It's very easy to imagine a Muppets adaptation of Pride and Prejudice, in large part because Alison Steadman's performance as Mrs. Bennet in the '95 BBC miniseries is already 95% Miss Piggy.
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It's very easy to imagine a Muppets adaptation of Pride and Prejudice, in large part because Alison Steadman's performance as Mrs. Bennet in the '95 BBC miniseries is already 95% Miss Piggy.

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white people have the sauce sometimes and dont even know it
i just saw a youtube short of brandon sanderson on a podcast. the whole time hes talking hes doing book signings. what a flex. so many bitches on my dick i gotta multitask
brandon sanderson is actually just built different. once on a podcast with patrick rothfuss they were talking about tools to write better and he said "i try to limit myself to 8 hours of writing per day." he took time off of writing during the first year of covid and accidentally wrote four unplanned books. he teaches a class at byu. his wife has a codeword to get him to stop writing in his head because at any given moment you might think he's doing something normal but no he's also writing another novel. stephen king said he's insane
via queenofattolia: #stephen king said he's insane: most damning sentence ever written
It's interesting how, culturally, we've gone from workplace comedy (The Office) to workplace existential dread (Backrooms and Severance). Can't imagine why.
they may never make another score with the same level of pirate as the pirates of the caribbean theme song. listen to that. like. yeah. that's the piratest. there are only two ways to make it more pirate. you can either illegally download it, or! give it a gun. which is difficult because sheet music doesn't have hands.
As someone who saw PotC before Gladiator, this is very true but it makes the Gladiator soundtrack incredibly distracting. I'm trying to get into Maximus's story but I get knocked out of it every time the the main theme plays because it's almost identical to the PotC theme. Does anyone have this issue in reverse if they saw them in release order? Are most people out there getting intrusive gladiator vibes all over their pirates, or have most people here only seen PotC so are unaffected?
Okay, the promos for Leverage: Redemption S4 are starting to get out of hand.

