Why I prefer Maelle’s ending
Spoilers under cut.
Let’s start with what we know from in-game:
Maelle could die while in the canvas, but we know her father survived 69 canvas years trapped under a rock. He’s more experienced, but she has the resilience of youth.
When Verso is dying in Maelle’s arms, he says to her “I don’t want this life”, and she is saying, “All I wanted was this one life for us”, and she asks him if being able to grow old would change how he saw things.
In the epilogue, at least a decade has passed. Maelle looks older, Verso looks older, and he and Lune have a pre-teen son. Maelle has clearly kept her word, both in making Verso able to age, and in that she just wanted the one lifetime with her brother, given that she too is ageing.
We can presume this is Verso’s first concert, given Maelle promised a packed auditorium and this is both packed and significant enough to be where the epilogue takes place.
Verso no longer has the scar on his face, and while there is no evidence of who removed it or when, we do know he had the ability to remove it at the time the game took place but chose not to, as a reminder of his painted family and how that broke up.
He is clearly uncomfortable up on stage, but I suspect that’s partly to do with his first concert being such a big one, and also what it means as far as his journey of recovery from all his trauma. It’s a significant step, and would still remind him of Alicia and all that happened with her.
The discordant note which plays as the view switches to Maelle’s paintress eyes is a reminder that she is still tethered to the world outside the canvas, and that this life, while it is what she wanted, it is still a painful one, for Verso but also for her. She knows that at the end of it, she will either die or return to her real world and all the pain that awaits her there.
But, because of what we already know, she may well return. She was 16 at the time of the game, and if she lives to 70 inside the canvas, that’s not a bad age for the time period that it resembles, and certainly for a post-Fracture Lumièran. If her family tend to her body and keep her hydrated she could well come out of it he canvas very little the worse for wear, having lived her dream life and returned to her real-world family to continue the process of emotional healing, bolstered by the memories and maturity she built while inside the canvas.
By returning to her family, she could well make the case that the canvas shouldn’t be destroyed, given she managed to survive it, and thus could potentially Lumière indefinitely.
All this to say, I think the Maelle ending allows for her to experience both “endings” if we extrapolate to a best-case scenario regarding her body in the real world. While Verso didn’t want to keep living the life he had, Maelle was able to give him a different life; one he had thought impossible. It was painful, but recovery always is, and he had a family of his own to help soften it.
And all this of course is without having gone into the ethics of killing what seem to be not only sentient, but sapient beings that live inside the canvas. Verso, in wanting to destroy it, is making that choice not just for himself but for everyone who lives there, and if one accepts that they are sentient and sapient, it isn’t a choice he can be allowed to make for all of them.
So, yeah. I prefer the Maelle ending.
















