Feb 10, 2024
Meter
instrument parts
christopher o'mahony
Organ
artist/architect frank gehry
artist/craftsman manuel rosales
walt disney concert hall
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Meter
instrument parts
christopher o'mahony
Organ
artist/architect frank gehry
artist/craftsman manuel rosales
walt disney concert hall
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I mean also thinking about it I just think we all deserve more adaptations where Escalus is played as increasingly furious and barely leashed.
Like the rocking motion that extra metrical beat gives to:
‘I have an interest in your heart’s proceedings
My blood for your rude brawls doth lie a-bleeding’
Played as more broken and angry and the rhyme hitting those hissing screeching ‘ee’ sounds rather than the kind of calm control many give him and then the return to pentameter in the next two lines:
‘But I’ll amerce you with so strong a fine
That you shall all repent that loss of mine’
Where the actor absolutely hammers the consonants and the metrical regularity as a kind of leashing of this rocking rage. BUT it can only be temporary because then he returns to the extra foot with ‘I shall be deaf to pleading and excuses’ and don’t tell me that’s coincidence because he could have used ‘excuse’ GAH I love it so much.
And then by the end, just a bit broken. Like his metrical security is not so much a reflection of certainty as a kind of rote proclamation, a return of the Prince to power as he has not been within the play, but the cost is so damn high.
I just think it would be fun to have a really visibly disturbed Escalus.
Shakespeare sounds a certain way. Why? And why could it only work in English?
I collaborated on another video with Tom Scott, this time about how the structure of a language influences how poetry can be written in it. See also: this related episode of Lingthusiasm about how translators approach a text.
Our Father - A Supposition
I suppose You hold in high esteem The man who were by all reports Our father. I suppose You find a happiness Between the sheets of merry men Like wenches. I suppose You see in me the thief That felled the tree by force Or mourning. I suppose You lost your numbered dream The one which where by all accounts Your final. I suppose You died by sword of pride The man who were by all reports Our father.
CH4NGE
きあおみようじ, 08/21/2022
Choreography: metre x Porushi x Etou
Distribution Video
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Love is stored in the elegiacs
İşaretparmağı ile başparmağını hafifçe açarak birkaç santimlik bir aralık yaptı. Elini havaya kaldırarak o aralığı gösterip
"Benim dünyam bu kadar" dedi.
"Nasıl yani?" diye sordum.
Hafifçe tebessüm edip
Parmakları ile oluşturduğu aralığı yanağıma yerleştirdi.
"Bak gülünce dudakların bu kadar kıvrılıyor yukarı o yüzden benim dünyam bu kadar..."
Shakespeare sounds a certain way. Why? And why could it only work in English?