Okay. It's beginning with the First Volume of the Entire Brick, <Fantine>.
I know this is the most important volume of Les Mis, since what Bishop did to the traveller who entered Digne influences a lots of things in the later in the Brick plot.
But honestly, it's the most hard-to-read volume at the same time. This does not mean Mr. Hugo enterferes with his endless speech, but It's really harsh to the characters suffer.
Like Valjean stole bread for saving his sister's children and became a convict named 24601, Cosette getting abused by the entire Thenardiers and became the housemaid, and Fantine wretched by her 'lover' and falling into the woman of town. It's just like Mr. Hugo mentioned in the preface, 'the degradation of man through pauperism, the corruption of woman through hunger, the crippling of children through lack of light'.
However, there are still best scenes in volume 1 too! I pick three.
First is of course, Bishop Myriel doing his job to Valjean, which leads the later incidents that happening in the entire Brick.
Second is Madeleine lifting the cart of Fauchelevent. Though he got suspicious sight of Javert but he gained another strong patron for him and this resulted him became the mayor.
And finally, the third scene is that famous 'Who am I?' scene at the Court of Arras. He did saved the innocent man, though he could not be done with the town and poor mother.
In conclusion, it might be too harsh to read, and might be less dramatic than the later volumes, but this volume 1: Fantine is the most important one since it makes the hardened base structure of the plot. I will be back tomorrow with the Volume 2!
Volume 1
Volume 2
Volume 3
Volume 4
Volume 5
Title card image is from @lesmisletters, and Clips are from <Il cuore di Cosette>.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
Oddly enough, one of the strongest criticisms of the criminal justice system in todayâs chapter comes from Javert (although he means it as a statement of fact, not as a negative):
âTo climb a wall, to break a branch, to purloin apples, is a mischievous trick in a child; for a man it is a misdemeanor; for a convict it is a crime. Robbing and housebreakingâit is all there.â
The phrasing of the statement alone indicates its absurdity. While the main part of the âcrimeâ is âpurloining applesâ (stealing), Javert starts with simple things like âclimbing a wallâ and âbreaking a branchâ that have no discernable impact on anyoneâs well-being, financial or otherwise. All of them are grouped together into the category of âcrime,â highlighting the absurdity of that label in the first place.
Javert is also very attentive to the different ways in which this act is viewed depending on the classification of the actor. Itâs only really a crime when a convict does it. Itâs such a commonplace act for children that itâs only considered a sign of mischief, and while itâs still punishable for other adults, itâs not going to get them life in prison (which is the sentence he mentions for Champmathieu). In reality, children and adults probably steal apples for the same two reasons: a prank, or out of hunger. The punishment has no relation to the actual severity of the act (which canât be that serious if itâs accepted when children do it) or the motive behind it; itâs entirely based on how society perceives a person already. Society literally waits for men like Jean Valjean and/or Champmathieu to do something as minor as âbreak a branchâ to confirm their criminality.
LES MIS LETTERS IN ADAPTATION - The System of Denials, LM 1.7.10 ( Les Miserables 1925)
The man ceased speaking, and remained standing. He had said these things in a loud, rapid, hoarse voice, with a sort of irritated and savage ingenuousness. Once he paused to salute some one in the crowd. The sort of affirmations which he seemed to fling out before him at random came like hiccoughs, and to each he added the gesture of a wood-cutter who is splitting wood. When he had finished, the audience burst into a laugh. He stared at the public, and, perceiving that they were laughing, and not understanding why, he began to laugh himself.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
Have you ever thought about how Valjean always tries to do the Good Thing even if it hurts him? Then look at this, he does a very biblical thing in the Champmathieu trial segment!
Remember the parable of the lost sheep? Basically we have this shepherd who has 100 sheep but when one gets lost he goes looking for it, even if that means leaving other 99.
âI am the master of hundreds of workers
They all look to me
Can I abandon them, how would they live if I am not free?â
So, yeah, there it is. How very biblical of you, Valjean...
