#also obviously

both Wanda and Natasha have seen more than their fair share of face sucking from the pair ,,, they’re NOT risking it(!)

It’s the fans. TADC fans are mostly younger and queer/neurodivergent (at least from what I have seen online and IRL), they are a bit more… I guess “sensitive” (for lack of a better term) i.e. they are more unaware of the actual implications of actions (and the context around them) and thus think that it is justified and empowering to “deplatform” creators over minor things because they are very isolated and unaware. Most hardcore TADC fans don’t fully grasp the idea that the world will never be as “woke” (again, for lack of a better term) as they want it to be and are more comfortable going after small(er) creators* who are in their community. They don’t really know how to make a difference and going after small creators who made the mildest human offenses gives them euphoria, whilst Ony plays fans like rubbing their big greasy bellies.

ok but in all seriousness, the OneyPlays cast say the R-slur and the F-slur as well as some of the most unsavory shit, but they get no real flack. Like if anyone on the TADC crew said something half as bad as the average Tomar hypothetical I think TADC fans would actually go violent. The main reason people don't care is that OneyPlays fans are like, real people. They understand that Chris and Crew both cause no harm and mean no harm, that they are all in their mid-to-late 30's, and are all from the NewGrounds scene. In fact Gooseworx (who btw did nothing wrong and deserves some fucking space and kindness) is an OneyPlays fan and was on Slightly Artistic. OneyPlays is not getting any shit because they cultivated a fanbase that does not care. note that I say all of this as someone who enjoys both TADC and OneyPlays and is also Nonbinary, Bisexual, and very radicalized.

That is really all I have to say on that specific subject, and I know I am putting a massive target on my balls saying all this on Tumblr, but there is a lot more I have to say about the TADC fandom and those who make it up that that is a TedTalk for another day.

I have this headcanon that when Zidane and Dagger have their first son, and he’s around the age of 2 or 3, he falls to the floor one day in a fashion that feels oh so familiar, he gets up and dusts himself off, and they both just look at each other wide-eyed like

Oh my god

Okay, three songs on repeat!!

This is so good and I need the mastered version immediately !! Paramore has a way cutting into my soul in the most brutally honest way. But not mad about it.

“Do you ever feel so alone, that you could implode, and no one would know?”

Um yes? Why are you bringing this to light?? Hello?? You think I can actually handle this?? Absolutely not. But so good. So so so good. Like, sooooo good.

I’m going to be so honest and say that I’ve tried to avoid Midnights since my first few listens, because it just put me in a really dark headspace, you know? I loved the songs, but I just felt way too exposed and shadowed after. Does that make sense?? Anyway! I have returned. I think something about being in a city makes me want to feel moodier and misunderstood, like armor as I walk amongst hundreds of people. It’s a bit spiky, but makes me feel a bit safe. Does this make sense? Perhaps not!

I know this one isn’t a deep track by any means, but it just hits so close to home. Umm “starved my body like I’d be saved by the perfect kiss”. Ow! Just ow. I don’t need that reminder. But! Then it’s like, yeah, you’re on your own kid. And at the end it culminates in but you can face this!!! Holy cow. Emotions! But really, it’s haunting and empowering and terrifying and sobering all at once. Taylor Taylor Taylor what are you doing to me!!!