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Alisa Tager is a young Black heroine, the slick & secretive Cipher; gifted w/ the mutant power of imperceptibility (ie invisibility, intangibility / phasing, inaudibility, telepathic cloaking), she first sought out mutant leaders for protection from a mysterious pursuer, then went on to act as their spy; in time, she gained training in her powers, as well as espionage, piloting & more, all of which she uses to aid her fellow mutants, like multiple rosters of X-Men & X-Corps!
For those of you who haven't been reading the series, the basic premise is that Chuck resurrected Larry Trask (son of Bolivar, inventor of the first sentinels) on Krakoa. His mutant gift is limited but very accurate precognition, he only sees days at most into the future but he doesn't know how to control his powers properly. After Krakoa fell, he returned to running Trask Industries and won a contract with Graymalkin prison. Alex Paknadel is writing the series after an excellent run on Infinity Comics.
There's Larry and his four 'sentinels.' Also Magneto, somehow.
Having ostensibly learnt his lesson from most of his family dying from the robots they created, he's running a paramilitary outfit with traumatized veterans and nanotechnology grafts, power armor, and augments. These are the Sentinels, and the tech requires all kinds of mood stabilisers, surgery, and psychiatric care - these people are hallucinating and having psychotic breaks all the time. His stated motivation is to prevent wars between mutants and humans, using his precognition to identify the most dangerous ones. So far they've captured Omega Red and Sebastian Shaw, but everyone involved is a mess - personally, mentally, professionally, financially. Sentinels is set in Post-Krakoa America (mostly) but it is not an X-Men book. It's not even a hero book. It's paramilitary horror with transhumanist themes. Larry believes he's protecting mutants and humans but he has constant flopsweat and is clearly out of his depth.
The Krakoa continuity is excellent
Issue #3 begins in media res, with Warden Ellis interviewing Drumfire about their most recent mission - capturing Fabian Cortez. Drumfire clearly has about as much respect for Ellis as I do, which is a nice touch. We're meant to try to sympathise with these sentinels, and showing tension with someone we know to be awful helps. The fuckhead doesn't even get her name right. The chain of command is a little confusing, but I don't remember the first two issues that well. The important takeaway is that while these people work together, there's tension and dehumanisation there. Ellis doesn't treat anyone with respect, but that's just the tip of the iceberg.
The fireteam boots down the door Cortez is behind only to find that he's healing a child. Cortez sucks, but he did experience some growth on Krakoa. That he's doing this altruistically isn't completely out of the question. So immediately their mission becomes complicated. A civilian's present, and Cortez isn't doing anything wrong.
This throws the team off so they run it up the line to Trask. He makes the (probably correct) assumption that Cortez' healing abilities were amped up through resurrection. He certainly died enough. Larry tells them to bring him in but Lockstep, the field leader, insists it's his call. Before he can make that decision a civilian grabs him, affording Cortez the opportunity to flee. He did want to abort, but the point is moot.
Ellis pressed Drumfire on her mood stabiliser usage and she lies that they'd been helping with her hallucinations. She refuses to discuss them, though Onslaught (who she's been hallucinating) is obviously not receptive to being stabilised. Lockstep/Hansen's tech/mind fizzes out and comms stop working so the team is on their own. They finally catch up to Cortez but he's face down in the dirt. Possibly dead. They didn't do it, though that they have to ask says a lot.
What's left of the fireteam runs into the last person a mutant hunter wants to see - Magneto. This clearly takes place after X-Men #3, as Ellis has intelligence on Magneto's medical woes, but for all we know it takes place after Raid on Graymalkin. It doesn't seem like how Magneto would act these days, or is able to act, but there he is. He's blocking bullets and throwing metal around, though he's less dramatic than I'd expect. I'm not going to speculate on whether it's actually him - the characters don't reach consensus and that's by design.
One of the difficulties with this book is telling the identically-dressed soldiers with similar names apart, not helped by personnel turnover. It's not Drumfire, so I just have to accept what I'm shown. It's most likely Voivod hulking out and attacking Mags - he's the most heavily augmented and as we'll see has some other secrets in that body. There are clearly mysteries afoot, so I assume it'll be revealed in time. However, these are our protagonists. There's something to be said for the interchangeability of their personhood, which just adds to the feeling of confusion and terror.
Mags, the scamp, drops a classic EMP blast - not a good time to be a cyborg. He not only gets away but takes Cortez with him. The team are in shambles, with Voivod speaking in binary and others unable to move. Ellis expresses surprise that they survived, but not concern.
