somehow.
Soap finds the second oddity in the cellar. A wine rack that swings out to reveal a passage behind it. The passage leads to a room thatâs empty except for a drain in the center of the floor.
Just a drain. And walls that show faint, rusty stains.
âThe fuck is this?â Soap asks, but no one answers.
Price finds the third oddity on the second floor. A bathroom with a massive clawfoot tub, Victorian fixtures, and a smell that makes his skin crawl. The same metallic scent from last night, but stronger here.
Thereâs a cabinet beneath the sink. Inside are bottles, old glass, hand labeled in faded ink. He canât read the language.
He doesnât take anything. Just closes the cabinet and leaves.
By evening, theyâve barely covered a quarter of the house.
You make dinner again. Beef stew this time, with fresh bread. Youâre quiet during the meal, picking at your food.
âSomething wrong?â Gaz asks.
âJust tired,â you say. âI didnât sleep well. I kept hearingâŠ. â You stop, shaking your head. âNever mind.â
âHearing what?â Price presses gently.
You hesitate. âScratching. In the walls. Like something trying to get out.â
The silence that follows is heavy.
âOld houses make noise,â Price says finally. âPipes, wood settling, animals in the walls. Nothing to worry about.â
You nod, but you donât look reassured.
That night, Soap offers to walk you to your room. You accept, grateful.
Price watches them go, watches the way Soapâs hand hovers near the small of your back without quite touching. The way he stands too close in the narrow hallway.
When Soap returns twenty minutes later, heâs grinning.
âShe asked me to check the west wing,â he reports. âMake sure the windows were locked. Checked behind furniture like sheâs five years old.â His grin widens. âSheâs scared. Really scared.â
âGood,â Price says.
Day three, and youâre starting to relax around them.
You smile more easily. Laugh at Soapâs jokes. Let Price help you reach books on high shelves, his body warm against your back. You make tea for Ghost without being asked, remembering that he takes it black.
Youâre starting to trust them.
Youâre starting to feel safe.
Thatâs when they begin to tighten the noose.
It starts small. Soap stands a little too close when he talks to you. Priceâs hands linger when he steadies you on the stairs. Gazâs eyes track your movements in a way that should make you uncomfortable.
Ghost just watches. Silent. Present. A constant reminder that youâre not alone.
You notice. They can tell you notice. But you donât say anything.
Maybe you think youâre imagining it. Maybe you think itâs harmless.
Maybe youâre too polite to call them out.
Price starts making decisions for you. Small ones at first.
âDonât go walking on the grounds alone. Not safe.â
âStay in the main areas during the day. Some of these rooms arenât structurally sound.â
âLock your door at night. Just in case.â
You follow his orders without question. Because heâs the security expert. Because heâs there to protect you.
Because you donât realize the danger isnât outside the house.
By day five, youâve stopped mentioning the ghosts. Stopped jumping at sounds. Youâre comfortable now, moving through the house with them like theyâre part of the furniture.
You eat dinner with them every night. You sit in the library with Ghost while he reads, working on your laptop in companionable silence. You help Soap fix a loose board in the hallway, laughing when he makes a joke about his carpentry skills.
Youâre alone with one of them almost constantly now. You donât seem to realize theyâve arranged it that way.
That night, Gaz lingers after you say goodnight. Walks you to the west wing. Watches you unlock your door.
âSleep well,â he says.
âYou too.â You pause in the doorway, looking back at him. âThank you. All of you. I feel so much safer now.â
The irony doesnât escape him.
By day eight y he smell is stronger now. That metallic, organic scent that permeates certain parts of the house. Itâs worst in the bathroom with the clawfoot tub, in the cellar room with the drain, in the narrow hallways that arenât on any blueprints.
âItâs the pipes,â you say when Gaz mentions it. âIâve had plumbers out three times. They canât find the source. Old house, old pipes.â You shrug helplessly. âIâm sorry. I know itâs unpleasant.â
It is unpleasant. But itâs also familiar.
Price has smelled blood before. In sand, in mud, in enclosed spaces where it pools and congeals and rots.
This smells like that. But older. Deeper.
He doesnât mention it.
That evening, they make their decision.
Itâs time.
Tonight, theyâll stop pretending. Tonight, theyâll show you exactly what kind of men youâve invited into your home.
Theyâll take their time. Theyâll be careful. When theyâre done-
Well. No one knows theyâre here. You have no family, no friends who visit. The house is remote enough that you could scream for days and no one would hear.
They have all the time in the world.
Price pours himself a drink in the library, watching the sun set over the moor. The sky bleeds red and orange, beautiful and violent.
Behind him, Soap is checking his knife. Gaz is quiet, but his hands are steady. Ghost is just⊠Ghost. Still. Ready.
Theyâre apex predators.
