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The Kuleshov effect is a film editing (montage) effect demonstrated by Russian film-maker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation.
Wikipedia
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Drop Ship Union by Kuleshov
EVERYTHING EVERYWHERE ALL AT ONCE is kind of exactly that
It's been a week later, and I tried to get all my thoughts about Everything Everywhere All At Once into a single blog post. I failed! But I was tired of having all of this swirl around in my head, so here it is.
There’s a joke I’m sure you’ve heard before: A Buddhist monk goes to a hot dog stand. The hot dog vendor asks the monk, “What’ll you have?” The monk replies, “Make me one with everything.” – Walking out of my screening of Everything Everywhere All At Once, I felt like my eyes had opened to entirely new dimensions of how cinema can tell stories. I wasn’t alive for when Star Wars changed the…
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Картины Максима Кулешова, посвященные защитникам Отечества
If we see "Demolition of a Wall" as a Kuleshov effect, we can place a viewerʼs projection of subjectivity not onto a consistently expressionless face but instead onto the cut itself: the cut appears the same in every iteration and expresses nothing. The de-naturalization of appearances is found not only in the visibility of reverse motion, but in the dis-identification of subjectivity with the human figure in the frame, moving towards an identification with the cut. [. . .] Cinema can present our sense experience as conceptually tractable in the rational subtraction of the cut.
isiah medina, from “on demolition of a wall”
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Some highlights from today’s History of Cinema class:
predecessors of image projector were camera obscura and lanterna magica
first motion picture exhibition device was Edison’s kinetoscope
Georges Méliès was the inventor of special effects
Kuleshov effect is film editing effect that lets maker manipulate the viewer’s emotions
caligarism is a style that focuses on a surrealistic vision of the world
The Kuleshov Effect suggests that a filmmaker can influence emotional significance by offering context from the preceding images.
En este fragmento de entrevista Alfred Hitchcock nos explica en qué consiste en Efecto Kuleshov mediante un ejemplo. Lev Kuleshov fue uno de los pioneros en el campo de la sintaxis fílmica. Gracias a él sabemos cómo afecta a la audiencia el modo en que las imágenes se posicionan durante el montaje. Llevó a cabo sus experimentos cinematográficos en su taller de edición, convirtiéndose en uno de los pioneros en entender el cine como medio expresivo y artístico. Su trabajo fue el germen creativo de montones de ideas que continúan utilizándose a día de hoy con función dramática: flasback, montaje paralelo, primeros planos. Gracias a sus indagaciones, se reveló que era posible grabar una misma escena con planos rodados por separado, para después unirlos y otorgarles el efecto deseado. Actualmente esta es exactamente la forma en que se rueda y edita cualquier cinta. Así que, sí, Kuleshov es uno de los padres del cine. No es de extrañar la admiración que por su trabajo sentía el mismísimo Alfred Hitchcock, encargado de relatarnos en qué consiste el Efecto Kuleshov en este vídeo.
