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Morja did not⦠care⦠for medical facilities. In general they were not an ideal place for a diathesimos to be. The fact that he might need medical attention was a personal failing, on his part, but he did feel ever so slightly resentful that Cobi would even insist that he needed it after such a minor injuryā
No, he couldnāt think like that. Where had the thought even come from? Cobi was his superior, obviously Morja needed to obey. Just, heād had worse wounds that had never neededāCobi was right and Morja was wrong. He should stop thinking about it, clearly all it was doing was getting him worked up.
Maybe the injury was worse than he thought. Maybe heād gotten concussed with the black eye, and he just didnāt realize it. Maybe thatās where all these errant thoughts were coming from.
Sarai entered the room and Morja did not flinch, but felt a faint horror at the fact that he almost had. He knew better! He was better than that, better than this. Sarai was talking to him, he should be listening.
āāty black eye, so he wanted me to check on it. Your vision feeling okay?ā
Morja nodded and swallowed, not trusting himself to speak. She was washing her hands. Drying them, pulling on gloves. He willed his heart to stop its pace, to slow, slow down, even slightly, but he could feel his pulse in his ears and with each throb of his new bruise.
āGonna touch it.ā
Morja held himself deliberately still, body tense, iron grip on his own breathing which threatened to turn loud and ugly and fast, spiral out of control. If he let himself slip for even a moment, he would spiral entirely and utterly out of control. He couldnāt. He knew better, he was better. Her fingers on his face felt distant, almost tingly. His whole face, actually, felt tingly. Numbish. He willed his heart to stop. His breathing to stay normal.
āFollow this with your eyes,ā she ordered, her tone mercifully firm and impartial. It gave Morja something to cling to, as his body seemed to betray him, his thoughts errant and wrong. He made himself watch the tongue depressor she lifted, and moved first from side to side, then up and down, then in a slow circle. He clung to it like a drowning man, the order, the motion, the fact that he was obeying, he obeyed, he could obey. The hair near his temples felt like it was being yanked, like it was pulled into a too-tight ponytail. His lungs squeezed like he was suffocating, but he continued to breathe deliberately, slowly.
God knew what would happen to him if he allowed himself to crack in front of a doctor.
The doctor was Sarai. He knew her. She was kind to him, sheād always been kind to him, she wouldnātāhe wasnāt in New Athens anymore. Things were different here. He knew that. He was sweating. He felt cold. She was examining him, tilting his head gently, and it was the only movement he could allow himself. He couldnāt disobey her.
āHey, Morja,ā the glove was cool on his cheek, but he couldnāt move even to lean into it. If he tried to move heād crack, and if he cracked right now heād shatter all over her floor, āyour eye looks fine. You good, honey?ā
āIāā briefly, almost, the concept of asking for rest passed his mind, āI just need to sleep it offā so common a phrase here heād nearly parroted it, āāam fine, Doctor. Thank you.ā
āYeah alright. Go sleep this one off, okay?ā See? There was that phrase again. āYou seem in good health but take it easy the rest of today.ā
āYesām,ā he got out. He didnāt know how he managed to force his tongue to shape so many words. He could only pray they would be enough.
āHey,ā she said, stepping back and stripping off her gloves, Morja feeling his fingers begin to tremble. āYou donāt have to be embarrassed, okay? Everyone gets black eyes, and Cobi fusses each time. No oneās looking down on you.ā
Morja didnāt have the mental capacity to try and puzzle her words into making sense. He just got up, praying heād guessed right, that this was a discharge, a dismissal, and silently departed the room. She didnāt stop him, and Morja made himself move very slowly, very deliberately, keeping his pace even and measured like he was taught, until he was all the way back to the little quiet space theyād given him as āhisā and finally allowed himself to shatter.
well, folks! ššš after a year of waiting (i moved, whoops, donāt judge me) here is an update on how our boy morja is doing after being dragged away to answer for (alleged) crimesā¦happy whumptober ššš„ŗ
whumptober 2025 | no. 8 | self-inflicted injury / held at gunpoint / dissociation
title insp. by ālate poemsā by margaret atwood - āmost poems are late of course: to late, like a letter sent by a sailor that arrives after heās drowned.ā
CW: head injury, blood, conditioning, institutional whump, allusions to whump of minors, held at gunpoint, allusions to past abuse, fear of noncon, fear of torture, nonconsensual nudity, false arrest, strip search, death (my boy does some graphic onscreen murderā¦)
~
Whatever happens next, he can take it. What comes next, what is done to him, he has to take it. He has no choice but to take it.Ā Ā
And he will have to face it alone.Ā
That thought slips, sand underfoot, when his arms are wrenched behind him, the click of Brax- the Captainās office door closing behind him, the cold of the hallway beyond and all that awaits him.Ā
The emptiness of their face. Their words closing behind them. Their office, warm and still, closing out him, all his blood and shame.Ā
Heās alone.Ā
He shivers, prickles on his bare arms, the black of his clothes sticking to his skin. Another click as his arms are pulled back, as cold metal closes around his wrists, tight. Words that should pull his attention float past, listless, in the low whine that hums in his ears, closes around him like the cuffs, like the hallway, like the two bodies on either side of him.Ā
All that he can feel is the wetness of his shirt, somehow, heavy and cold and clinging. Itās not his blood he should be worried about, the blood of the ones he killed, the blood of the one he carried, thatās all browning-drying-cracking on his shoes, his face, his fingernails.Ā
He knows he can take the spasm through his right shoulder, sharp, hot, familiar, the pucker of hidden scar throbbing when his arms are wrenched back and up as Commander Jorah bends him at the waist (knows every minute of the stretch will just be stabbing heat in the shoulder, the arm, the neck, the collarbone, steady as a heartbeat). It is best to accept it because he knows he can take it. He sways, grunting shamefully, tilted back upright by a hand, enormous, that spreads across his chest and rights him.Ā
Morja should be listening: he canāt think.Ā
ā¦Hey, whatāre you?- thatās- thatās not necessary, Jorah, right?-
Cobi, please donāt fight me on it, just get this over with so we can get back to her-
Donāt bend him like that, man, just- weāre just walking him, donāt be like that, know youāre m-mad but donāt fucking do that-Ā
ā¦Fine. Fine.Ā
What is the use listening when it wonāt matter? Understanding what theyāre saying wonāt change what happens.Ā
Morjaās chin drops down to his chest. Even not bent in half like the Commander wanted to walk him down the hall - smart, less leverage for Morja to resist that way - he is still- he can still show respect. Head down. Eyes down. Marched like a disobedient signee who has to be dragged to the pole for correction.Ā
Or led you into a trap, we donāt knowā¦orders to follow anyway, not for you or Iā¦decide what happensā¦
Each jarring thud of his heartbeat makes him colder. Blood pulsing out of the slice in his side, not fatal, not vital. The tight fold of his undershirt packed against the wound has long since soaked through by now. Will they staple it up? If they want him awake - Morjaās stomach turns again, tucking his chin tighter against his chest.Ā
If they want him awake for what theyāre going to do to him, theyāll have to stop the bleeding.Ā
No matter what, there will be pain. There will be punishment. Pain is pain. Today or tomorrow, worse or better. He will still have to take it.