And youâre just a soft, scared girl who made the mistake of inviting wolves into your home.
Price drains his glass.
âLetâs go hunting,â he says.
They move through the house like smoke.
Itâs late, past midnight. Youâll be asleep by now, alone in that big bed in the west wing. The door will be locked, but Ghost can pick any lock in under thirty seconds.
They take the main stairs, footsteps silent on the ancient runner. The house is dark except for the ambient moonlight through the tall windows. Everything is shadows and shapes, familiar now after days of mapping.
The west wing is colder. They notice it as soon as they cross into that section, the temperature drops at least ten degrees. Their breath mists in the air.
âHeatingâs out here,â Soap mutters.
âDoesnât matter,â Price says. âWeâre not staying long.â
Your room is at the end of the hall. Third floor. A single door, just like you said.
They pause outside it. Price listens.
Nothing. No movement. No sound.
Ghost moves forward, lockpicks already in hand.
The lock turns with a soft click.
The door swings open.
The room beyond is empty.
Not empty like youâre hiding, empty like no one has been there in years. The bed is made with sheets that smell of lavender and dust. The furniture is covered in cloth. The air is stale.
âWrong room,â Gaz says immediately.
But itâs not. Thereâs only one door on this floor of the west wing. This has to be it.
Unless you lied.
âSpread out,â Price orders. âFind her.â
They split up, moving through the west wing with increasing urgency. But every room they check is the same: empty, unused, covered in dust. Like this entire section of the house has been abandoned.
âThis doesnât make sense,â Soap says. âWeâve seen her come this way every night.â
âThen where the fuck is she?â Ghost growls.
A sound answers him. Faint. Musical.
Humming.
Coming from below them.
They exchange glances, then move as one toward the stairs. Down. Following the sound.
It leads them to the ground floor. To the back of the house. To a section they havenât fully explored yet.
The humming stops.
They round a corner and freeze.
Thereâs a door there. Heavy wood, iron hinges. Old. Very old.
Itâs ajar.
Warm light spills from the gap. And that smell- blood and age and something underneath that makes Priceâs hindbrain scream danger- rolls out in a wave.
Ghost reaches the door first. He pushes it open slowly.
Stone steps lead down. Down into the earth, into darkness interrupted by flickering light.
Into the place the blueprints donât show.
âSoap,â Price says quietly. âGo check it out.â
Soap grins, eager. âFinally. Thought weâd never find the fun.â
He starts down the stairs, knife in hand, boots silent on stone.
They wait at the top. Listening.
Soapâs footsteps descend. Ten steps. Twenty. The light grows brighter, warmer.
Then:
âJesus Christ.â
His voice, awed and horrified at once.
âWhat is it?â Gaz calls down.
âYou need to see this. All of you. Right fucking now.â
They descend together.
The stairs open into a room that shouldnât exist. Itâs massive, the size of the entire ground floor above. Stone walls, stone floor, ceiling lost in shadows. Lit by torches in iron sconces, actual torches, burning with flames that donât smoke.
And the walls.
The walls are covered in tools. Restraints. Devices that Price recognizes from history books about the Inquisition, about medieval dungeons, about torture chambers that shouldnât exist outside of museums.
In the center of the room is a table. Stone. Stained. And a clawed bathtub next to it.
And past that, set into the far wall, are cells. Iron bars, thick as a manâs wrist. Empty, all of them.
Except one.
Soap has stopped halfway across the room. Heâs staring at the occupied cell.
Price moves to stand beside him.
Inside the cell is a man. Older. Weathered. Wearing clothes that might have been nice once.
Heâs dead.
Not recently dead. The body is old, dried and withered. Chained to the wall by wrists and ankles.
His eyes are gone. His mouth is open in a scream that no one heard.
âFuck,â Gaz breathes. âFuck, we need to-â
âGoing somewhere?â
Your voice. From behind them.
They turn as one.
Youâre standing at the base of the stairs. Youâre still wearing soft clothes, leggings, an oversized sweater. But something about you is different. Your posture. Your expression. The gas mask on your face.
Youâre not scared anymore.
Youâre not playing anymore.
âI was starting to think youâd never find this place,â you say conversationally. âDay eight. Thatâs longer than I expected. Then again, you were⊠distracted.â
Priceâs hand moves to his weapon-
âI wouldnât,â you say. And your voice isnât soft now. Itâs sharp. Cold. Ancient. âYouâre already breathing it. Have been since you came down here. Another minute and you wonât be able to lift your arms.â
Gas. Colorless, odorless. Already in their lungs.
âWhat- â Gaz starts, then sways. Catches himself on the wall.
