#e005

Firstly, his home had never quite been the pinnacle of holly nor jolly. There wasn't much festive around the holidays – a winter dinner, of course, but for a family of atheists, they generally got away with just setting up a tree in the foyer and giving gifts to each other on December twenty-fifth. He remembers when he was young, receiving small wooden toys; then when he grew, creations more like knick-knacks or statues, beautiful works (most of them now sitting forgotten back in the bottom drawer of his dormitory, which he hasn't set foot in for months – where his feet currently carry him now).

Secondly, there was no home to return to. Milo had moved on campus immediately upon admittance to Blue Ivy, and the grounds had been his home for nearly the past decade. Aside from a holiday or two spent with Clem, or potentially a visit to a friend's house, he can't remember the last time he spent the night in a building that wasn't the halls of the university. Tainted as they now are, there's an itch in the bottom of his gut, a fear: where does he go from here? Blue Ivy has been his home for nearly half his life. What does he do after graduation?

Thirdly, there was no one to spend it with – not unless he wanted to catch the train back to the cemetery in London and spend a night as frigid as the marble in his old house with two gravestones. Frankly, that seemed about as interesting as spending the holiday with his actual parents. But rather than spend the night in his room with his books as he usually would, tonight he does have an actual goal, small as it may be.

Fingers thumb the small item in his pocket, footsteps tracing his way back to the familiar door. His keycard still works – somehow; he'd half-expected it to be invalid for the semester, though he's certain he's set off some sort of trial alarm or something. Every move you make is seen – let them. At the moment, he can't bring himself to care. The door opens, and he peeks into the room.

It's empty – thank god, Theo's out. He doesn't need to hear the complaining from his former roommate. Silently, he slips inside, immediately crossing the floor to the nightstand next to the folded bed. (Covers drawn; hasn't been used in months.) Squatting down, he slides open the bottom drawer. Wooden knick-knacks clack together softly as he does so.

From his pocket comes a small wooden creation of his own, a crow, beak tucked under one wing as it grooms itself, frozen in time. It nestles in, fitting perfectly amongst the other creatures and toys – the difference between craftsmen is almost impossible to see. "Nollaig shona," he whispers, sliding the drawer shut, closing them away once again. Usually, it would be until next year – however, he has a feeling he'll be getting them back out again soon.

"Cathy." He nods to the barista; she nods back. They've grown intimately familiar over the past few months, that careful, selective, limited relationship formed outside of an active death game. Hard to really give your all to someone when all you can think about is the fact that someone in your circle is a murderer. Without another word, the coffee maker whirrs to life, starting a drink he's ordered nearly every day for the past six months. The white noise is almost helpful, and he spaces out for a moment, mental gears turning as he tries, once again, to gnaw through all the information he's received. Starting from the beginning, trying to condense it all down. What is he missing? It should be obvious. Who's slipping through the cracks? What else can he use for process of elimination?

When you have eliminated all which is impossible, whatever remains, however improbable, must be the truth. Even if it doesn't make any sense.

She calls his name – for what he suspects is not the first time, though she doesn't say anything about it – and that gets him to snap out of it, accepting the drink with a nod. Somehow, she's snuck whipped cream onto it, and at the raised eyebrow he gives her, she just grins. "Merry Christmas," she shrugs.

Neither asks the other why they're still here; why one stands behind a counter at a job, why the other carries a research notebook. For now, it's enough that they aren't completely alone.

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Velgear Riva / Vi bal du

This was explained by a TL note in-episode, but I’ll repeat it here for posterity. Since I am more confident now that Yuudias is just speaking Velgearian, we will now be translating his dialogue a bit more literally, just writing out the sounds as we hear them and avoid making them proper English words.

This also means I’ve removed the capital letters on “Vi bal du”, since I’m taking it to be an actual sentence in Velgearian rather than an assortment of... something? I’m not quite sure why I placed the capitals in the first place.

Anyway, “War To Zen! Maniac You Die!” is also Velgearian and, in the future, will be transliterated as “Waa tu zen! Meiniak yu dai!” so people don’t get the wrong idea about what he’s saying.

“Kawai Tell.” “You can’t tell?!”

“I’m Kawai Tell, and I’m parched.”

Some more Japanese wordplay that had to be changed a little bit to fit into English.

乾い (kawai) means “dry” or “parched”, while てる (teru) is a special verb ending that makes it present tense. Therefore, Kawai Tell is quite literally “I’m parched” in Japanese. That is his name. I expect the dub to name him something like Drei Theosty or something.

Whenever Kawai Tell says “kawai terunda”, it is left ambiguous as to whether or not he’s saying his own name or just that he’s parched. It’s like Omaeno Ushiro all over again, but played much more straight.

The pickles/cucumbers

In Japanese folklore, kappas love cucumbers, and a way to get one to not eat you is to throw a cucumber engraved with your name at it.