His head spins and if not for the grip on him, he would stagger. Good thing Morja isnāt under his own control. Good thing they are holding him back.Ā
A dog is chained when it bites at a hand.Ā
Any hand. A beating hand. A feeding hand. It is not his to bite.Ā
Why did he think he could hunt on his own?Ā
Doesnāt he know what the chain is for? How people get hurt when you reject your own good?
His legs fail for a moment and he stumbles, only the grips of his superiors keeping him from falling to the floor and the shame-heat in his chest at needing to be held up like this marching down hallways is washed over by plunging cold as heās taken around the corner. A place where there are no private quarters. All white metal bars, rooms that contain but do not hide, that leave anyone inside open to all who walk past.Ā
The brig.Ā
How shiny and clean this cell was when he was brought to this place, how much these rooms didnāt look like they had ever been usedā¦as if just waiting for someone like him.Ā
His head spins. Hands cold, prickling, in their cuffs. The whining pitch in his ears gets louder, muffling, words on either side of him humming in and out.Ā
āā¦Pfeffer. Pfeffer.āĀ
āMhmm- s-sorry, um, hands-ā
Big, big fingers fumble on the cuffs, the grip on his wrist slipping off. Tries again, unlocking. Morjaās hands are numb, only feeling the touch through the jostle. He blinks fast, dryly, wrists flexing as his fingers try to uncurl from their fists to not be a threat when heās unlocked.Ā
It wonāt matter, he thinks, unable to breathe through the ringing in his ears.Ā
There is no way to brace for what is coming.Ā
āFuck. Hey, Cobi? Hey? Go get yourself water, yeah? Take a breath, take a beat. Come back.ā
āOkay. Okay. J- Jorah, be chill? Be chill, Iām o-okay. Um. Gonna get water.ā
Heavy footsteps walk away and the grip on his arm goes so tight Morja canāt feel his blood go through it. He can hold his wrists behind his back as he is pulled into the cell. He can keep his head bowed. He can- he can obey, show that he will take it-
The pain that is coming, the punishment about to break him open, Morja canāt avoid. As his stomach rises into his throat, his eyes go dark for a moment as what is coming, the screaming, the pleas, the blood, the breaks, rolls over him.Ā
Obeying wonāt save him now.Ā
~
Obey. He knows how to obey. Itās so familiar too, gun in hand, hand raised, the muzzle steady and shining and level with its target.Ā
The building that was supposed to be only trainees- onlyā¦only boys full of men in dark suits and calm voices and their commands echo against the walls same as they always have.Ā
It was so familiar, right? His hand doesnāt shake. Of all things, not on a weapon, never on a weapon.Ā
On her knees, hands raised behind her head, small and strong and she trusts him. The target- the mission- Claudia. She trusts him and she doesnāt look afraid. Jaw ticcing, fingers balled into fists, but sheās looking right at him. Right up at him and thereās no flinch. Morjaās ears hum, lips tingling, his bad shoulder throbs and his good shoulder holds steady as it should.Ā
āWhereās the rest of the party, dickwads?ā She calls out, a drawl with no tremble. Morja is close enough to see the muscles of her fingers relax and contract. āYouāre not much fuckinā fun.ā Her eyes donāt leave Morjaās face and theyāre dark and round like- why is she looking at him like that?Ā
The hand squeezes, soft leather on skin, pinching. His heartbeat throbs and his flesh is pulled taut around him. Pinned in place. Fixing up. Tightening him up.Ā
āHave you told them about this place? Its purpose?ā
Cold sand to crawl through. Hot sun to run under. Sharp wire and concrete hallways and a room where they choose which boys- which candidates will make it.
