Oh my god Gammigoo existed just to make the audience accept characters finding "meaning in life" despite being digital copies with no meaningful relationships and reasons to start enjoying the circus
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One more thing about ‘Ya She’ that makes no sense in an oddly pleasant way:
As someone who enjoys sweet escapist fix-it fanfiction, I can appreciate staying away from anything truly dark and disturbing;
but, as someone who had to sit through 2 semesters of Drama Theory, I wonder why the screen adaptations – especially the live-action one, which underwent extensive rewriting anyway, – would still chose to trudge through all those ultimately irrelevant side-quests, instead of diving directly into the good stuff.
>SPOILERS<
I mean, personally, I wouldn't actually want to see Su Beilu turn evil –
but that's kind of the point, isn't it? Fusu isn't evil, he just holds on to different values that Bi Zhi too used to share –
and accidentally getting over the very person you have been obsessing over for thousands of years makes for a pretty cool character arc.
Also, from this point of view, I finally get why in the book the Doctor has to be the only reincarnation who survived to adulthood, although the intra-plot explanation for that is flimsical at best.
Which, in a roundabout way, backs up the life-action adaptation's decision to give them that extra age gap,
thus skipping the ‘sweet agony of loving the idea of lost love’, – and simply giving Bi Zhi gentle realization that he's allowed to love different people in different ways, even if that too is doomed not to last.
Sometimes I have to laugh. This right here is not a metaphor but an actual sentence. Thinking about using these characters as a foreshadowing device tho. It would be so funny.
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I really hate that they used Root as a plot device twice. First they killed her so Finch would finally act. Then they dug up her cochlear implant so that Samaritan can find the location of the subway 🥲
Let me ramble about the complexities of free will, baby
Hypnotised vs hypnotist. Mind controlled vs controller. New thrall vs brainwasher. Possessed vs possessor. Glitching android vs new programming. New branch vs collective hivemind. Unwilling host vs invasive parasite. Vessel vs entity.
Consenting and eager vs struggling and desperate. Happily gets off on it vs screaming for mercy, freedom, help. Pleasurable and relaxing vs horrifying and agonising. Duty bound and proud vs sacrificed and afraid.
Nobody noticing vs everybody noticing. Obvious and glaring vs subtle and discrete. Kept in their usual form vs twisted behind recognition. Speaking as themselves vs lost to the controller. Aware vs unconscious.
It’s so versatile and complex, you can do it so many ways and have no two be quite the same!!!!!!
Anyone else find the "I don't wanna die alone so I'm not going to tell anyone about me getting infected" trope annoying as hell? Like, I understand that you don't want to die alone. Nobody wants to die alone. That doesn't mean you should put everyone else at risk too! Just tell them your infected and that once the infection takes over, to kill you then. You could still enjoy your last moments with them and not get them killed. A win win. I kinda understand wanting to just off them on the spot because of the risks, but still. I think the trope is just dumb when we could just TALK ABOUT IT AND FIND A SOLUTION!!! Also, you could use that as a way for the main characters to be more hasty in find a cure. Or if they weren't looking for a cure, well now they are. Plot devices that don't include stupidity!
