#flaneuse

— Lauren Elkin, Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London (Farrar, Straus and Giroux, February 28, 2017)

"for months I followed strangers on the street. for the pleasure of following them, not because they particularly interested me. I photographed them without their knowledge, took note of their movements, then finally lost sight of them and forgot them. at the end of january 1980, on the streets of paris, I followed a man whom I lost sight of a few minutes later in the crowd. that very evening, quite by chance, he was introduced to me at an opening. during the course of our conversation, he told me he was planning an imminent trip to venice. I decided to follow him."  suite venitienne, 1980, sophie calle

great video great song very hey jealousy

Two-part film presented as Dulac’s “cinegraphic impressions” based on two French realist song recordings made famous by Fréhel in this discophilic age: “Toute seule” (All alone) and “À la dérive” (Drifting). “

Rebecca Solnit, “Wanderlust: A History of Walking”

#germany #window #church #masonry #sculpturegarden #sculptures #sculpture #flaneuse https://www.instagram.com/p/CYzWg7RvOoc/?utm_medium=tumblr

I had a beautiful walk around Bloomsbury the other day, while listening to a podcast on the concept of the female flâneur, which Lauren Elkin has called the flâneuse, and how women have had to occupy this role in their own unique way because of sexism and street harassment. I’m currently reading her book Flâneuse: Women Walk the City, and it’s incredibly inspiring and fascinating. It’s funny to find a word for something you’ve been doing for years, especially considering the connection between walking and photographing.