IX. A Place Where Convictions Are About to Shape Up
This courtroom is really grim, and it must be so much worse for Valjean, whoâs been in the same kind of setting already. âThis man was the man. He did not look for him, he saw him at once. His eyes gravitated toward him of their own accord, as though they had known in advance where he was.â Oh noooo!
Only, above the presidentâs head there was a crucifix, something that was missing from the courtrooms at the time he was convicted. When he was tried, G-d had not been there.
Except the mercy and humanity thatâs so integral to Hugoâs vision of G-d is completely absent in both of the lawyers, itâs so awful.
Would anyone have cared about the Petit Gervais incident if it werenât evidence to make Valjeanâs crime even more severe, and thus a way to make it âclearâ that Champmathieu must be guilty of this theft as well?
âThat provincial lingo that had long constituted the eloquence of the bar and that lawyers used to use in days gone by...â Oh good, a preview of the Argot digression! <3
But what proved that this thief was Champmathieu? A single thing -- his status as an ex-convict. The attorney did not deny that this status appeared, unfortunately, to be clearly proved [...] but supposing he were the convict Jean Valjean -- did that prove that he was the stealer of the apples?â
AUGH, even the defense attorney doesnât believe him and thinks heâs half-guilty and âobviously a cretinâ D:
I despise the prosecution too, and Iâm really sad!
X. The Strategy of Denial
Champmathieuâs defense is admittedly far from convincing, but it paints a horrible picture and reminds me of Fantine and Jean Valjean spilling their miserable life stories to the first person who gives them half a chance.
âIn winter you get so cold you have to flap your arms to keep warm; but the masters donât like that, they reckon it wastes time.â oh NO, why is this still a conversation we need to have in 2019, why is capitalism and profit so horrible, I hate this!
âSheâd get home at seven at night and sheâd get to bed quick sheâd be so beat. Her husband hit her. She died. We werenât very happy.â Those three short sentences always just SLAY me.
Everyone laughs at him and he doesnât realize that HEâS the joke here, so he laughs too, which makes him look bad and guilty. But basically NOTHING he can do here will make him look innocent to this audience.
The accused had ended up sitting back down; he shot to his feet again when the counsel for the prosecution was finished and cried out:Â âYouâre a nasty piece of work, you are! Thatâs what I wanted to say. It wouldnât come to me at first.â
Heâs right but he really shouldnât say it.
This is so sad and it makes me so ANGRY that they keep using his confusion and defense to further vilify him. I want to dismantle the entire prison system with my bare hands, itâs not FAIR!!
Ahhh, Javertâs statement says Valjean tried to escape five or six times when it was only four D: Iâm so upset.
Brevet lowers his gaze when told he canât take the oath, but Chenildieu looks straight into the audience, and I love that peek into their characters.
The president addressed him:Â âThe accused has heard the testimony. What do you have to say??â
He answered:Â âI say, Marvelous!â
And then Madeleine reveals himself!
Chapter XI. Champmathieu More and More Amazed
âHis hair, still gray when he arrived in Arras, was not yet completely white when he first stepped into the courtroom. It had gone white in the hour he had been there.â I love this book.
Here are the words he spoke; we record them verbatim such as they were immediately written down after the hearing by one of those who witnessed this scene, such as they are still ringing in the ears of those who heard them, now nearly forty years ago.
I LOVE this book and its insistence that it all happened and Hugo has the primary sources to prove it. Itâs so good.
âThey were right when they told you Jean Valjean was a mean wretch of a man. He is perhaps not entirely to blame [...] The galleys make the galley slaveâ I love this BOOK, itâs so good and necessary (but seriously WHY is it still necessary?)
The poor man turned toward the audience and toward the judges with a smile that still, to this day, breaks the heart of those who saw it when they think of it. It was a smile of triumph and it was also a smile of despair.
oh SWEETHEART! Jean Valjean needs a hug!
Anyway, everyoneâs too stunned to arrest him and he has a job to do, so he just leaves. His counterpart, Champmathieu, has NO idea whatâs going on, poor guy.