This isn’t the weirdest one by a mile.

"A kappa washed away by the river” “Even monkeys fall from trees”

Kawai Tell is referencing two well-known Japanese idioms. Kappas in Japanese folklore are masters of swimming and living in water. The idiom “even monkeys fall from trees” or “a kappa washed away by the river” means that even experts can make mistakes and nobody is perfect.

For his summon chant, Kawai Tell is saying, more literally, that kappas aren’t being washed away — they’re just drifting and coasting along!

Earthdamar / “shirikodama”

Okay, this is the weird one.

With more context from this episode, I am led to believe that the Earthdamar is referencing the “shirikodama”, which, in Japanese folklore, is a little white ball inside your anus that kappas love to take. It’s said to contain your soul.

The origin of the myth is probably due to bodies that have drowned in rivers or streams coming back with an open or extended anus as a result of undergoing post-mortem underwater.

Not saying that the Earthdamar is that exactly, but... with how Yuuhi is positioned after being beaten by Kawai Tell and how he needs to put the Earthdamar “back in his body”.... it’s a good guess as any.

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Typesetting changes

The same as my post on them here for episode 62.

TL;DR

Bahnschrift -> Gandhi Sans Bold.

Athelas -> Berlin Sans FB Demi Bold (for Luke)

White text, black outline, colored shadow for summoning chants for the sake of readability

Bakuro’s font is Lato Black. It’ll be the default font used for most summoning chants unless it’s a special or important character, in which case I’ll stylize it differently.

These are what the subs should look like:

If they don’t look like these images, please reblog or reply to this post with a comment. I’ll try to fix it before final release.

Minor wording changes “Rules” -> “Format”

They very clearly say “rules” in English over the course of this episode, but in the midst of translating this I realize that a more appropriate localization may be “format” because that’s what we would actually call something like Rush Duels in English.

Rather than “rules”, it’s very clearly a new “format”, which makes more sense for English speakers. When the final version is released on Nyaa after I’m done with everything here, I’ll probably scrub through previous episodes to switch “rules” to “format”, unless it’s fine as it is in context and makes sense.

You may see one or two “rules” in the subs for this episode; they were kept intentionally. Otherwise, we’ll mostly be using “format” whenever they refer to Rush Duels like this again.

Rush Dragon Dragears -> Striking Dragon Dragias -> Multistrike Dragon Dragias

So if you haven’t noticed, Dragias’ name has been on a wild rollercoaster ride since the start of this series. A lot of people are used to Dragears as it was the initial translation by YGOrg. This is not really wrong, by the way.

The reason why there is so much switching is due to localization. With the official release of the SEVENS Puzzles & Dragons collaboration event for global servers, we learned that the TCG name for Dragias is “Multistrike Dragon Dragias”.

This also backs up an earlier-released pillow set with English monster names, so you can expect to see “Yamiruler, the Dark Delayer” and “Prima Guitarna the Shining Superstar” in the subs after finalizations are made.

Why? Because I believe in using the TCG names as that is what people will be most used to once the game releases here in the West (and yes, it is coming). I have already been using TCG phrasing for various other terms, like “tribute summoning” instead of “advance summoning”, or “spell card” instead of “magic card”.

As we get more news on the TCG release of Rush Duels, I will be changing card names accordingly.

Light Bullet -> Light Blast

Some more minor Dragias changes. This is the name of his first attack. I felt like “blast” was a lot more accurate than “bullet” which is just the literal translation of 弾 (dan).

Bakuro’s lines

RoadRush:

“Rush Duels [have] got very shallow rules, where even I, who has difficulty remembering things, can remember them easily.”

Original Japanese: 「ラッシュデュエルは覚えたての僕ですら簡単に勝てるほどの底の浅いルールだとね｡」

This is just a straight-up mistranslation. Unfortunately, this is not what Bakuro said.

It should be something more along the lines of “Rush Duels are so shallow that even I, someone who’s just learned it, can grasp it so quickly”. Bakuro does not have a faulty memory.

覚える can mean “to remember” or “to memorize”, however its second definition is also “to learn”. What makes this definitively “to learn” is the presence of the ending たて (-tate), which is used to signify when it’s someone’s “just done” something.

In this case, Bakuro has “just learned” Rush Duels.

廃刊 (haikan) “ceasing publication”

When Bakuro is defeated, he says these words. Earlier in the episode, they were translated as “shut down”, but the word specifically means “ceasing the publication of some news or article” which also includes things like magazines.

The reason the subs say “report... over” instead of “ceasing publication” or “shut down” is because I just felt like it was a really weird set of words to say out of context. I instead opted for something that makes more sense in English, like Bakuro who’s just finished reporting from the scene, therefore “report over”.

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For people interested in the raw BDMV vs encoded final video comparisons, click here. (Click the image in the center to swap between “raw BD” and “encoded”).

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Credits