About last vampire whump writing, there will be at least two more parts. The second will happen two weeks after the first and the third will totally include the use of vampire venom. I'm also considering the fourth one, either a sickfic or with serious injury in which Whumper will have to treat Whumpee with his blood.
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We all know grief is a big theme and all that, and related to Tolkien's life. But. The Silmarils.
Long chaotic post about "wanting the Silmarils is related to having unprocessed grief" and "the Silmarils are hope, but Not Like That".
(I'm not sure how many there are for whom it makes a difference, but I assume it's a non-zero amount: sort of Morgoth-pov at the very end which may be emotionally intense. For convenience, it's separated with a picture. The rest is much more calm, I think. Just chaotic and may have autocorrect errors.)
Why do so many people (allegedly) want them more than it would make sense, even if they aren't cursed?
So many events on the story of those jewels are related to grief. Feanor makes them after his mother does and he cannot process his feelings properly (which is not his fault; where would he learn to process them? But it is a thing.)
Then he loses them when his father dies and really wants them back, swears the oath. Then he does and his sons swear the oath again, and of course they don't process their grief properly either.
Oh and I forgot, before that, the Valar. They lose the Trees and want them back. Interestingly, it's not Manwe (the king) who is most focused on getting the Silmarils for that, nor Varda (most associated with them), but Yavanna (sure, it was her trees, but also she's the most loss-avoiding Vala, she misses each tree that is being cut) and Tulkas (lowest emotional intelligence of all proper Valar). Again, the perceived need to get the Silmarils is where there's some unprocessed grief, and most intense in those Valar who would have the hardest time processing it.
(and Aule! He actively advocates for granite keeping it. But I'm sure the "my best Maia joined Morgoth, I'm constantly bullied, my wife doesn't like me, and I am never a jerk despite it all" guy is pretty good at processing his negative feelings.)
(Also, how the sun and moon are made? The fruit grow when Nienna cries, and it is Nienna, she is processing the grief in a proper, healthy way. And it... It solves the problem (lack of light) for which the Silmarils were "necessary". Sure, the moon and sun are lesser, not as beautiful... But there's a theme there. Namely, the third of them. 🙂 Things change. You can't fix anything important by going Ctrl+Z on it. You have to go forward, not backwards.)
The Silmarils are the feeling of hope (see: reactions to Gil-Estel, and it's very name) they are a promise that it all will be good. They are a good thing, but to an untrained eye the promise seems much more immediate, much more like something that can be done here and now.
If I only had them, all would be fine.
And they are not this, Nienna would know, I'm pretty sure Varda knew too when she blessed them (she may have not realized how others see it). They are just a reminder of something unsaid. Estel, not amdir. (It's a little funny to me how this means "looking up" but it's not for this post)
Anyway, the Silmarils. Thingol who realizes he'll lose his daughter (doesn't know how much he would lose her, but a sad marriage to a diet Man is enough, also a kid growing up can be a grief in itself. Or maybe it is because she will be mortal, maybe he suffers from what @dfwbwfbbwfbwf called "pre-traumatic stress disorder"). And a Silmaril is the only thing that could let him through the pain of losing his daughter.
And then he carries it, of course he does, if he let it go he would have to face his pain. He dies and Luthien wears the jewel, then after her death - Dior. A chain of deaths and losses and a beautiful gem.
It is too much for their half-mortal eyes, too much hope to be able to let go of it even if they had a reason.
And Maedhros starts demanding it after Unnumbered Tears (unnumbered, unprocessed, unhealed), which sure, has also a more political/reasonable explanation (he's out of other options), but also, it's a lot of grief.
And it goes into a chain of deaths.
Melian never cared about the Silmaril (she cared about it as a problem, but not about having it). Beren gave it up easily. Earendil have it to the Valar (they have it back later).
The dwarves... There are two things here. One is generational trauma of "the sindar hunted our ancestors for sport"+general racism. The other is that dwarves generally have more need of hope I think... Elves are reborn, Men are said to go somewhere beautiful and mysterious, and the Dwarves??? It's very uncertain.
And at the end it is Makalaure "singing apology songs which doesn't make me less of a murderer, just a hypocrite, but at least helps me process my traumas" Kanafinwe who throws the hope away because someone else would make a better use of it probably, and goes on to live through his darkness.
It's so hard to face your pain and start looking not only at hope for you, but at hope for the others. And sometimes what the world needs to have more hope, is you facing your pain.
I can't find a clear name for what the Silmarils are/mean in this... Something close to hope, but also something you must let go of to process your grief... It's inherently good, but can be overused... I'm sure there's something fitting, I just can't find it.
And the "Feanor will break the Silmarils" thing? For the trees? Seriously? No. He will break then because he will learn to live without them, to live with his pain. He breaks then because they aren't relevant anymore. (Who said that about fulfilled hope not being called hope anymore? My favorite "I can write more weird and more enigmatic stuff that you, but it makes waaay more actual sense than your posts anyway" guy?) He breaks them, but it's not necessary, it's just natural.
(but also tbh they do look a little like seeds so idk why not have new trees, they are kinda cool... well my perception of them looking like seeds is based mostly on "need to break" anyway... My thinking goes in atypical ways)
And there's Morgoth. Oh of course there's Morgoth. The dark Vala who couldn't (wouldn't) process his feelings even if they came with a manual. (He's an Ainu. They very likely initially came with a manual. But he thought he knew better)
He wants to steal hope and blacken it, and destroy it, right?
So... He feeds the Silmarils to Ungoliant? Tries to break them? Hides them far away?
No.
He wears them on his face, even if it hurts terribly. It hurts like dying. This is how clinging to your ego defences feels like. "the pain demands to be felt", to quote my favorite psychology YouTuber writing someone else. If you don't face it, it will still burn. If you run away from it, it will still be there. If you cling to the "I am not sad, everything is fine, it's great", it will burn your face.
But anything else would mean admitting there's a problem. Admitting that they burn would mean admitting that he was wrong. That his pain is there, and also it's not purely (not mostly tbh) others' fault, that he's not the victim in here.
What pain?
Well if you want my opinion, it's funny that it was Finwe who guarded the Silmarils. Finwë who favored his older, more temperamental, more brilliant son and made him the crown prince. Finwë who never told Feanor to sit down and cut his BS. Finwë who everyone says it's such a great father. So if everyone says that, it is rational to expect such behavior, right? It's valid to be angry about being treated in a different way? It must be. Anything else would mean that he was wrong.
💿 and 🕯— cym as lemme think,,,, the weirdest decor you can find — also 🍓 as… what do you think of the combonation of colours,,,, yellow and blue? Or purple and blue?
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Hello! This is Takahashi Yasha speaking for Chaotic Fanatic! As you all read in the description, we consist of only four members at the moment, but maybe we can get another friend to join us! We are no older than 20, but we can definitely draw! We have different art styles that are unique in each way.
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