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L'acceptation par ce marchand canadien-français ("coureur des bois") d'une proposition de « partager le calumet » avec ces Amérindiens de l'Est du continent nord-américain indique que leurs négociations se sont bien déroulées. Ils ont reconnu sa loyauté et ce geste de fumer est leur façon de le remercier.
Illustration de John Buxton
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“Almost Quiet” -- art by John Buxton
Because I did not cower nor shirk the fight, But took a little part in this mad play, Because I too have helped to kill, wreck, burn— "You did your duty, helped defend the right, You too were brave," some poor, blind fool will say.
John Buxton, Sonnet
"Partisans at the Trail Des Agniers" -- art by John Buxton
John Buxton, The Uninvited, oil on linen, 36″ x 18″
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Great Falls of the Passaic -- art by John Buxton & The Greenwich Workshop LORD NELSON'S GALLERY - GETTYSBURG, PA
The Agile Bark Canoe -- art by John Buxton
Another great Eastern Frontier artist is John Buxton who mostly covers the French and Indian war period. Like Griffing his work really gets to the heart of the period - capturing the essence of this picturesque time. The description on the website reads: The men in The Agile Bark Canoe are in hunting canoes of a style attributed to the Passamaquoddy but perhaps these Indians traded for them, as was done frequently. They were as light as an autumn leaf upon water, with the ability to navigate rivers, shallow streams, marshes and moderate rapids. Being extremely light enabled easy portage between waterways and yet they were capable of carrying heavy loads. A canoe this size (12 feet long by 30 inches wide at its center) could be lifted with one hand and was very stable when fully loaded. The bark canoe was fast and infinitely more versatile than any small craft of the European settlers.
Partisans at the Trail des Agniers, oil on linen, 30 x 40 in. -- art by John Buxton