âOld recipe,â you explain. âFrom before your countries existed. Before your languages. Itâs very effective.â You tilt your head, studying them like specimens. âYou were supposed to corner me tonight, werenât you? Force me into a room, lock the door, take your time. I could see it in the way you moved. The way you looked at me.â
You step closer. Soap tries to move toward you and his legs buckle. Ghost catches him, but Ghost is swaying too.
âYou thought you were predators,â you continue. âFour big, dangerous men. Military trained. Probably dishonorably discharged for things you canât talk about. Things that made even your commanders nervous.â Your smile is soft. Understanding. âYouâve killed before. Youâve done worse. You thought that made you apex.â
Priceâs vision is blurring. He tries to speak, but his tongue is thick.
âIt doesnât,â you say simply. âIt just makes you bait.â
The last thing Price sees before the darkness takes him is your face.
Still beautiful. Still gentle.
With eyes that are far, far too old.
***
Price wakes slowly, consciousness returning in stages.
Heâs cold. His head throbs. His mouth tastes like copper and chemicals.
He tries to move and canât.
Restraints. Heavy metal cuffs around his wrists and ankles, chains connecting them to-
He forces his eyes open.
The clawfoot tub is directly in front of him, white porcelain gleaming in candlelight. Itâs full of water. Steam rises from the surface.
The others are there too. Ghost to his left, Soap to his right, Gaz further down. All chained to pipes that run along the walls. All conscious now, struggling against their restraints with increasing desperation.
âWonât work,â Ghost grunts. âTried already. Chains are solid.â
Price tests them anyway. Ghost is right. The cuffs are old but strong, the chains anchored deep into the wall. He might be able to break free given enough time and the right leverage, butâŠ
The door opens.
You descend the steps carrying a wooden case, the kind doctors used to make house calls a century ago. Youâve changed clothes. Now youâre wearing something that looks period: a long dress, deep red, with a corset and details that belong in a museum. Your hair is pinned up elaborately.
You look like you stepped out of a Renaissance painting.
You set the case on a small table near the tub, then turn to face them.
âYouâre awake,â you observe. âGood. I was worried about the dosage. Itâs been a while since Iâve done this.â
âThe fuck is this?â Soap snarls, yanking at his chains. âLet us go. Right fucking now.â
You ignore him. Instead, you open the case. Inside, nestled in velvet, are knives.
Medical knives. Scalpels. Tools for very precise work.
Priceâs blood goes cold.
âLet me tell you a story,â you say, selecting a blade and holding it up to the light. Testing the edge with your thumb. A bead of blood wells up. You lick it away absently. âOnce upon a time, there was a girl. A countess, actually. Very wealthy. Very powerful. Very beautiful.â
You set the knife down, select another.
âShe lived in a castle in Hungary. This was in the late 1500s, early 1600s. A time of war and plague and death.â You glance at them. âA time when people disappeared all the time and no one asked too many questions.â
âYouâre insane,â Gaz says. His voice shakes.
âNo. Iâm a survivor.â You return to the case, trailing your fingers over the blades. âThe countess, her name was Elizabeth BĂĄthory and she discovered something interesting about blood. About vitality. About the life force that runs through young, strong bodies.â
You select a larger blade. A hunting knife.
âThe legends say she bathed in the blood of virgin girls. That she killed hundreds trying to stay young forever.â Your smile is cold. âThe legends got some things wrong. I didnât need virgins. I needed strength. Vitality. The blood of warriors, soldiers, men whoâd killed and survived and had decades of life still pumping through their veins.â
Price watches you move around the room, lighting more candles. His mind races, looking for an escape, a weapon, anything.
âThey came for me eventually. Arrested me in 1610. Put me on trial.â You pause in front of the tub, running your hand through the steaming water. âAnd then they sentenced me to be walled up alive in my own castle. Bricked into a room with no door, no windows. Just a small slot for food and water that they barely used.â
âShe died in 1614,â Ghost says flatly. âElizabeth BĂĄthory died in 1614.â
Your smile widens, and in the candlelight, your teeth seem too sharp.
âThatâs what they wanted everyone to think,â you say softly. âThatâs what the records say. But hereâs what really happened.â
You turn to face them fully, and something in your eyes makes Priceâs blood run cold. Theyâre too old. Too knowing. Too hungry.
âThey sealed me in that room on December 21st, 1610. Winter solstice. Left me there to die.â You touch your chest, right over your heart. âNo food. No water after the first few weeks. Just darkness and cold and the slow certainty of death.â
You walk closer.
âBut Iâd been consuming blood for decades by then. Strong blood. Soldierâs blood from the wars that raged across Europe. The vitality was in me, soaked into every cell. It kept me alive when I should have died.â
âYouâre saying youâre her,â Price says slowly. âElizabeth BĂĄthory. Who died over 400 years ago.â
âIâm saying I didnât die.â Your voice is matter of fact. âI should have. Any normal person would have. But the blood Iâd taken sustained me. Preserved me. For four years I sat in that room, starving, my body consuming itself, but the stolen vitality kept my heart beating.â
You stop in front of Soap, looking down at him with something almost like pity.