āWell, it matters very little now, coincidentally. This yearās stock wasā¦ah, lacking. No candidates worth the shape weād whip them into. Not every kid can be a winner, can they?āĀ
A soft laugh and his neck is released and Morja does not draw in a gasp. Heās too well-trained to breathe.Ā
He canāt breathe.Ā
āYou sick fucksā¦ā Claudia breathes and Morja blinks, once, twice, and the sharp exhale from waist-height is not where the second rush of air comes from, his lungs contracting in his chest, a muscle that is failing to work well. āYou killed-ā
āOh, donāt be dramatic, Legionare. Jesus, what kind of sob stories has this one been feeding you?ā Someone snorts, smile in his voice, edge of the room, only exit, hand too loose on his gun, finger not on the trigger. No armor. āThis isnāt summer camp. You pass the fitness tests or you donāt, not everyoneās fast enough to dodge-ā
That gloved hand is held up and the room falls silent.Ā
The horrible thing is that Morjaās finger curls around the trigger before he thinks. His body works - what does he need to think for? Why does he need to think at all? Heās been given a command.Ā
The target- Claudia- the woman on her knees jerks backwards, thatās common for them to do, but stills and her eyes are dark and burning and they stare up at him like he wonāt do it.Ā
āMorja?āĀ
He wonāt. He wonāt pull the trigger, is the thing, but his finger curled. It did. He canāt say it didnāt, is the thing that is hot in his chest, hotter than the burn in her eyes he canāt look away from. He canāt move.Ā
Dangerous. Morja knows what happens when you strain at the leash. When you think you know better about what your teeth are for.Ā
Remembers when nothing filled his chest up like obeying, like hearing anything close to well done. Glad to be useful. Glad to have a job to do well.Ā
Why canāt he move? Why canāt he point the gun away? Why canāt he shoot her? Why canāt he answer? His arms and legs are stiff, heavy, chest-deep in water heavy, his hand hurts, his head hurts.Ā
āDonāt gotta listen to him, Morja, you donāt have to fuckinā listen to him.āĀ
Doesnāt he?Ā
Her lip is bleeding. They hit her in the mouth when they put her on her knees. She struggled and they hit her.Ā
āIf you donāt want to be whipped until you wish you were dead, you miserable fucking idiot, shoot this bitch in the head right now-ā
āFuck this, itās broken. Iāll do it myself.ā
The man across the room raises his gun.Ā
Too slow.Ā
Morja is faster.Ā
The manās gun falls from his hands and then his body falls to the ground a moment later, blood pouring out of his throat, red hands clutching at the blade buried in his throat.Ā
He doesnāt need to be as accurate with his left hand when the target is so close. Two more knives against his thigh. Two more men in the room, two guns, and Morjaās leg catches onto Claudiaās body almost quick enough.Ā
Almost.Ā
He almost pulls Claudia down to the floor, out of direct fire, with his foot while spinning.Ā
Morjaās gun turned to shoot one man in the head, blood spraying out of the new hole in his head even before his body drops.Ā
Bang, bang as one, two, bangs from his left and even as he spins on his heel.Ā
He curls his body to arch over Claudia.Ā
Tries to block the bullets and even as a blade flies from his hand towards the threat, he isnāt fast enough that the familiar scar-pain twinging through him knocks his aim off by a half an inch.Ā
Not fast enough that one shot does not catch him, kevlar catching the bullet with a blow like a kick slammed into his middle.Ā
Not fast enough that when she rolls to the floor, she misses the second shot that the handler man got off.Ā
The other bang catches up with Morja in the moment he thuds to his knees beside Claudia - oh, that is where the second shot went - and one hand presses over where the blood pours out, hot and red and so much, one hand pressing against the gash along the back of her head. A choked sound comes out - is that from his mouth? - as he puts pressure on the wound.Ā
No. No. No.Ā
Her dark skin is pale and cold, no warmth at all, and she is so still under the sheet. How can there be no movement at all? How could they not see she should be saved?Ā
No. No, thatās not her- this is Claudia and sheās warm and shaking and alive and her eyes flutter, gleaming up at him. Her weight falls against his shoulder, solid and small, and he catches her. Blood gushes between his fingers and he presses hard, hard, keeping it inside her, he has to keep it inside her.Ā
Iām sorry, Morja wants to say. I shouldnāt have let this happen, he should admit. I failed you, he should confess.Ā
āGn- Moāaā¦?-ā
āIām sorry,ā Falls out of, choking that useless word, over and over.Ā āIām sorry, Iām sorry?-ā
āGeā me outta here?ā¦ā
Dark eyes look up at him without accusation - how? - and her curled-up fist presses into his shoulder. Morjaās breath whispers out of him, like a sob if he were capable of that, and her blood-slick knucles brush up against his cheek.Ā
The friend-punch that she does.Ā
The light in her eyes is dull but itās there, still there, and her breath puffs hot against his cheek, lips pale, as her head dips, flops against his chest, close enough that he can barely hear.Ā
āGeā meā¦homeā¦ā
Get me home.Ā
Claudia goes quiet in his arms and her fingers slide slickly away from his face but sheās alive. Morjaās arms tighten around her, pressing against the gash until the pulse of blood slows. Rolling his shirt, binding it around her head, stopping the blood.Ā
He counts the six bodies between him and the exit into the tunnels, counts the bullets in his gun (ten) and the guns (two) he takes off the bodies in the room (fifteen per magazine), counts his knives (four) still strapped to his thighs.Ā
Yeah - he can do that.Ā
Sheās alive. She is going to be fine. This time, she will be fine. Morja will make it so that, no matter what it takes, Claudia is fine.Ā
ā¦
A horrible rush of air pushes out of Morjaās lungs as his chest hits the edge of a table.Ā
Dull heat throbs from his wound and then all through his body, driving the blankness from his mind. Fog tries to roll over him, darkness scattering under the edge of his lids, and is wrenched away again as two kicks to his ankles make him whimper. Blinks and sees, he has slipped into darkness in the moments between the open door and ending up across the tiny steel ledge, a crude desk, in the wall.Ā Ā
āYouāre not getting away that easy, you rat fuck.āĀ
Oh. Yes. He forgot for a moment that heās about to wish he was dead.Ā
āDonāt fucking pass out on me yet.ā
Familiar sharpness pulses through his scalp as the Commanderās hand yanks his head back until his back arches. Even through the water burning in his eyes, Morja can see a twisted mouth, slitted eyes, an expression impossible to be anything but a rage that hollows him out inside.Ā
āYou shot her? Huh? You shot Claudia?ā
No, no, no and it must come through his mouth because the Commander grips his neck so hard Morja feels nails cut into the skin before his head is slammed, driving the air out of him again, into the cold of a steel table.Ā
āIām gonna get license to blacksite your ass for this, Asset,ā Jorah hisses against his ear, hot and close and quiet. āYou hurt my team, my fellow soldiers. You hurt my friend. Youāve never been hurt before, you traitorous fuck.āĀ
āāMsorry-ā
Fuck, Morja thinks heāll be sick. He doesnāt have the focus to gag, dizzy and reeling. The tilt of his stomach, the cold that stretches out and out inside him, swells up, clogging his throat and his chest. That fear and the throb of his ribs pulls another whimper from him as he opens his mouth, breathes through the urge to vomit.Ā
As if he should give them another reason to punish him.Ā
āHands up on the table and donāt fucking move them.ā
Morjaās hands press to the cold steel, obeying, fingers curling around the edge like heās holding on. What could he hold onto that he wonāt be dragged away from? Feels the Commanderās hands drag up his inner legs, feel at his ankles, press over the waistband of his pants, a harsh crackling sound echoing against the walls as the fastenings of the vest are ripped open, wrestled off, tossed to the floor - the blood on it is dry.Ā
Each throb of Morjaās side is a sickening pulse in his head now and even that canāt drive out the thinking about it. It doesnāt ever, ever help to think about it. But- but he canāt help but think about it, breath fast and fogging up the steel beneath him as his hands are jerked one wrist at a time behind him again (cross them and if you make a move, I swear to Christ, give me a reason). Heās a coward, he is a coward who canāt help but not want it to happen when he deserves it and he canāt stop thinking about how pain hasnāt started yet.Ā
His ankles are open wideā¦will someone step between them? Will it be right away, how many, will the Commander, will Cobi, will others?Ā
Will he be strung up from the bars in the ceiling, swinging from his wrists as his back is split open by blows, as his legs and chest and stomach bruised and then welted and then bleeding?
