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won't you give me something to sing about?
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⚠️‼️ I feel like we aren’t talking enough about Buffy and Spike intertwining fingers in OMWF while everyone else was just holding hands 👀♥️
The demon Sweet from "Once More, With Feeling" really is one of the characters of all time. He's one of the only villains in the series to just fully beat the good guys. He exudes a miasma that causes the people around him to uncontrollably burst into musical numbers so hard some of them explode. He can tap dance. He gets the episode's title drop. His story is resolved when he goes, "Well, it looks like I've made all of your lives worse in a small but significant way, my work here is done," and then leaves.
don’t get me wrong Anthony Stewart Head is incredibly talented & I love Giles & I do GET what they were going for with his part in Once More with Feeling but also…. It just does not work on ANY level narratively if you think about it even at all.
If we treat it as a face value story without any additional meaning or metaphor (a read I usually reject with Buffy, or at least support only with caveats): Giles has been paid to be Buffy’s mentor / watcher for years. A role which Buffy has actively advocated for & helped him get payment back for after he was fired. She’s also the one always saving the world while he does the mentoring. This is NOT a generous read on Giles wanting to leave the second it looks like Buffy might need some adult support after her mom just died & she herself was just raised from the dead.
And like…. If we zero in on the allegory element & focus on the narrative meaning it’s NOT better: As a story about coming of age & pushing someone to stand on their own? *** You mean pushing the fresh out of a suicide attempt 21 year old to raise her teenage sister & fully support her other adult friends including financially completely without the aid of any parental figures? Oh I’m sure.
It’s just so annoying because I do GET the read the writers were hoping for with Giles as this sympathetic adult with *no choice* but to step back & let Buffy stand on her own. but it just. does NOT work. Especially after season 4 already HAD the “what do we do with Giles” arc & we SAW he was very bored & useless on his own & BUFFY actively got him his job back.
at least give the man something in Britain to go back to. like he couldn’t even have a family crisis or something to do with his old ripper life come up. ok
"first he'll kill her then i'll save her/first ill save her then i'll kill her" the lyrical bane of my existence. what's it like? where does it lead you? like is he initially saying that every night he saves her. that she's going to keep getting killed and dying and he's going to go through in his mind quicker better ways to save her endlessly tormented by what he failed to do over and over. is the next line suggesting that he's going to literally save her to genuinely kill her because what happened with that whole thing or have her or whatever he thinks kill means because he knows that when buffy is dead he'll feel nothing except deep sorrow or is he questioning if the reason why he felt that grief was because he could have saved her but failed to and his desire with wanting to kill her remains. help me helpppppp
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Under your spell
bonus...
Where do we go from here? 🎶
The background images are interesting. There are no random choices on TV.
I suck at analyzing these kind of things, but I’m sure there’s something that could be said about Spike being on the side of the innocent angel-like character behind him, while his whole journey at this point was about being good despite the lack of soul, and Buffy being next to the image of a woman fighting, same way she was struggling to find her place again in this world, in season 6.