âDo you know what itâs like to starve for four years? To feel your body eating itself from the inside? To exist in total darkness with nothing but hunger?â You tilt your head. âIt changes you. Makes you something other than human.â
Your hand reaches out, touches his face. He jerks away, but your fingers trail down his jaw with surprising strength.
âIn 1614, they stopped bringing food entirely. Assumed I was dead. The guards stopped checking.â Your smile is terrible. âSo I started digging.â
âBullshit,â Soap spits.
âFour years of accumulated desperation. Four years of superhuman preservation from all that stolen blood.â You hold up your hands, and in the candlelight, they can see faint scars on your fingertips. âI clawed through the mortar. Brick by brick. My fingers bled down to bone and regenerated. Over and over. The blood wouldnât let me die.â
You pull away, return to your case of knives.
âWhen I finally broke through, it was winter. 1614. Everyone assumed Iâd been dead for months. The castle was barely guarded.â You select the hunting knife again, testing its weight. âI walked out. Stole clothes. Stole money. And I disappeared.â
You approach Gaz, knife gleaming.
âFor 400 years, Iâve been hunting,â you continue conversationally. âItâs easier than youâd think. Do you know what men are consistent about, no matter the century? No matter the culture?â You lean closer. âThey want to fuck, and they want to fight. Those two drives make them so wonderfully predictable.â
The blade touches his throat. He goes very still.
âBattlefields are perfect hunting grounds,â you murmur. âThe Thirty Yearsâ War. The Napoleonic Wars. The American Civil War. World War I, World War II, Korea, Vietnam, Iraq, Afghanistan.â You press the knife deeper, drawing a bead of blood. âThousands dying every day. Whoâs going to notice one or two soldiers going missing? Especially if theyâre the violent ones. The ones with blood already on their hands.â
You collect the blood on your finger, taste it.
âMmm. Youâve killed recently. I can taste it. The guilt. The violence. It makes the blood richer.â
âWhy are you telling us this?â Price demands.
âBecause you need to understand what you walked into.â You straighten, addressing all of them. âIâve been doing this for centuries. Iâve refined it. Perfected it. Iâve taken blood from Crusaders and conquistadors. From samurai and Spartans. From every type of warrior humanity has produced.â
You gesture around the bathroom.
âThis house? I built it in 1596, before they caught me. When I escaped, I came back here. Itâs been in âmy familyâ ever since; distant relatives who look suspiciously like me inheriting it every few decades. The preservation spells I laid in the foundation keep it standing. Keep it hungry.â
âSpells,â Ghost repeats. âYouâre saying magic is real.â
âIâm saying blood has power. Life has power. And I learned how to take it.â You move to the center of the room. âFor 400 years, I refined the technique. Learned which blood gives the most vitality. Soldiers are best, men whoâve killed, who have violence in their veins. The more blood on their hands, the more years they give me.â
You look at each of them in turn.
âBut itâs gotten harder. Technology. Tracking devices. GPS. Cameras everywhere. Dental records. DNA databases.â Your expression sours. âThe old ways donât work anymore. I canât just pick off stragglers from battlefields. Canât seduce soldiers in taverns and leave their bodies in ditches.â
You move to the tub, running your hand through the water.
âSo I had to get creative. Private security seemed perfect, men with military backgrounds, often dishonorably discharged, working off the books. Men with violence in their past and no one whoâd ask too many questions if they disappeared.â
You smile at them, and itâs the same gentle smile you gave them that first night.
âMen exactly like you.â
Gaz makes a sound. Horror and realization.
âThe job posting,â Price says slowly. âThe whole setup. You were hunting us from the start.â
âOf course.â You sound pleased that he understands. âI researched you. Knew what youâd done. Knew how youâd been discharged. Knew you were the type of men whoâd see a soft, scared girl alone in a big house and thinkâŠâ You pause. âWell. Think what you were thinking.â
You pick up the hunting knife.
âYou thought you were predators. Thatâs adorable.â Your voice drops. âBut Iâve been hunting predators since before your countries existed. Since before your wars had names. Since before the concept of âmilitary contractorâ was invented.â
You approach Price, knife in hand.
âI am Elizabeth BĂĄthory. I have been hunting and killing soldiers for 410 years. I have bathed in the blood of thousands of men who thought they were dangerous.â The knife touches his throat. âYouâre just the latest crop.â
You pull the blade back and swing, right at his neck.
***
Six months later.
Youâre in a coffee shop in Glasgow, laptop open, scrolling through job applications.