With the stun batons surge fire through his skin, again and again, leaving him twitching, soiled, blistered?Ā
Morjaās cheek burns against the desk, head turned to the side, eyes blurred and pitiful noises jerked out of him. His head is thick and buzzing, canāt think, as he feels his boots yanked off. Hears the snick of a knife being drawn. Cold air bites his legs as his pants waist band is cut through, the buckle of the belt hitting the floor with a clink that rings so loud he jerks in a flinch, making the knife knick his back as it glides up, up the back of his shirt, up the length of each sleeve.Ā
He doesnāt mean to, he doesnāt mean to, but he feels so sick and so dizzy and his ribs already hurt so much before they have even been hit, but seeing the big, so big, heās so big, shape of Cobi through the bars, his breath wheezes out higher and thinner, faster and faster and faster and faster.
He wonāt struggle, he wonāt struggle, he will hold still and he wonāt struggle, he wonāt beg them to stop, this is a punishment, donāt cry now, donāt whine now, donāt even think about struggling, nononopleasepleasepleasesorryplease-Ā
āWhat are you doing?!-ā
āStrip-search, whatās it look like?āĀ
Nopleasesorrypleasesorryplease-
āItās okay, Morja, itās okay, donāt gotta be sorry- what in the hell, Jorah, we donāt do that?-ā
IāmsorryIāmsorryIāmsorry-
āWe? No, Cobi, this is my job, I have to determine if heās a security risk before-ā
āBefore what?! He- heās not armed, we dunno if he did anything yet-ā
āThis is protocol.ā
āWho cares, youāre scaring him, being a dick for no reason, Jorah, this isnāt you-ā
Pleasepleaseplease-
āIām trying to keep us safe-ā
āBy taking his clothes off?!-ā
Every fast breath is a knife stabbing his middle, grinding his cheek into the steel, sob-breaths, canāt get air, dizzy, going to be sick, nononono-
āJesus Christ, Cobi, itās so he doesnāt try and choke us out with a shirt, you want that?ā
āYou know heās not gonna do that, move, man, heās having a panic attack-ā
āSo you donāt wanna keep everyone safe?!ā
āJorah, Jorah, you- youāre being nuts right now, not thinking clearly, how does this help Claud- oh- oh, shit, his side- oh, fuck, Morja?ā
Morja hears his own name, blinks up to tunnel in on a hand as big as his head stretch out towards his body, and at the thought of a fist that size slamming into the sharp fire of his ribs, Morja heaves, vomits, and, in the only mercy he will get today, everything goes dark.Ā
whumptober 2025 | no. 25 | lost faith / collision course / left to die
title insp. by āwhat they did yesterday afternoonā by warsan shire - āi held an atlas in my lap, ran my fingers across the whole world and whispered āwhere does it hurt?ā it answered āeverywhere, everywhere, everywhere.āā
CW: major character death, grief, slavery, institutional whump, hurt no comfort
~
Eleven hours.Ā
By now, tracking time in his head is natural for Morja. Knowing how long a task will take, how long he has been standing on duty, how long he needs to endure a punishment he is responsible for enduring. He knows exactly how long it has been since Roe was taken to the valet.Ā
Eleven hours since Roe was brought to the Medici: eleven hours, one minute, and a half.Ā
Itās been long enough now that the bright red of the blood has turned brown on his palms. It leaves streaks on Morjaās pants as he rubs his hands over his throbbing knees, working bloodflow into the tingling numbness. Avoids touching where the blood sunk into the fabric, where there is a crust of dried vomit where she threw up on him.Ā
Morja will be corrected for staining his clothes.Ā
That thought is far away right now, only able to focus on how Roe will be fine. She will be fine. Morjaās hands twitch in his lap, fingers trying to clench. They canāt, really, the shuddering makes his hands stiff and unreliable and he canāt even dig his nails into his palms. No pain-spike-sharp to make him focus. His skin itches, the brown-red dried and crumbling, falling off in flakes whenever his fingers curl and clench. She will be fine.Ā
āā¦Have you tried the grapes yet?ā āOh, are they still in season?ā āSome of the markets are still selling but you need to know where to look-ā āWhat sort of cheese do you think theyād best pair with for the lunch-ā
A flutter of silk skirts drift past his eye level, musical chatter up above as though through a high window. Morja clasps his stained hands behind him, bowing his head, bending low, and they do not notice him at all. Morja sinks down on his heels again, kneeing between the pots of shimmering green plants that decorate every pillar.Ā
Her outfit was ironed perfectly when she left two days ago. Black and crisp, the golden eagle stitched shining over her swelling chest - allowed to wear a uniform. The polished barrel of a Glock 34 holstered at her hip. Morja had never earned a service pistol that young. But then Roe always had better aim with a gun than he.Ā
Inside his chest there is something sharp and loose that catches as he breathes fast and he swallows, again and again.Ā
Thought they had me pegged as an easy fight she slurred and Morja had thought it was just her swollen tongue, speaking through a mouth full of blood. Sure showed those fuckers, huh? she had snorted, even with one eye swollen shut, knuckles torn, lower lip nearly split in half when she twisted her mouth into a red smile. Bruised and bloodied and staggering but fine.Ā
No bullet wounds. No stab wounds. No strangling, no limb loss, no fall. Someone only tried to hit her over the head - she didnāt even drop unconscious, thatās what is stupid, what is wrong, what is not making sense.Ā
