“You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago.”
— Alida Nugent
PUT YOUR BEARD IN MY MOUTH
One Nice Bug Per Day
Mike Driver
Stranger Things

JVL

JBB: An Artblog!

Kaledo Art
AnasAbdin

Discoholic 🪩
tumblr dot com
trying on a metaphor

祝日 / Permanent Vacation
taylor price
noise dept.

oozey mess

if i look back, i am lost

⁂

Product Placement

ellievsbear

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@saturnii-dae
“You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago.”
— Alida Nugent

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Details: Portrait of Abraham del Court and his wife Maria de Kaersgieter – by Bartholomeus van der Helst, 1654
I was angry when I walked out of TBitSP movie and I couldn't articulate why. I was angry and quiet and my friends could see that and they didn't push me because I couldn't explain to them the reasons. Years later, I'm still angry but now, after reading this, I think I understand why.
TBitSP was a lie.
A lie made sensational and shocking and with good actors and amazing cinematography and musical score but a lie nonetheless.
I'm not Jewish. But my grandfather was a POW who ended up in a camp next to the female concentration camp Ravensbrück. He saw some horrible things there and... some of those things changed him. I never got to meet him but my mother shared a story he told the family.
The movies and books that aren't written by Jewish survivors of the Shoa, books that are written from perspectives that aren't Jewish and that try to make you sympathise with instigators of an unforgettable, unforgivable, crime... these are books and movies that are lies. Lies told and shared and disseminated to act as a salve on awkward consciences and societal practices that are wrong for the harm they do for no real reason other than hate and bigotry.
I watched TBitSP when it came out and I was angry. I was angry at how it changed a narrative. I was angry at how it made the pain of a man who signed the lives of thousands away a central thing. I was angry at how the focus wasn't on the wrong committed but on the boy and his father and the machine they were part of that Made It All Okay Because He Was Sad At The End.
I was angry that the movie, the book, the whole damned narrative was never about the Shoa and the lives of Jewish people who never deserved what was done to them. The narrative was about someone in the majority not caring until he lost his son and it became A Very Obvious Regret.
I am still angry that the story took a horrific act against a whole people and turned it into a narrative prop for some guy with power and influence and the ability to decide who lived and who died.
I think I'll always be angry at that.
I think I always should be, too.
The Shoa is about Jewish people who suffered for bigotry, politics, generational racism and xenophobia, and more. It is a culmination of all these things and a potent reminder that they deserved None Of It.
Using the Shoa as a narrative device to Make A Man With Monstrous Power Learn Regret (But Only In Relation To His Own 'Noble' Blood That Died) is...
It's an insult.
How does this man sleep at night, knowing he just made shit up about the Holocaust and is causing genuine harm and misinformation in generations of children
This series of tweets really speaks to me.
- Ollie Schminkey, My Father.
roman authors as text posts
catullus
cicero
caesar
vergil
horace
propertius
livy
ovid
martial
juvenal
petronius
suetonius

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Enchanted April (1991) | dir. Mike Newell
“whats hecuba to him or he to hecuba that he should weep for her” makes me so emotional because like… what’s hamlet to me, or me to hamlet, that i should weep for him. and yet!! and yet.
Some idiot whose only experience with shakespeare was reading romeo and Juliet in high school: but sHaKesPeAre's nOt rElAtAbLe
Shakespeare:
Peng Chang in 'Heat Wave' by Zhong Lin for Vogue Taiwan January 2022
Kaamelott Premier Volet (2021) | Guenièvre dans les souterrains

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joan didion
Sherman Alexie, from “Sonnet, with Pride”
Father Christmas walks the streets of wartime London, having sensibly exchanging his traditional head-ware for a ‘tin hat’. In the spirit of the era, blitz or no blitz, he is making his rounds. December 1940. Photo colorization by Sanna Dullaway for TIME.
Carol Rifka Brunt, Tell the Wolves I’m Home
🏯🍵🫖🌾🌿

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STUDIO GHIBLI + FLOWERS
Howl’s Moving Castle (2004) Porco Rosso (1992) Spirited Away (2001) The Wind Rises (2013) The Tale of the Princess Kaguya (2013) Kiki’s Delivery Service (1989) Castle in the Sky (1986) The Secret World of Arrietty (2010) My Neighbor Totoro (1988)
[ part 1 ] [ part 2 ]
Lemaire at the École de Médecine
fall 2016 .