The posting went live three days ago. Private security needed. Remote estate. Long term placement. Competitive compensation. Discretion required.
Youâve already gotten forty seven responses.
Most are garbage. Too young. Too connected. Too clean.
But then you find one that makes you pause.
Private military contractor. International experience. Specialized skillset. Discrete operations. Two-man team, prefer to work together. Available immediately.
You draft a response:
Thank you for your interest. I can accommodate a team. The estate is quite remote. I can offer accommodation during the interview process.
Could you provide more details about your experience?
You hit send.
The response comes quickly:
We can be there next week. Monday, 1400 hours.
Our experience is extensive but specialized. The kind that doesnât look good on paper. Your posting suggested discretion. We can provide that.
We donât separate.
You smile and type back:
Monday is perfect. Iâll send the address. Looking forward to meeting you both.
Send.
Your phone buzzes.
Received. See you Monday.
- König & Horangi
Based off Countess Elizabeth BĂĄthory of Ecsed and the Winchester House
The 141 as a pack- not in the found family kind of way, but in the hunting kind of way.
They spot you by accident.
Price is the first to clock you, mostly because heâs the sort who notices exits, shadows, people sitting alone. Youâre on a stool near the end of the bar, tucked under a blown out neon sign that flickers uselessly overhead. The rest of the place is a mess of dim bulbs and TV glow, but somehow the shadows around you are softer, edged in a kind of warm sheen.
Itâs probably just the jewelry.
Tiny pieces, nothing flashy on their own: delicate chain at your throat, a charm on a bracelet, thin hoops catching the light when you tuck your hair behind your ear. But every time you move, something glints. Not bright. Not gaudy. Just enough to pull the eye.
Soap follows the first flash of gold the way a cat chases a laser pointer.
âAch, look at that,â he mutters around the lip of his beer bottle, elbow nudging Gazâs. âSittinâ all by herself. Cute as a button. Like a wee rabbit waitinâ for a fox.â
Gaz leans just enough to see past him. Youâre nursing a drink, straw between your fingers, eyes on the shelves of cheap liquor like youâre reading the labels to avoid looking at anyone else.
âBeen here a while,â he says. âCame in just after we did. No oneâs come up to her twice.â His brow creases. âKeeps looking at the door, though.â
Ghost says nothing, but heâs watching too, tracking the pattern: every time the door opens, your head lifts and your bracelet catches the dark, giving a quick, soft flash. When you realize whoever walked in isnât who you were hoping for, your shoulders fall. You go back to tracing the rim of your glass.
Nobody comes to sit with you. Nobody stays near you for long.
Too alone. Too pretty. Too jumpy.
Easy.
Price takes it in, slow and steady.
Pack instinct kicks in before any of them say the word. They donât need to say anything to align on the same thought. Itâs in the way their focus narrows, the way their chairs angle subconsciously toward you. A hunting posture, dressed in civilian clothes and half finished drinks.
Theyâre not the soft, found family kind of pack people romanticize. Theyâre the other kind; the kind that closes around a target without thinking.
âCould just be waitinâ on her boyfriend,â Gaz offers, because heâs the one who says that sort of thing, even if he doesnât quite believe it.
âShe wouldnât still be here if he was worth a damn,â Soap replies. âLook at her. Fellaâs either stupid or blind.â
Ghost watches your fingers. Youâre not fidgeting like a practiced flirt; youâre rolling the straw wrapper tight, tight, tight until the paper is an over wound thread. The kind of nervous habit you donât perform for attention; it just happens.
âDoesnât matter,â Price says, deciding for them. âPlace like this, someoneâll try their luck eventually. Might as well be us.â
Us, not me.
Price drains his glass and stands. âCâmon,â he says. âBefore some drunk fucker with worse intentions gets there first.â
Soap grins. Gaz pushes off the bar. Ghost follows.
The four of them rise together, scatter of chairs on sticky floor, their approach casual enough not to spook you, coordinated enough to close off any direction that isnât toward them.
You feel them before you see them. The bar is loud- music, clinking glass, too many overlapping conversations- but when they move, the noise tilts. You feel a shadow fall across your little island of dim light.
You look up- and up- and up.
âEveninâ, love,â Price says, taking the middle, anchoring your attention. His voice is warm, edged with something rough. âThis seat taken?â
You look at him, eyes wide, and for a heartbeat he can see the thought stutter through your head: I should say yes. I should lie.
Then your gaze skips over his shoulder, across Ghost, over Soapâs grin, to Gazâs more cautious face. Four of them. All big. All dangerous, in the way that sets off every alarm bell youâve ever had.
Your fingers tighten around your glass. Up close, theyâre even more intimidating. Big men, all of them. Broad shoulders. Scarred knuckles. The casual alertness that says theyâre dangerous even when theyâre pretending not to be.