Roe should not have fallen, seizing, from hunched over, vomiting, into collapsing to the tiles. Should not have dropped in her own sick in his lap, tumbling limp, nose streaming, as her muscles jerked her again and again and again across the floor. Her eyes should not have rolled back as Morja had to grip her tight, hold her head against his chest as her body tried to thrash.Ā
A crystal glass of sparkling water in her hand drips beads of moisture off the stem onto the floor, fogging up even in here from the swelling bubble of heat, and itās eleven hours and eighteen minutes since Morja heard of what is happening to Roe.Ā
āThat stupid business with rigs in Raetea last week has meant a lot more phone calls to my business partners so I had to take lunch in my office. I hope you can forgive me?ā
A bright burst of laughter and Morjaās palm feels wet inside suddenly.Ā
āOh, I wasnāt waiting too long, donāt worry about it. Not your fault they donāt know how to wipe their own asses without hand-holding, is it? I had someone call ahead so we can still make our spot at the Ganymede?ā
āSounds delicious, Iām starving. They still serve that cabrito there, right?-ā
Morja folds to his knees even as the words spill out, cold inside, even though this is important enough to earn a correction from, bending low until his forehead hits the ground. A beat of terrible silence stretches out and if Morja could feel anything but tight-chested he would feel sorry, so sorry, and he shudders with tension, not fear.Ā
āIāll excuse your rudeness, for now, because itās unlike youā¦also, Iāve got a nice evening planned and Iād rather not waste it reminding you of your place.ā
Morja must really be stupid. The pressure in his chest crushes, tight, can he breathe in? He canāt. Itās because heās stupid and heās the one who doesnāt understand.Ā
āShe died,ā And the words being said are echoing, a little far away under the tinny whine in Morjaās ears. āafter something happened to the head, I suppose. Swelling, then a coma, and, well, after all of the scans and tests and such to find that all out, the Medici put no order in for surgery. Weighted cost and all that.ā
Morjaās lips tingle, pinpricks racing over the surface of his face. Itās so stupid that he keeps hearing dead. And he must be stupid, he had to be, because he canāt be hearing that she wasnāt saved, it wasn't worth it. And Morja canāt be hearing that, like he canāt breathe in, because those things donāt make sense.Ā
āCost?ā
A quiet little voice asks that and that certainly didnāt come from Morjaās mouth. His lips just moved and that came out. Thatās not what he would say.Ā
It doesnāt matter that he isnāt allowed in the Valet without an appointment because he can push past the bodies at the door. Grip the wrist that crosses his chest, push body against the wall, kick to the leg and thereās a cry and a crumple.Ā
It doesnāt matter that his sides burn from racing to the terrible building at the back of the compound, sweat-soaked from racing the length of the Castrum Stativa where itās all steel and pain and sickness and hidden away.Ā
It doesnāt matter that pushing through a door is met by words like can you be back here (she is here so he has to be here), by a hand grabbing at his arm that is easily bent back, pulled off, shoved away.Ā
It doesnāt matter that he canāt stalk the corridors, doorway by doorway, to look inside. To look at every face, not hearing whimpers or soft cries or protests at whoever he finds inside that isnāt Roe.Ā
It doesnāt matter what punishment is coming from everything that isnāt allowed, the tightness in his chest and the numbness in his lips and hands that hurts in a way that numb shouldnāt, it doesnāt matter how ward after ward is empty of her.Ā
It doesnāt matter if he passes the mortuary to get to other rooms that will have her in them, because she isnāt dead, even if ward after ward is empty of her.Ā
His tingling feet carry him back to the mortuary and it wonāt matter, it doesnāt make sense, because she isnāt here, but Morja canāt- doesnāt- wonāt leave any corner of a mission unsearched.Ā
In this cold room with its bright white light above and its big steel drain below, there is a table.Ā
The body lying on it shouldnāt be hers. It canāt be hers. Under that white sheet, it might not be.Ā
But that crumpled pile of a uniform on a tray, that small uniform, is hers. Black belt so unused it lies there in a straight line. Black boots with fresh polish and streaks of dust. And on a black shirt still stiff with starch, the wings of the golden eagle are red, every stitch soaked with blood. And on top of that pileā¦socks folded into padding, a strip of cloth, and the safety pins that held it all together still in the shape of the chest it was pulled off of.Ā
Her.Ā
Morja sucks air in, metal and blood and chemicals, and he can breathe, now, of course, he can breathe. Of course the whining in his ears is gone and silence, so much silence, takes over. Itās his body deciding for him, again, like his feet that take him to her side. Like the hand he reaches out to touch, to curl around the shape of fingers under the sheet.Ā
What does cutting open a head cost? How much does training cost? They say it costs a lot, they say that all the time under boot and whip and needle, they should know. How much value did her skills have? How much does Roe cost?Ā
āIām sorry?āĀ
Itās so loud. It echoes against the tiles. He didnāt yell and, still, the apology fills the room.Ā
āIām sorry.āĀ
He reaches for her head, for the white lump that is her sheet-covered head, and- and he canāt, canāt pull back the cloth, he canāt see her like that. He doesnāt deserve to see, to see blank eyes and a still face and no smile on her mouth. To see the consequences of failing.