The team is suspended with pay while they're being investigated, and Ellis still calls Drumfire the wrong name. She's surely taking notes or recording the interview, plus she'd have their records, so it's probably on purpose. We already know she sucks, but this scene does a lot for Drumfire. She's clearly miserable in a wretched work environment and nobody cares. I have no respect for the US military or sentinels, but I have sympathy for this broken person who's suffering with no support system. The hiring practices are clearly predatory, seeking traumatized people out and withholding medication unless they do as they're told.
Drumfire isn't cartoonishly evil like most mutant hunters have been portrayed, and considering the mutants they're hunting she probably thinks it's ethical. Everyone has been made to feel like they don't matter before though, and being dehumanised and dismissed by those who should be looking out for you is relatable (at least it is to me.) I'm invested.
Looks a lil bit like Scurvy?
We don't have full context for what Voivod and Trask are discussing, but Larry is clearly in over his head. He confesses his problems to someone he's supposed to be in a position of power over, but Voivod spits bile at him. He's clearly not happy as a guinea pig for whatever medical horror Trask is up to, and Larry feebly tries to regain the power by beating someone who can't fight back. His anxiety is palpable but his declaration of righteousness and good intent feels hollow. This is a man on the edge and he's taking these poor fucks down with him. They do seem to know each other well enough, I wonder if it's someone we know.
Yeah Trask has no power here. He's cracking up and hiding it poorly with pressure coming from every direction. Maybe he can take solace from Havok still wearing the weird gimp suit he designed in 1967. Sawtooth catches the end of the conversation plus Larry's appearance and makes that face up there - 'we're so fucked!'
The C plot involves Lockstep's son confiding in him that his mother has unmanageable Mafia Maggia debt. He resolves to do something about it and perhaps to snatch what little control and self respect he can from his trainwreck of a life. He gives the gangsters everything he has on his (ex?) wife's behalf, but they try to squeeze him further and push him around. It only takes up 3 pages but it's an effective development in line with what we've seen of him so far.
The issue ends with him using his augmentation/nanotechnology fuckery to kill them all. It's not presented as heroic or a good decision, rather the act of a desperate man at the end of his tether with only bad decisions available. He definitely enjoys it, though. It's easy to see how someone fluent in violence with abilities beyond regular humans might respond when pushed into a corner - after all, the military industrial complex is built on devaluing certain lives. Enemies, acceptable targets, guinea pig soldiers, mutants. It'd be dishonest to tell a story about it without going there, so it's both a grim character beat and a further exploration of the book's themes. Can you really do state violence 9-5 and be a good person? Can you even keep the violence to work hours? Nope, and the honesty is refreshing.
Marvel has been very pro-military and police for its entire publication history - less so in the X-books, but it's still absolutely there. It's a bold direction to take and a new kind of X-story. Sentinels is definitely focused on these things, but ultimately it's about people - as all good stories must be. I recommend it and feel confident in saying it's in the top tier of From The Ashes books right next to Exceptional X-Men.
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Gimmick (Carmen Cruz) the token mutant of her former team, Children of the Atom; talks to her friend, Buddy Bartholomew about her time in Krakoaland and her fight against the rogue mutants - Infestation and Snot. Gimmick is a student of Bishop (Lucas Bishop) who trains her to fight, sharpen her mutant skill and to work as a team. Besides Gimmick, the students of Bishop are Graymalkin (Jonas Graymalkin), Specter (Dallas Gibson), D-Cel (Miranda Manuel) and Kafka the newest X-Kid. Firestar (Angelica Jones) interrupts Bishop by telling him that there are rogue mutants causing trouble at Central Park. Gimmick vouches to go on a mission to stop Snot and Infestation at the park.
Snot and Infestation are scaring the humans when they are interrupted by "Bishop" who tells them that they should go for training with the X-Man instead of causing trouble. However, the two bad mutants laugh off and they attack, forcing Gimmick to drop her disguise. Gimmick calls for Specter, Graymalkin and D-Cel to subdue Snot while she and Kafka could try to stop Infestation. Unfortunately, this doesn't go well when Infestation sics her bugs onto Gimmick and Kafka while Graymalkin and Specter get thrown off. Even though Gimmick and her team managed to get their upperhand on Snot and Infestation, they failed to apprehend the bad mutants as they ran away to Limbo Embassy where they are considered as untouchable to Krakoaland.
This story might be a set-up to Steve Foxe's new upcoming comic Dark X-Men.