Your throat works around a swallow.
âN-No,â you say, barely loud enough to be heard over the music. âUm. No, itâs not.â
You donât move away when he takes the stool beside you, though. Thatâs the first little surrender.
Up close, he can see the jewelry looks even smaller. A fine chain resting in the dip of your collarbone, charm nestled where his eyes keep dropping. A tiny stud in your ear that catches the barâs dim light and winks at him whenever you turn your head.
âGood,â Soap says, dropping onto your other side like youâre the natural center of their group. âBe a shame to leave such a lovely lass sittinâ on her own.â
Ghost leans against the bar behind you, silent. Gaz drifts just off your shoulder, close enough that if you tried to slip down from the stool, youâd have to brush past him.
You donât realize youâre boxed in. Not yet.
âQuiet night for a girl like you,â Soap says lightly, accent softening the words. âYou waitinâ on someone?â
You pick at the napkin under your glass. âI was. My friend bailed, though, soâŠâ You give a little shrug, embarrassed. âJustâŠfinishing this before I head home.â
âThat right?â Price nudges your drink with a knuckle. âLet us get your last one, then. Call it a good deed.â
Your instinct is to refuse. You start to shake your head. âOh, no, thatâs okay, I donât wanna- â
âWe insist,â Soap cuts in, already nodding at the bartender. âSame again for the lady.â
You fluster. Youâre not used to this kind of attention. Your necklace glints when you duck your head, catching the dim light in a quick flash at your throat.
âThank you,â you murmur when the fresh drink appears. âYouâŠyou donât have to.â
âWhat if we want to?â Price asks, lips tipping. âBit rough, a girl like you alone in a place like this.â
You huff a nervous laugh and twist the straw wrapper tighter. âC-could say the same thing.â
Gaz huffs a small breath. âWeâve got each other.â
âPack of us,â Soap adds, grin widening.
âOh.â You glance at all of them again, as if that just made them more intimidating. âThatâsâŠnice.â
Price watches the way your shoulders hunch, the way you angle your knees toward the bar, as if youâre half expecting someone to bump you. âThank you again.â
âSâokay lass,â Soap grins, leaning in. âWeâre not that scary once you get to know us.â
You look at the mask, the beard, the scars at Soapâs throat, the quiet calculation in Gazâs eyes.
âYouâre a little scary,â you admit, voice trembling around the edge of a nervous laugh.
Something pleased curls through Ghostâs chest at that, dark and satisfied. Good. You should be.
âGood instincts,â he says. âMost people donât have âem.â
You fluster, ducking your head, and when the bartender sets down the fresh glass, the cube of ice inside catches just enough of the overhead light to bounce it up, up, directly into the small crystal at your wrist. It flashes once, sharp, a pinpoint of brightness in all the gloom.
You talk.
They ask easy questions- about your job, about living near the river, about why you stayed when your friend left. You answer in fits and starts, words tripping, always circling back to sorry and I donât usually and this is weird, right?
Every time you move your hands, the charm at your wrist gives a soft, quick gleam. Every time you turn your head, the little studs in your ears catch the barâs failing lights.
They like how nervous you are. How your voice trembles when Soap leans in to tease you. How you canât quite hold Ghostâs gaze for long. How you keep saying you should go home but never quite stand up.
Youâre not sure how to extricate yourself now that four strangers with war in their posture have decided youâre interesting.
âYou got far to walk?â Price asks, casually, after a while. âWeâre headed out soon.â
You hesitate. Lie on the tip of your tongue: I drove or Iâm just around the corner or My boyfriendâs coming.
You donât say any of it.
âI live a few blocks away,â you admit. âDown by the river.â
At that, four pairs of eyes sharpen. Enough distance to get you alone. Enough darkness. Not so far that youâll get suspicious if they offer to walk you.
âNot safe on your own at this hour,â Soap says immediately.
Gaz gives a low, almost gentle snort. âYou seen the lot that hangs around near the bridge at night? Nah. Weâll walk you.â
You start to protest, shoulders curling, fingers twisting in the strap of your bag, but he cuts you off with a small, easy smile.
âLet us be gallant, yeah? Last good deed of the night. Then weâre gone.â
You donât have a good reason to argue with that, and they can see the moment your resistance folds.
âO-Okay,â you say. âIfâŠif you want to.â
Price drops some notes on the bar, more than enough to cover their tab and yours. You slide off the stool, nearly bumping into his chest as you steady yourself. His hands go to your hips without thinking, big palms warm and firm, catching you before you can stumble.
âThere you go,â he murmurs. âGot you.â
You look up at him from under your lashes, throat working around a small, flustered sound. He feels you tremble, just a little, like a skittish animal not used to being held.