Did he not- Morjaās hands curl over her shoulders like heās steadying her, like heās giving her a lesson like she was still alive and what lesson could he offer her now, now that sheās stiff and cold?Ā
Iām so sorry.Ā
Did he not drill her hard enough? Did he not prepare her? Did he forget a lesson or fuck up some instruction? Did he hold her back, too old and past his prime to teach her well enough? Did he make the same mistakes as with the dog, crying and bloody in his arms before the knife sank deep, the consequence of not making it better?Ā
Morja rocks forward, whimpering, eyes burning, face dry, sobbing out the apology with no tears, no sounds.Ā
Iām sorry, chrisĆmos. Iām sorry, Iris, good boy. Iām so sorry, Roe. Iām so sorry, Iām so sorry, Iām so sorry.Ā
Morjaās knees fail him, failure, failing, even in death, fails her by letting his hands fall from her shoulders, arms falling to his sides instead of curling around her, fails and falls. Stares down with dry eyes into the drain, at his own hands, his broken and scarred hands full of so many lessons that he did not correct. They shake in his lap, stained and weak.Ā
Cold. Still. Empty. Roe. Dead.Ā
Thereās no joke from the table. No bark of inappropriate laughter. No nudge of her foot against his to communicate when she should be at attention.Ā
Morjaās hands ball into fists.Ā
They already took her gun away. The gun. No.Ā Her gun, gone, no holster left on the table. Itā¦makes sense because somebody else will need it now. It doesnāt make sense because she just got it.Ā
Thereās that push on the inside of his chest.Ā
Dull, heavy, cold - not the sharp heat of frustration. But he doesnāt curl up on the tiles as it fills his stomach, fills his chest, but sits up. A pressure like water and his breath rushes out all at once with it. Fists so tight now they go hot, familiar sharp nails cutting into the palms.Ā
Roeā¦earned that treatment.Ā
She did earn it is what makes sense here. That makes sense. Roe was younger than Morja to get her first weapon and perfect in every test, perfect in every drill, every assembly of a pistol, every combat move was perfect, perfect, perfect.Ā
āIām so sorry.ā Whispered through cracked lips, it isnāt a whimper anymore but steady, even as his hands still shake. āā¦not your fault, chrisĆmos.āĀ
Morjaās chest heaves and the sob that is pushed out is loud and no tears come. His legs hurt as he straightens up, skin waking up with sharp pricks and burning heat and he hadnāt felt it yet before now. His stomach rolling sickly inside him, his chest aching, his bleeding palms stinging, and he knew it all before but he stands in the cold room and, somehowā¦he feels the pain and doesnāt just know about it.Ā
Not your fault.Ā
His hand passes over the sheet, cups over the top of her head. His chest heaves again and again, faster and faster, his fingers curling over a cold scalp that was so hot when he last touched it. The sheet lies so still and the shape of her face, brave and good, so covered, could be any other face.Ā
Iām sorry, Roe.Ā
If he remembered, Morja would think now about handfuls of saltwater to wash this body and strips of bark to dress it and a dance of swirling skirts to take joy in the life that body held. But Morja doesnāt remember any of that; he is far away from the ocean.Ā
Iām sorry that they failed you.
Morja doesnāt hold her in his arms because if he held her, he couldnāt let go. Morja doesnāt pull the sheet away to see her face because if he saw her, he would fall and could not get up again.Ā
And Morja doesnāt look back as he turns and walks from the room because if he did look back, he would stay.Ā
yeah, so, i broke my own heart with this one, what of it? ššš oops, i tripped five years ago and created a character doomed by the narrative ššš
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written for the @whumpmasinjuly prompt - day 3: "____ deserved it" - because it's glorious and delicious and fitting for my blorbos š
title insp. by this hanif abdurraqib quote - āin defense of lightening, there is always a darkness asking to be split open.ā
~
Annoyingly, the asset is limping.Ā
The rec room on this stiflingly small base is stupid-small and doesnāt leave much room for hiding in corners, but Morja seems to be doing his best to stay out of everyoneās way, at least. Small blessings. But he hasnāt left the rest of present company alone, lingering by the water cooler and taking infuriating little sips of a paper cup.Ā
Short journeys, quiet shuffling steps, from the cooler to the corner. Cooler to corner. Jorahās jaw tics. The soft drag of the tip of his shoe across the floor. Lift, absence of pressure, drag, tiptoe, mouse-step, take more water, scurry away. Fuck, canāt he just take the whole industrial jug at this point and leave well enough alone?Ā
Like a mosquito buzzing near his ear and never quite landing, Jorah just canāt ignore it. Heās lost a second round of Battleship to Pfeffer, inducing one of the guyās booming chuckles in the wake of slipped curses. He doubts anyone else has noticed - itās not exactly obvious. Whether the asset isnāt feeling very sulky today or else heās too chicken-shit to fish for sympathy while Jorah is in the room, Morja is behaving himself.Ā
Itās not like anyone can see it either. Itās not like anyone knows why the little creep is dragging his heels around. But if the twinge of soreness in Jorahās arm is anything to go by, Morjaās soles have gotta be smarting in the hours since last night. In the cool shadow of the corner, he leans against a wall to spare his stance.
His soles were that pre-bruise red, that deep shade right before purple Jorah knows well by eye, the welts in perfect straight lines over the arch of his thick skin. Jorah has to work for the break in the skin. Had to stop before it bled, before the lines broke altogether, even though a scream, hard to draw out as blood, broke in muffled echo through the rag between the assetās teeth. Jorah is patient, heās not some fucking brute who doesnāt know what heās doing. He knows when to stop.Ā
Knows when to reel back, gloved hand gripping the black metal ruler firmly. Itās shimmering ricochet gleams in the low-wattage, unstained by its task. God, Jorah admires military hardware. Even tools as simple as this have many uses, such as drawing out beads of sweat from the assetās screwed-up face, rolling down into his dark hair, in making the skin of his knuckles bleach white with clenching, making those bare feet quiver and dance to the beat of Jorahās tune, unable to fake.Ā
The way those thickly callused toes flinch in their tight bonds canāt be faked.Ā
It's different than the spasm drawn out by the jolt of electricity across his feet. Jorah's baton can always cause that. Getting the skin tender, blistered. But some days, you've gotta hit something. And the response - the jerk, the whine at the tail end of a trailing yelp, the harsh drag of breath through the nostrils - feels practiced in a way that doesn't at all discourage the conversation.
