#divine order

Inspired by traditional hoodoo and folk law as documented by Catherine Yronwode, Paper in My Shoe

The Cross, The Wheel, and The Rose

The vision of the four elements has always been given in the form of a cross. Fire facing air, water facing earth, two axes meeting at a single point. The ancients understood this as a foundation, a stable image of the created order. But the cross, when imagined in movement, begins to turn. The stillness dissolves into rotation and the four arms become spokes of a wheel. The elemental cross, once immobile, becomes a wheel of time. The zodiac is born from that turn. What appears to be a map of stability is already a mechanism of fate; the same cross that blesses also binds, since, once it moves, it takes the soul into a circuit of necessity.

In the circular form of the zodiac, the elements are woven into a chain of oppositions, a rhythm of twelve signs. Fire hands to earth, air hands to water, each moving into the next. The wheel carries the creature from birth to death, through seasons, years, incarnations. The zodiacal wheel is a cross in perpetual motion, a cosmic mill. It is law without release; it is structure without centre. For this reason many saw in it both the splendour of Divine order and the prison of repetition.

More at The Mirror of Sienna.

This comparative visual highlights the widespread emergence of pyramid structures across distinct civilizations, spanning from the early 4th millennium BCE in the ancient Near East to the first millennium CE in Mesoamerica and Southeast Asia.

Despite vast geographic and cultural distances, societies in Egypt, Mesopotamia, Mesoamerica, and East and Southeast Asia independently developed monumental, pyramidal architecture.

These structures served diverse functions — ritual platforms, royal tombs, or cosmological symbols — yet often shared a common symbolic association with sacred space, authority, and the divine order.