He squeezes, once, possessive.
Then they take you out into the night
The city is wet from some half hearted rain earlier, pavement slick, puddles glimmering in the bruise colored light of far off streetlamps. You walk in the middle of them without being told to, instinct or training or simple common sense putting you where youâre most boxed in.
Price on one side, Ghost on the other, Soap just ahead, Gaz at your back.
You keep your bag strap clutched tight, thumbs stroking the worn fabric. Every now and then your knuckles bump Priceâs hand, and every time, he has to stop himself from catching your fingers and not letting go.
âWe do this for everyone, you know,â Soap jokes lightly, shoving his hands in his pockets. âItâs a community service. âWalks For Strays.ââ
You huff a startled laugh. âIs that what I am? A stray?â
He glances over his shoulder, eyes raking down your body in a way thatâs anything but subtle. âAye. You wandered right into our path, didnât you?â
âCouldâve been anyone,â you say.
Price knows thatâs not true.
He remembers the way his gaze kept snagging on you all night, how hard it was to keep his eyes from drifting back whenever you lifted your drink and the light slipped over your rings. How Ghost, normally content to sit with his back to the room and watch every corner, kept glancing in your direction.
You donât seem to know what to do with that. Silence falls for a few steps, your shoes splashing through a shallow puddle that sends a little fan of water up your calves. The reflection shivers there, ripples of light from the lamp above breaking apart and reforming, broken stars at your feet.
When you step up onto the drier pavement again, one of those broken stars lingers, caught on the thin chain at your ankle until it fades.
âHere,â you say softly after a while, nodding toward a side street. âThis way.â
The road narrows, buildings rising up on either side. Fewer lights. Fewer people. The riverâs smell rides the air, damp and metallic.
Price feels that familiar shift in his chest: the one that comes at the end of a hunt, when the world narrows down to the target and the terrain and what comes next.
You donât notice. Youâre too busy watching your footing, stepping around a cracked bit of pavement, apologizing when you bump Soap with your shoulder.
You stop in front of an old brick building with a cracked stoop and a single tired bulb over the door.
âThis is me,â you say, turning to them with that same small, uncertain smile. âUm. Really. Thank you. For walking me.â
âBe rude to leave it here,â Soap says, tongue in his cheek. âYou could at least offer us a cuppa, hen.â
Your eyes widen. âOh! I, um. I mean, my place is a mess, I wasnât- â
âWe donât mind mess,â Gaz says.
Price takes a half step closer, not touching you, but close enough that you have to tip your head back to look at him.
You donât meet his eyes. âI donât know,â you say honestly. âIâve neverâŠâ
You bite your lip. Nervous. Thinking. You look at each of them, one by one, like youâre weighing something heavy.
You trail off, skin heating, shame and something else crawling up your neck.
Price files that away like itâs intel. Never. Never taken strangers home. Never done something like this.
But sheâs out here, with four men twice her size, letting them walk her into the dark.
You could fumble the lock and slip inside alone, door closing in their faces. You could make up a boyfriend, a roommate, a brother.
You donât do any of those things.
You nod. Tiny, decisive.
ââŠOkay,â you whisper. âFor a little while.â
The satisfaction that rolls through them is dark and mutual.
âGood girl,â Price murmurs before he can stop himself.
You flush all the way to your ears and fumble the key in the lock. When the door finally gives, you laugh, flustered. âSorry. My hands areâŠâ
Sheâs shaking, he thinks, pleased.
They follow you inside.
The hallway is dim and narrow, the overhead light bare and buzzing.
âSorry,â you say, starting up the stairs. âThe landlord keeps saying heâs going to fix the lights on the second floor and then never does.â
âTypical,â Gaz mutters.
On the landing, the bulbs are all dead. The only light seeps up from the stained glass window in the stairwell, painting everything in a murky, underwater wash. It brushes your face when you glance back at them.
For a second, your eyes seem to catch it and hold it, pupils blown wide, irises gleaming oddly in the blue green.
Then you blink, and itâs gone.
âThis is me,â you say again, stopping at the first door on the left. You unlock it and push it open into darkness. âIâll get the- oh. Right. Sorry. The hall light doesnât reach in here. One second, the lamp isâŠâ
You reach inside, patting the wall, fingers feeling for a switch that isnât there. The four of them stack behind you, big silhouettes in the narrow hall.
âHere,â Price says, hand settling at the small of your back, guiding you in. âWeâre not afraid of the dark.â
You give a breathy little laugh. âI kinda am,â you admit. âJustâŠdonât leave me standing in it, okay?â
The words make something low in Ghostâs chest twist in a way he doesnât examine.
âThatâs not on the agenda,â he says.
You step fully into the apartment. The dim hall light dies as the door swings almost shut behind them. Shadows swallow everything; the noise of the city outside muffles.