Thatās the beauty of physical pain. It might not āworkā for traditional interrogation but it sure does tell you a lot of other shit. Jorah checks the bonds over, the tight security of zip-ties over cloth, no grooves, no marks, good work. He watches a bead of sweat roll down the back of the assetās calf, catching on dark hairs, a path down to land on one of the welts that match the feet. Watching the clench of his thigh when the stinging salt likely hurts like a motherfucker in the stripes across the backs of this thighs.Ā
Pain is a language everyone speaks fluently. The perfect fucking teacher. The highest grade in understanding.Ā
Thereās a purpose to the shit heās going to Morja. Mindless beating accomplishes nothing much - not unless youāve got a lot of free reign to work with. And here, Jorah simply doesnāt, not with soft-touch attitude of everyone at hand. No. Until Claudia or Cobi or especially Brax - Captain Hutchins - sees the value of it, Jorahās work has to stay discrete, even-handed, subtle.Ā
Unfortunately for this guy, he gives Jorah a lot of room to work with.Ā
āNever knew you beefed it so bad at Battleship, J-Man, wanna switch to Go-Fish?āĀ
Jorah blinks, shaking away the fucking mosquito buzz around his ear, snorts, flicks a little plastic boat at Cobiās arm and it bounces off the skin.Ā
āOwwwww.ā Cobi whines, his big dumb face wrinkling up as he flicks the boat back. Sticks his tongue out. āSore loser.āĀ
āGrab you a soda and weāll call it even.ā Jorah drawls, drawing cheerful agreement from his friend as he stands, stalks to the nearby little fridge. Drawing out the cold cans in hand, he catches a you, uh, a fan of Go Fish, buddy, itās cool if you join us, right, Jorah?Ā
Oh. Right. Heās still fucking there, huh?
Jorah straightens, glancing out of the corner of his eye, catching the asset, catching Morja, stock-still. Cobiās head tilts back, yellow curled and shaggy, dog-like, beaming in the manās direction like a spotlight.Ā
Morjaās stillness is broken by the flicker of his eyes, dark, narrowed, from Cobi to Jorah. Blink. Widen. Blank. Creepy.Ā
Jorahās fingertips crack the tab of his soda, the sharp pop snapping through the air, a hiss of cool air, and Jorahās mouth pulls up at the corners.Ā
Morjaās throat jumps in a swallow and those black blank eyes blink once-twice. Sways side to side on tiptoe. This close, Jorah hears a small squelch at the sway. Oh. Interesting. Putting cold water in his shoes, huh? Jorahās eyes flick down to his feet, up again, close-lipped, and Morja blinks faster.Ā
āYeah, man.ā Jorah says. āYou wanna sit down with me and Cobi?ā
Itās almost boring the way Morjaās eyes widen. The way he lowers his weight down to rest on his swollen soles to spare his thighs the strain. Itās a little funny though. Like a dog trying its hardest not to look at you when it threw up behind the couch.Ā
Flick to Cobi. Back to Jorah. Back again.Ā
āI-ā
Almost on cue, Cobi cuts in with a musical you donāt HAVE to, of course, only if you wanna. Jorah can always count on Cobi not to ruffle any feathers. And at that, Morjaās body unfreezes, doing his little at-attention routine, shoulders drawing back like a flinch of its own.Ā
āThank you, sir, I have work to do.ā
Right answer, Asset.Ā
āHey.ā Jorah shrugs. āIf you have work to do, you should do it.ā
There it is, that dumb fucking tilt of the head, like he doesnāt get it. Like he doesnāt know whatās expected of him. Has to be told fucking everything - what to eat, how to kneel, when to talk, where to shit, probably. Jorahās mouth pulls at the corners again, his teeth grit and bare. Read the room.Ā
That sends the asset scurrying off, click-swallow-blink, the paper cup tumbling out of his hand into the garbage, squelch squelch squelch, and that awkward thorn-in-foot limp when he retreats, dragging one foot after another.Ā
Jorahās body relaxes all at once, shoulders dropping down, rolling his neck. Fuck, corralling people in line is hard work. Whatever, a sheepdog is thankless sometimes. Still. Itās a nice thought that this idiot runs off with his tail between his legs, with wet shoes and a dry tongue, unable to sit or stand.Ā
Setting the sodas on the table with a wide grin, Jorah lounges back for the first time, guard settled, plucking a new little ship between his fingers.Ā
āFuck Go-Fish, bro, Iām stretched and hydrated now, your fleets gonna sink.ā
Cobiās face beams and then frowns a little, glancing back towards the exit, the crinkle in his face making Jorahās stomach sour again. āManā¦I hope Morja didnāt feel left out. I donāt want him to be lonely.ā
Jorah flicks another ship at Cobi, drawing another sqwuak.Ā His shoulders are down flat now, hackles soothed. The mosquito has fucked off and the room is cool and calm again.
