Cast your net wide. Speculate recklessly. Speak to the wide-eyed. Sink your ship. Build it anew. Burn your agreements. Watch the ashes rise.
Ahmed Salman
KIROKAZE
Today's Document
Sweet Seals For You, Always
occasionally subtle


Product Placement
Claire Keane
Sade Olutola
Misplaced Lens Cap
we're not kids anymore.
YOU ARE THE REASON
🩵 avery cochrane 🩵

Discoholic 🪩
Monterey Bay Aquarium
Lint Roller? I Barely Know Her

Andulka
art blog(derogatory)
d e v o n
"I'm Dorothy Gale from Kansas"

seen from Germany

seen from Malaysia
seen from T1

seen from Bangladesh

seen from Bulgaria

seen from France
seen from Germany
seen from United States
seen from Taiwan
seen from United Kingdom

seen from Spain
seen from United States

seen from Malaysia
seen from United States

seen from Türkiye

seen from United States

seen from Germany
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seen from Morocco
@noosphe-re
Cast your net wide. Speculate recklessly. Speak to the wide-eyed. Sink your ship. Build it anew. Burn your agreements. Watch the ashes rise.
Ahmed Salman

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A painting is a statement of the artist’s notions of reality in the terms of plastic speech. In that sense the painter must be likened to the philosopher rather than to the scientist. For science is a statement of the laws that govern a specific phenomenon or category of matter or energy within the specified limits and conditions of its operations; philosophy, however, must combine all these specialized truths within a single system. It is because of this broad scope that Aristotle gives preeminence to the philosopher in the introduction to his Metaphysica, for he tells us that every man except the philosopher is an authority within his specific field, whereas the philosopher must have the acute knowledge that each man has in his own field plus the ability to relate all these fields to the operations of universality and eternity.
Mark Rothko, The Artist's Reality: Philosophies of Art
integer (n.)
"a whole number" (as opposed to a fraction), 1570s, from noun use of Latin integer (adj.) "intact, whole, complete," figuratively, "untainted, upright," literally "untouched," from in- "not" (see in- (1)) + root of tangere "to touch" (from PIE root *tag- "to touch, handle"). The word was used earlier in English as an adjective in the Latin sense, "whole, entire" (c. 1500).
Etymonline
Running is an ontopsychophysical exercise.
Ahmed Salman
pandiculation (n.)
"an instinctive stretching of oneself, as upon awakening," 1610s, noun of action from past-participle stem of Latin pandiculari "to stretch oneself," from pandere "to stretch" (from nasalized form of PIE root *pete- "to spread"). Sometimes used inaccurately for "a yawning."
Etymonline

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Inhalation. Expansion. Circle. Life. Exhalation. Contraction. Point. Truth.
Ahmed Salman
Seal of Los Angeles County, California
http://geca.area.ge.cnr.it/files/1146.pdf
International Compumag Society
Afrika Yie, Gyedu-Blay Ambolley

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The body is both the map and the territory.
Ahmed Salman
The magnetic flux lines around the coil and the eddy current induced in the conductive plate of an eddy current sensor. (Veryst)
We have seen that men insist upon producing art as a fulfillment of the biological necessity for self-expression. Art is one of the avenues which has afforded satisfactory means, which we may here call a language, for the successful fulfillment of this drive. Art, then, is a definite kind of thing, a species of nature, and like any species in the physical world it proceeds according to definite laws of its own. It has definite properties which will here be described as the plastic elements. By the constant rearrangement of these properties, art, like every other species, proceeds according to logic through stages of change that we can call growth. It grows logically, definitely, step by step from the exhibition of one set of characteristics to another, always related to its past equipment, and bearing at the same time the promise of the future.
Mark Rothko, The Artist's Reality: Philosophies of Art
pulchritude (n.)
"beauty, fairness," c. 1400, pulcritude, from Latin pulchritudo "beauty; excellence, attractiveness," from pulcher "beautiful," a word of unknown origin. De Vaan writes that the Latin -ch- spelling is by Greek influence and posits a stem *polkro- or *pelkro-, but that's as far as he confidently takes it.
Etymonline
The Mystery of the Mind: A Critical Study of Consciousness and the Human Brain (Wilder Penfield)

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Sound spawns form. Form makes sound. Sound voids form.
Ahmed Salman
On the number of ways to draw kissing circles