let's talk about Bridgerton tea, my ask is open

if i look back, i am lost
RMH
Lint Roller? I Barely Know Her
Stranger Things
Cosmic Funnies
NASA

Andulka

Product Placement
wallacepolsom
"I'm Dorothy Gale from Kansas"

🩵 avery cochrane 🩵
Xuebing Du
I'd rather be in outer space 🛸

Kaledo Art
Claire Keane

Discoholic 🪩
untitled
YOU ARE THE REASON

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@jadeseadragon

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Repost @national.archaeology
The Evolution of Minarets in Islamic Architecture
The image displays nine examples of minarets from different historical periods, reflecting the development of minaret architectural design across successive Islamic states.
Minarets began in the Umayyad period (7th–8th centuries CE) with simple and sturdy designs, such as square or rectangular structures. In the Abbasid period (9th century), spiral cylindrical minarets appeared, representing one of the most notable innovations of that era.
In Al-Andalus (10th–12th centuries), minarets were characterized by distinct local architectural influences, featuring intricate decorations and tall towers. Developments continued in the Mamluk period (13th–15th centuries) with the addition of more complex decorative elements. This was followed by the Ottoman period (14th–19th centuries), known for its slender minarets with conical shapes.
The Safavid period (16th–17th centuries) saw extensive use of colored tiles and geometric patterns, while Timurid (14th–15th centuries) and Mughal (16th–18th centuries) minarets were distinguished by a blend of Iranian and Indian architectural styles. Seljuk minarets (11th–13th centuries) are notable for their cylindrical forms and rich ornamentation.
These examples illustrate how minarets were shaped by the cultural context, available
The Sun. Art by Frank Barbara, from Pop Tarot.
Italian conservator Lorenza D'Alessandro working on the conservation of the tomb of Nefertari, QV66, in the 1980s.

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Cedric Smith @cedricsmithstudio
Albert Aublet, attr. (French 1851 - 1938 ) - Femme de Djerba (Tunisie)
Water Lily, 1880. Martin Johnson Heade. Oil on canvas.
Cyanotrichite, Brochantite, Golosina Mine, Andalusia, Spain, photo by Serge Lavarde
#Repost @anaelisaegreja
Natureza morta com morangos, 2025
Óleo e tecido de renda sobre tela, 30 x 40 cm.

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The Revolution is here. It's getting bigger.
“Interior with Five Cats at Sunset [Interior com Cinco Gatos ao Pôr do Sol]” (2026), oil on canvas with beaded curtain, 63 x 74 3/4 inches.
Brazilian artist Ana Elisa Egreja
Takashi Kanazawa — Platinum Dragon (silver, platinum, tin, ink on japanese paper, 2018)
Galapagos Land Iguana (Conolophus subcristatus), male, family Iguanidae, Galapagos
photograph by Stephen Sherrard

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Struck, NYC
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