āAw, big softie. Get your head in the game or Iām gonna sink your battleship. Donāt worry about it, okay?ā
oof, so this was an angsty one, folks. š¢š¢š¢ i went and made a sad prompt - @whumpmasinjuly day six: left behind -Ā even sadder than it already was and in the process, i penned a big part of my boy morjaās backstory, so iām gonna tag the story crew on this one.Ā š„ŗš„ŗš„ŗ
CW: Grief, death of a loved one, dehumanization, justā¦big sads in this one, folks.Ā Ā
title insp. by the poem āmy dead friendsā by marie howe - ābillyās already gone through the frightening door, whatever he says, iāll do.āĀ
The fallen must pay for a grave, or their families must, and graves are, they say, costly. Plots of land which could hold a house or a slot of gardened flowers or a new statue does not need to hold a patch of dirt and a stone. The ashes are poured into the wind, as disposable as they were in life. It is rare that a family, if the dead still have one, can afford to pay for the bodyās return. It is rare, indeed, for one to ask.Ā
That doesn't mean their deaths are not marked by those who knew them.Ā
There is a stone, innocuous and small, where the dead are honored. Some write names down on the stone. Others donāt bother.Ā
There is one marking, one stone, Morja waits to visit. Part of it might be that he doesn't have to leave until he does this thing he must not neglect.Ā
Itās more than just the stone, of course. It would be silly to think of that only. There are places Morja wonāt see again where she would go. Where she took comfort. And not seeing these places anymore will be the drag of a knife out from where it lodged. And he will pack the spot with rags to stop it from bleeding, field medicine, how well he knows how to do that. How to plug up a wound and keep walking. Donāt stop. If you stop, youāll fall.Ā
But thereāsā¦a way only she could find something pretty in this place. Like, there was a spot by the fountain in the courtyard where a stubborn plant grew. And it would get ripped out, an eyesore, nobody intended for this little purple flower to grow between cracks in the base of that marble foundation. But the dirt underneath was strong, Morja supposes, and Roe encouraged it, is the thing. She kept nudging aside the little shiny seashells that surrounded the root - decorative, ceramic, gleaming, imported from some shop to look more perfect than real shells, no sharp edges or rough surfaces. Morja remembers what a real seashell feels like. No, he doesnāt. But his maybe-memory is rougher than the shells in this courtyard. He knows this, at least, in the way he knows when an opponent is about to strike.Ā
But the purple stays caught in a sunbeam, is the problem. The shaft of daylight through the pillars hits the water as it sparkles and it hits the flower too. The water from the fountain falls on the patch of land bared by Roeās hands. Somehow, it stays and stays. Somehow, it outlives her. Everything else has, after all.
This is, of course, where Roeās stone lies.Ā
Where else would Morja have put it? The dead are dead, of course they are. Gone is gone and bodies are bodies, hollow bullet casings, no powder, no spark. Useless to collect, more useless to hold onto. But Roe wanted a stone. She would have wanted a stone, probably, certainly, yes.Ā
It is past the alcove with the missing statue where Roe perched, sweat-drenched from long training, or bleeding from a hit, tucked into the space once filled by the bust of a marble head. The space has stayed hollow, still, and on a dark night like this, Morja could imagine, if he were to try, that the black lines of her body melted into the hole in the wall. That maybe she were there, long-limbed and tiny, clambering up in there to nap.Ā
He told her so often not to.Ā
What if she got caught?
Her bright, black eyes would shine and she would say that until the statue took her place, this was her spot.Ā
Hers. Like sheād laid claim to it. So stupid. Nothing was theirs, she could never understand that.Ā
Past the alcove, still empty, Morjaās quiet steps go past the vine full of berries he was never brave enough to eat. Never disobedient enough. Of course. She got hit for taking the berries and she got more careful at taking them. Those berries werenāt hers to take, just because she watered the vines.Ā
The rows of women (goddesses, Morja was told) tall and imposing and cool to the touch, their eyes looking down to keep watch on the garden, on its dwellers, and Morja would shiver sometimes when he was younger, passing by them, because what if they saw him misbehave? What if their marble fingers pointed at him in accusation?Ā
Roe looked up and tilted her head, one foot angled like the goddess with a bow and an arrow, elbow crooked just so, Roe so good with her aim, as good a shot as Morja, even so young. Her palms swipe sweat off, passing over the flat expanse of her torso, tugging at the close-fitting training shirt, and twisting it to match the ripples in the fabric.Ā
It will wrinkle, Morja fretted quietly.
Do you think I could pull off a look like that? Roe asked,Ā
The marbleās paint is fresh and gleaming, blue cloth draped elegantly over one shoulder, baring the breast beneath the other, her body small and yet powerful, royal, gold glinting on the folds of her skirt and the twists of her sandals.Ā
I donāt think we could ever wear anything thatā¦nice, Morja had answered.Ā
Of course she could have. Thatās what he should have said. He didnāt want to raise her hopes. He didnāt- she would have looked royal and powerful as Athena.Ā
The huntress looks down at Morja, out when he should not be, and he doesn't shiver anymore. He doesnāt quail before imaginary eyes as he kneels at the base of the fountain, the moon shining silver on the purple petals. Other hands have pushed the shells aside since- since the stone was placed behind the blossom. The crude shape of an animal drawn with a shaky hand, white paint on a black rock, traces the outline of tiny hooves, spindly legs, the body of a deer.Ā
Morja doesnāt know who drew it. Itās beautiful. And he cannot take this stone. This is- itās tradition and he has to respect it. It would feel wrong to move this stone as stones are not to be moved.Ā
But he looks at it for a long time. Kneeling on the cold stone, the mist of the water landing on him and wetting his face, taking the role of the tears he cannot shed. The stone and the flower blur before his eyes but thatās just because heās tired. Heās so tired.Ā
Maybeā¦maybe the alcove did belong to her, in a way. She was the one who used it. Maybe the fruit on the vine was hers to sit under, to eat from, unafraid. Maybe this flower was hers because sheās the only one who gave a damn about it.Ā
Morja doesnāt want to leave the stone. The flower. The alcove and the statue. Fuck, he doesnāt want to leave this stone. What should I do? Who will- nobody will tell me to go. Nobody will, they never will, how can I go when Iām going on my own, when nobody has sent me? How can I leave this behind? How can I leave her behind?
Butā¦she isnāt here. And Morja canāt be, either. Can he? He canāt take this stone. And he canāt stay and watch over it.Ā
Morja stands, every muscle in his legs protesting, sharp and tingling, at rising. It hurts as much to stand up from kneeling as it does to kneel. But he stands anyway. Leaves the stone under the fountain, behind the flower.Ā
Roe has gone.Ā
It is time for him to leave the stone and go as well.
~
oof, i hope y'all enjoyed this important piece of juicy tragic backstory, this glimpse behind the curtain. š¢š¢š¢ššš