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Garth is one of the strangest hunter they have ever met, but he's undeniably endearing and go a while back now. The fact that he named his kids after him and Cas (instead of Dean) was quite amusing to him. Sam doesn't have that much experience with kids, least of all babies, but it made him happy that their friend turned werewolf were able to live a relatively normal life and have kids.
Album Review by Bradley Christensen
Garth. ā Human Nature
Record Label: Self-released
Release Date: March 16 2018
Something I love in music today is how a lot of bands have their own little āuniverses,ā pretty much like the Marvel Cinematic Universe, because each member might have their own project, so you have tons of different bands that intersect. Hell, maybe even members of the original band might join a different, well-established band, especially if their original band broke up. Dudes like Jonny Craig, Kurt Travis, and Tilian Pearson, all of whom were (or in the case of Pearson, are) in Dance Gavin Dance, have tons of bands and projects to get into, whether itās solo stuff or side projects. Most people come across these other projects after they listen to the original band or whatever, but sometimes I find the solo material first. Thatās what happened when I came across a mysterious project called Human Nature by an artist named Garth. Thatās it. Garth. I wonder how many times heās heard someone make a joke about Wayneās World. Iām too high-brow for that, so I wonāt entertain that idea, but I was very intrigued by the cover art, the album art, and just the overall aesthetic of the record. I was also curious about the description, because Garth was talking about being influenced by 70s soul, 80s new wave, and 90s R&B, all of which are things that I really love. Out of those decades, those are probably my styles of music from each one (I mean, I also really love 70s hard-rock / blues-rock, and I do love me some 80s glam metal, traditional heavy metal, and late-80s death metal, as well as 90s death metal, but I do love a lot of 70s soul / funk, 80s new wave, and 90s R&B, so it works), and that made me insanely curious about the project. It didnāt seem very long, too, only around 28 minutes, because there are only eight songs on it. I downloaded it, and while I was listening to it, I noticed that on his Facebook page, heās the frontman of a band called The Rooks. Theyāre an indie-soul band, as they call themselves, so I went to listen to a track from their debut EP, 2015ās Wires.
Theyāre a really creative, interesting, and unique band, and the whole EP is worth listening to. I donāt want to review the whole thing, just because thereās not much to really say with it. I mean, itās great, but thatās all you need to know ā itās a short, quick, and unique EP that blends indie-rock with soul music. Itās done incredibly well, and itās one of the biggest surprises Iāve come across in awhile. They have a new album in the works, too, so I canāt wait for that. In the meantime, letās talk about Garthās Human Nature, and I wanted to talk about this more so, because there is more to talk about with this record, because it spans a lot of styles, ideas, and genres. If you want my thoughts on it briefly and quickly, itās fantastic. This is a fantastic album that blends so many retro styles in a way that feels modern, fresh, and interesting. The only downside that Iād argue it has is that itās a bit scattershot with its overall sound, but thatās not a terrible thing, because itās really short. Itās only 28 minutes, like I said, so itās not that long whatsoever. To get into specifics, however, there are a few things that I really love about this record, and we have to talk about Garth himself. Heās got one of the most amazing, beautiful, fantastic, and wonderful voices Iāve heard in a long, long time. His voice is gorgeous, and even if youāre not into the album itself, you have to admit that his voice is flawless. On pretty much every track, he shines beautifully. Listen to these hooks, as well as the melodies, because he knocks it out of the park every time. Iām shocked heās not bigger, because heās got a fantastic voice that uses very well. The lyrics on this thing are very well-done, too, as theyāre nothing necessarily new or groundbreaking, but in the same vein as Hayley Kiyokoās debut album, theyāre very relatable, so anyone can really apply them to their own lives. The only guest spot this album has is rapper Watsky on the title track, which is a really weird choice, but heās not horrible. Heās not that great, but he doesnāt actively make the song worse. His featureās very short, but itās such an odd pairing, because Iāve always been under the impression heās a comedic rapper.
The last thing I wanted to talk about is the sound, and thatās where things can be hit or miss for people. Garth, as Iāve mentioned, has a very retro sound to him, but itās not one specific sound. He doesnāt only have an 80s new wave, 90s R&B, or 70s soul sound, so heās merely emulating a single genre, but he takes multiple ones from multiple eras. He doesnāt necessarily blend them together, since you can tell which song is what genre. This can bother people if they love those styles, and they think heās just ripping them off, but like I said earlier, I donāt think so. It doesnāt bother me for one reason ā he adds a very modern spin to them. Yeah, he doesnāt do anything dramatic, but his vocals, the lyrics, and the production are all very modern and fresh. The album is a bit scatterbrained, since it doesnāt flow that well, but itās a short project, so I donāt care too much about that. Regardless, I love this project quite a lot. Itās one of the best of the year. Itās also one of the most surprising projects of the year, too, because I randomly found it on Bandcamp. I was looking for some new R&B records, and that one caught my attention (as well as my eye). I was really curious about it, and Iām glad I checked it out, because itās fantastic. Even just for Garthās vocals, thatās the best thing about it, hands down. Heās a wonderful singer, and even a damn good songwriter, too. I love his very retro sound that spans many different eras and styles of music, which makes his music both interesting and diverse. It can be a bit scattershot for some people, and I get why, for sure, but it doesnāt bother me too much. This albumās only 28 minutes, so thereās not a whole lot here. I could do without Watskyās feature on the title track, but if anything, Watskyās got a big following, so I can see people listening to this record, because of him. Itās pretty forgettable, despite not being all that bad. The rest of the record is great, and itās one of the best albums of the year (it says itās an EP, but I consider it an album, just because itās around a half hour in length, and I really want to talk about it at the end of the year).
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