âLampâs by the sofa,â you mumble. âJust- hang onâŠâ
They hear you move. The soft thump of your bag dropped on some surface. The scrape of your shoes toed off. Your voice, closer to the center of the room now.
Something inside them unwinds. This is familiar: dark rooms, unknown layouts, a targetâs breathing somewhere just ahead. They relax into the predatory rhythm without even meaning to.
Soapâs hand finds the back of the sofa in the dark. Gazâs foot bumps into the edge of a low table. Ghostâs fingers twitch once, reminding themselves thereâs no weapon in them tonight.
âYou sure you paid your electric bill?â Soap asks, laughing under his breath when the first lamp you try doesnât click on.
You huff. âFunny. It worked this morning. I think the bulb just-â
The sentence cuts off.
The silence that follows is sudden and heavy.
âLove?â Price says. âYou all right there?â
You donât answer immediately.
Then, from deeper in the room: âYeah. Yeah, IâmâŠhere. Just- donât move for a second, okay? Itâll be easier if you let your eyes adjust.â
Thereâs a new note in your voice. Not exactly different- still soft, still gentle- but smoother. Calmer. Like something let go.
They stand still, obedient without thinking about it.
The dark presses in.
Slowly, shapes begin to tease themselves out- the paler rectangle of a window, the looming outline of a bookshelf, the shadowed bulk of the sofa.
And you.
Youâre standing a few feet away, turned toward them. The faint light from the street outside brushes your outline but doesnât quite touch your face. For a breath, you look exactly like you did at the bar- small, bare armed, hair falling around your shoulders, the delicate chain at your throat a dim line in the gloom.
The glint of your jewelry answers the glow- your necklace, your bracelet, your rings all picking up that strange, pale color and tossing it back in miniature. It slides over your features, revealing them in slices: the curve of your mouth, the bridge of your nose, the line of your cheek.
Your smile is small.
And wrong.
Itâs too wide. Not grotesque, not cartoonish; just a fraction beyond human, the corners of your lips pulled back enough to show teeth that look a shade too long, too thin. Not blunt little herbivore teeth, but fine, needled things that catch the strange light the way deep water catches moonshine.
Priceâs hand, half lifted, stills.
âTurn the lamp on,â Ghost says, voice low. A command, not a request.
You tip your head.
âNo,â you say, almost apologetically. âI donât need it.â
The room seems to shift around that answer. The air grows heavier, cooler. The smell of the river outside seeps in under the window frame, only itâs stronger now, richer, like true seawater. Salt and depth and something briny underneath.
The moonlight bleeds in through the window slightly and the faint glow it throws off reveals more details now: the way your pupils have narrowed to vertical slits in eyes that gleam with their own internal shine; the faint, opalescent pattern under your skin along your throat and collarbones, like scales lying just beneath the surface; the way the chain at your ankle has gone almost luminescent, the bones of your bare feet pale as the bellies of deep fish.
Priceâs mouth goes dry.
âWhat are you?â he asks, very softly.
You tilt your head again, studying him.
âYou know those fish,â you say, âwith the little lanterns? Way down where itâs too dark for anything else to shine?â You give the necklace a small, idle flick, and it swings, hypnotic. âThey sit there for hours, justâŠwaiting. Letting the hungry things come to them.â
Soapâs pulse roars in his ears. Gaz swallows. Ghost takes a single, measured step forward like heâs testing how real this is, how dangerous.
You watch him do it. The glow stretched over your face makes your smile seem sharper.
âI didnât want you to think I was anything but innocent,â you go on conversationally, as if explaining something simple. âThatâs important. If the prey knows the hook is there, it wonât bite.â Your gaze roams over them, four big men in a strangerâs dark living room, shoulders tense, instincts finally whispering wrong, wrong, wrong far too late. âDo you know how many things in the deep are drawn to light that wonât harm them? To something that looks small, harmless, soft? They canât help it. Their brains arenât built to resist.â
The last word curls like smoke, amused.
âYou made yourself pretty,â Ghost rasps, fingers digging into his palms as he fights the instinct to step closer. âSo weâdâŠcome to you.â
You tilt your head, pleased. Brilliant boy. Youâve always liked the wary ones. They make the best meals. The most satisfying captures.
âOf course I did,â you say. âThe abyss doesnât chase. It waits. It shines.â You tap your chest lightly with the tips of your fingers. âI just had to sit in the right bar long enough. Predators always think theyâre the only ones hunting.â
Your own teeth catch the glow when you smile wider.
âAnglerfish donât chase,â you say, almost gently. âWe wait. We shine.â
The little necklace hangs there, bright and terrible in the pitch black of your living room, and Task Force 141 realizes far, far too late that they never chose you at all.
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