#alan brady

I have been a fan of the work of Carl Reiner for a long time – longer than I had, until recently, realized. I had never noticed before that he was the director of such movies as Oh God!, as well as the early films of Steve Martin (not all of which I have seen, but I have enjoyed those that I did see). And even before I knew who Carl Reiner was, I was a fan of the work of his son Rob Reiner. I watched All in the Family long before I had ever seen an episode of The Dick Van Dyke Show. And The Princess Bride, a classic of the fantasy-adventure genre, remains one of my all-time favorite films. Later on, when I began watching The Dick Van Dyke Show, I did not immediately realize that the actor playing Alan Brady was in fact the creative genius behind the entire series. I did not notice that this one man scripted the bulk of the episodes, including many of its best. I had not yet come to fully appreciate the talent and brilliance of Carl Reiner. That is something I have only achieved through this course. I have a new respect and admiration for the man, truly one of the great comedians of our time. The series he created has been a favorite of mine since I discovered it through reruns on Nick-at-Nite and will remain one of my favorites for as long as I live. I will examine Carl Reiner’s various roles throughout the production of The Dick Van Dyke Show and show that this actor turned writer-producer was truly a force to be reckoned with in the field of comedy.

When I began watching The Dick Van Dyke Show, I slowly became more familiar with the work of the cast and crew of the series. Once I had learned who Carl Reiner was – the creator of the series as well as its chief writer and producer – I discovered his early work on Your Show of Shows. I knew, for the most part, who Sid Caesar was. I was probably most familiar with him from the classic comedy film It’s a Mad, Mad, Mad, Mad World – which also featured Reiner in a small role as an airport control tower operator. I knew of Imogene Coca and Howie Morris – the latter more from his cartoon voice over work. I had never seen the show, but I knew it was a landmark television series, essentially the Saturday Night Live of its day. I’ve since learned that it was Reiner’s experiences on this series and with the people that have worked on it that formed the basis for The Dick Van Dyke Show. It was through Your Show of Shows that Reiner began a long lasting friendship and professional partnership with the great Mel Brooks, who I should not have been surprised, was the inspiration for the human joke machine that is Buddy Sorrel. Reiner was primarily a performer on the show but eventually became an uncredited contributor in the writers’ room. However, his alter ego on The Dick Van Dyke Show would be the series’ head writer, an embellishment that I’m sure delighted Reiner to no end. 

It is the creation of this series and Reiner’s alter ego Robert Petrie that most impresses me about the man. Trying to break into the arena of television sitcoms, unable to find a vehicle fitting of his talents, Carl Reiner took it upon himself to create his own series – partially at the urging of his wife Estelle. Reiner believed in the old adage “write what you know” and thought about what experiences he could draw upon that others might not. It occurred to him to base his series on his life and career as a performer and writer on Sid Caesar’s television series. It also occurred to him to not only draw upon his professional life, but his personal one as well, and show the two worlds his main character would inhabit: the world of his job as a television writer and his world at home as a husband and father. Reiner then proceeded with the unprecedented endeavor of writing thirteen complete episodes for this series in a single summer. It is this feat of dedication and productivity that most inspires and encourages me. It shows what a creative individual can accomplish when he or she sets his mind on a task, a goal, and commits to it. It remains a grand accomplishment in spite of Reiner’s initial setbacks in getting the series off the ground. Reiner’s series, dubbed Head of the Family, would make it to the pilot stage and, for at least a time, no further. It’s rather ironic that one of the biggest problems with this incarnation of the series is the performance of Reiner himself. One would think that a man would be most qualified to play himself, but apparently this was not true in Reiner’s case. 

We can thank the efforts of executive producer Sheldon Leonard for salvaging Reiner’s fledgling series and setting him onto his true path, as the show’s writer and producer. It is was here that Carl Reiner truly shined. The shear workload that Carl Reiner endured throughout the first two seasons of The Dick Van Dyke Show is striking, one might even say Herculean. As producer, Reiner’s responsibilities included the supervision of casting, staging, scoring and editing of each season’s thirty some episodes, in addition to his duties as writer and story editor. Nearly two-thirds of the episodes aired in the first two seasons were written by Carl Reiner, and there was almost no episode that went completely untouched by his creative hands; many of these episodes were polished or rewritten by him as well. How Reiner was able to endure this staggering workload is nothing short of amazing, almost miraculous. However, it was not something the overworked creator could endure forever. Fortunately for Reiner, and for fans of the show everywhere, help arrived in the third season in the form of screenwriters Bill Persky and Sam Denoff. It is because of these unlikely saviors lessening his burden of responsibility that we were able to enjoy Reiner’s efforts in front of the camera as well as behind during the series’ final two seasons. It is here that Reiner was able to return to his first desire – performing – as the vain, egomaniacal, overbearing television star Alan Brady.

If Rob Petrie was the alter ego of Reiner himself, then Alan Brady represented Sid Caesar, as well as many other vaudevillian stars of early television. When one considers what kind of a man and a boss that Reiner was – he only lost his temper on set once and was a genuinely gracious person to work for – it’s a testament to his acting abilities that he delivered such a believable and hilarious performance. Alan was loud, domineering, arrogant, self-centered, often cruel, but always funny. He was the living embodiment of every big shot television star that was completely full of himself, and added a welcome dynamic to the show. As if beleaguered producer Mel Cooley hadn’t suffered enough thanks to Buddy’s constant insults, he now had his belligerent brother-in-law to contend with. But Mel was not the only target of Alan’s pompous anger. I doubt anyone on the cast avoided being walked all over by Alan, and I would say Rob suffered more than anyone. Everyone was terrified of Alan Brady, and with good reason. He held the collective destiny of our favorite characters in his hand. The threat of being fired loomed constantly overhead and led to some great comedic moments, even when the threat was idle or completely non-existent. Whether it was Rob forced to ghost doctor the lackluster play for Alan’s Broadway debut or the whole staff offering their writing services to a snail, the prospect of unemployment was never funnier. Not even friends and family were safe as Laura, Millie and Jerry were all caught in the wake of hurricane Alan. 

Writer, producer, performer, Carl Reiner was at least a triple threat. Like nearly everyone in the cast of The Dick Van Dyke Show, Reiner was as multitalented and versatile as they come. Always a class act, forever striving for excellence and devoted to bringing to life “one man’s reality”, Reiner worked fervently for over five years to make the series he had created one of the best television shows ever to grace the airwaves. It is for this reason that he and Dick Van Dyke chose to end the show after its fifth season. Like any good showman, Reiner wanted to go out on a high note and leave the crowd wanting more. It may have been the end of his sitcom, but it was hardly the end of his career. 

Carl Reiner would continue to be a driving force in comedy and moved on to become a writer and director of feature films, including the movie based on the novel Enter Laughing that he wrote in the late 1950s that was a precursor to his work on The Dick Van Dyke Show. He kept working in television as well and even reteamed with his former star in the 1970s for The New Dick Van Dyke Show. It was, however, not as long lived or anywhere near as successful as their previous endeavor. Reiner would also continue to work as an actor and, in fact, continues to work to this very day in both television and movies. His role as Saul Bloom in the Ocean’s 11 films was one of the highlights of that series.  He has even reprised his most famous role as Alan Brady on sitcoms like Mad About You, a Dick Van Dyke Show reunion special and even an animated program titled – what else – The Alan Brady Show.