@arialerendeair @maskenjager sooo... Some people got me obsessed with a movie, and then a fanfic. This is a gift for those people!
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@arialerendeair @maskenjager sooo... Some people got me obsessed with a movie, and then a fanfic. This is a gift for those people!

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Seeing Red
Boston, MA
Nikon D750
source : @cheminer-poesie-cressant
.
derniers cris de la chouette
aux premiers chants d’oiseaux
le matin est une dérive sans direction
.
© Pierre Cressant
(lundi 23 septembre 2024)
Dérive des continents
Une grande menace

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Germaine Dulac, Celles qui s'en font (film still), 1930. (Youtube)
Two-part film presented as Dulac’s “cinegraphic impressions” based on two French realist song recordings made famous by Fréhel in this discophilic age: “Toute seule” (All alone) and “À la dérive” (Drifting). “
A snapshot from the fabulous Jessica Lange's street photography book Dérive, about drifting in early-pandemic New York City
For this dérive I took inspiration from Haegue Yang, a Korean artist who created an amazing piece called the “Carsick Drawing”. She traveled toward Huu Nghi and Youyoguan and during that time Ms Yang traced the movement of a car shake with ink on paper.
For my transport I chose the bus 83 which I take every day going to university. The bus wasn’t that shaky as usual but still I could describe how my journey went with the line that I draw.
I had a lot of fun doing that dérive and following Ms Yang steps. Drawing the line made me think of every little shake that the bus created and I paid more attention to little details surrounding me. I found it surprising that I was waiting for a hole in the road just to create more shaky line. Usually you want to have your journey as smoothly as possible but in that case I wanted completely the opposite. Bumpy ride was what I was looking for and inconvenience for other people in the bus I got what I was waiting for.