Today, weâre talking about character voice: what it is, how to build it, and how to include it in your story.
Simply put, character voice is whatâs associated with the way your character speaks. Think of the pitch of their voice, the articulatory placement of their vowels, any accent they may have, any mannerisms.
Character voice is most commonly associated with the main character or whoever is doing the narration otherwise, and for good reason: this voice should likely be the most developed of all the character voices youâll work with, because this is the one the audience will be the most exposed to.
How can I build character voice?
Remember that a character swearing one time doesnât affirm in the readerâs mind that theyâve a colorful vocabulary. However, if you reinforce this concept by having them swear and speak in generally vulgar terms, then your reader will come to associate this with the voice of the character doing the swearing.
Consistency is your friend. One action doesnât establish a rule in real life, and it shouldnât in fiction, either. Character voice is mostly built through repeated exposure, as one conversation doesnât necessarily dictate the way that a character speaks in general.
What can I develop with character voice?
Hereâs a list of things you can get started on to give you a stronger sense of your characterâs voice:
voice placement. (nasal, guttural, etc.)
mannerisms or commonly used words/phrases.
How can I include character voice in my story?
Simply put: let your characters speak according to their voice. If theyâre speaking differently from normal, let that be recognized in your story. If a non-narrator character is speaking, donât be afraid to occasionally remind the reader what their voice sounds like (when itâs relevant).
Be careful when writing filler words, for example if a character has a habit of overusing âlike.â Think of this passage:
âYeah, like, I donât think itâs like that important, but I think it should be, like, paid attention to. Like, if it was you, you wouldnât want to be treated like that, would you? Even though theyâre just, like, little kids, like... I feel like they should be treated with, like, respect.â
While the use of âlikeâ builds the readerâs knowledge that this character enjoys filler words, it takes away from comprehension of the passage. If I was editing this section, I would change it to something like this:
âYeah, I donât think itâs that important, but I think it should be paid attention to. If it was you, you wouldnât want to be treated like that, would you? Even though theyâre just little kids, I feel like they should be treated with respect.â I take a moment to pick out the words she means to say among the copious âlikeâs, and it makes total sense.
Or something like that, but better written. The point Iâm making here is that you can include character voice and mannerisms without writing them to a tee in actual dialogue. The same goes for writing accents phonetically. If your narrator feels the need to point out these details, then your readers will more likely than not recognize them.
Thatâs all Iâve got for character voice today! If youâve any follow-ups or other questions, my ask box is always open!
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