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Am I the only person who... actually really likes Thor: The Dark World? Not even in a "this movie is so bad that it's good" way, just genuinely really liking the movie š It's actually one of my favorite comfort movies, I watch it all the time.
If Thor: The Dark World has no fans I'm dead
//It's one of my favorite movies ever! I adore it ā¤ļø
It was one of the very rare movies that I was able to watch the whole thing in one sitting without getting bored or needing to be doing something else at the same time to keep myself occupied. Even the first Thor movie I remember watching in something like half hour segments, because after that I start to get antsy just sitting and doing nothing else. TDW was a very good film. Did I like all the angst in it? No, but it kept me interested, and make good use of the main cast.
I adored TDW enough to see it twice in theaters (dragging my whole family along the second time, which was on Christmas Day) and that was before I was obsessed enough with Thor and Loki to participate in the fandom. I loved getting to see so much more of Asgard and the other realms. If I had complaints, they were very minor (like that Malekith was pretty flat and there was maybe a touch too much silliness from the Earth characters). I've always been confused and bitter that it's so widely panned as the worst movie of the Infinity Saga.
I don't understand its poor reception at all, and it seems like you can trace that poor reception directly to the intense course correction that eventually created Love & Thunder. (I like Ragnarok but I think there's a timeline out there where TDW was given its due and the Asgard side of the Ragnarok story wasn't a frustrating afterthought, and then L&T was completely different and actually good.)
One field that badly needs to be purged of "Great Man-ism" is architecture.
In my hometown there's a hospital that won awards for the brilliant architectural vision of the great man who designed it.
The fact that even before it opened they'd begun building the extension, because it was too small to accommodate the number of patients, and even then too small to accommodate visitors, apparently didn't matter.
Standard "visionary design"
I've worked in multiple award-winning buildings, and every one of them was a terrible work environment. Confusing internal layouts, bad HVAC, inaccessible spaces, lacking basic amenities, horrible acoustics, just bad places to work all around.
But hey, the lines of the buildings look great from the outside.
there was an award-winning building at my college that, due to its oddly-curved roof, every year, produced icicles that could kill people
I worked as an admin for 2 months at a multiple award-winning architectural firm. When I got to see a restaurant design in progress, I pointed out that the design of the bar in said restaurant would end up causing injuries to the workers. I was told that I didn't know what I was talking about.
I had left bartending to go to that job and I left that job to go back to bartending.
The fact that everyone has a story like this and yet architects are still allowed to ply their trade as if they were visionary artistic geniuses rather than glorified contractors with ideas above their station will never cease to grate my gears. Why do we, collectively, tolerate this bullshit?
Never gonna forget that episode of Grand Designs where the architect no longer wanted his name assosciated with the build because the folks who were going to live in it (and are paying to have it built...) raised the garage roof line high enough to be able to fit their regular-sized car into the garage.
I have basically been radicalized into feeling like architecture as a field is full of a lot of people who want to make really big sculptures and make other people pay for it. (There is also livable architecture. But when I look at architecture magazines, all I see are malevolent staircases that will murder you.)
"Well, it wasn't made for people" just explained everything to me. These kinds of architects don't want to be architects. What they want to be is huge-scale sculptors. They don't want what they make to be used, or even usable. They want to make something that (they think) is pretty/interesting/whatever to look at.
If you don't want to design for people, shut the fuck up and get out of architecture.
I love the way this post is a deconstruction of Ayn Rand's The Fountainhead on a practical level. For those blessedly unfamiliar, the protagonist is an out-of-touch, arrogant architect who thinks his designs are above such petty, anti-individualist matters as building codes, and Rand expects readers to agree that actually he's a visionary genius who SHOULD get to blow up the public housing he designed just because other people had the audacity to alter it into something more usable.
Spin the wheel. That's who's trying to kill you.
Spin the wheel again. That's who's trying to protect you.
Are you safe?
Absolutely not. I'm dead. 100% dead.
I might stay alive, but it'll be a really close thing.
I'll take some hits, for certain, but I should be okay in the end.
A few attacks might get through, but nothing concerning.
The attacker might be able to get in one lucky hit. If that.
I am the opposite of worried. I'm 100% safe.
...Look. I've tried picturing this. But I honestly don't know how to answer.
Magneto is trying to kill me, and the person who's trying to protect me is. . . Ron Weasley.
It was nice knowing y'all.
Jaime Lannister is protecting me from Timon and Pumbaa. We're about to have a barbecue, which will be a great setting in which to recommend a therapist and resources for acquiring a modern prosthetic hand.
SO HERE IS THE WHOLE STORY (SO FAR).
I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.
IN SHORT
Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.
When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media postsāusingĀ
his dyslexia;Ā
his intent to implement a tip-system for the plagiarized authors; andĀ
a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a āvalidā claim,
as reasons we should allow him to continue monetizing fanwork for his own financial gain.
When we less-than-kindly refused, he took down his āapologiesā as well as his website (allegedlyāitās possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasnāt any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer there.Ā
THE TAKEAWAYS
1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain;Ā
2. Fandom can really get things done when it wants to, andĀ
3. Our fanworks appear to be hidden, but theyāre NOT DELETED from Weitzmanās servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again.Ā
THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)
Hey folks, I doubt many people will see this message or the comment I left about it down below, but if youāre reblogging this post with death threats or calls for physical violence against this man, I am blocking you. I want this post to reach as many people as possible, and if you carry on like that youāre not just incriminating yourself, youāre giving tumblr reasons to nuke this entire recap. Thank you.
salt & vinegar chips are snacks for fucking masochists. literally the entire flavour of the goddamn chip isĀ āacetic acid, which will hurt your tongue, and then just salt on top of that to hurt it worseā. itās brutal. this chip is designed to hurt you
yeah and it kicks ass
Sometimes you just wanna pickle the inside of your mouth
It's the only chip type where I don't question the serving size. That limit is there for safety reasons.

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Why was Superwholock the only fandom trinity the tumblr community fixated on? Because Elementary/Leverage/Person of Interest would've been pure gold. The overlap wasn't perfect (Leverage began in '08, PoI in '11, Elementary in '12, by which point Leverage was nearly over) but they all have staying power and any combination of two or more would be *chef's kiss*.
A heist intersects with a number from the Machine. Hardison is revealed to have been a longtime admirer of Harold's code and Machine conspiracy theorist, and John initially fights Eliot to a stalemate and then WITH Eliot against various goons later.
John and Harold are working on a number of someone connected to a murder victim Sherlock is investigating, and Sherlock spots John near the scene of the crime multiple times. Just when we think he's mistakenly put John on his suspect list, Sherlock reveals he already knows a great deal about the Man in the Suit, and he's pretty sure he's been fed intel from his associate via Anonymous at least once (because they for some reason didn't require a humiliating display that time).
Anonymous are huge fans of the Leverage team and arrange for Sherlock and Joan to team up with them, or Sherlock is working the case from another angle and spots the con happening under some rich jerk's nose. He plays a subtle role to help the heist succeed, then turns up at Leverage HQ for a face-off to make sure they're what he thinks they are.
The Machine spits out Sherlock's number and he turns out to be the biggest handful Harold and John have ever had to deal with. He's in danger because he interfered in the business of exactly the rich/powerful type the Leverage team goes after, who they are just now going after, and at first the three teams are in each other's way, but then they come to an understanding (possibly offscreen, saved for flashbacks during the heist reveal).
What even is webnovel?
The only time I've ever been on Webnovel was when a reader informed me someone had (very ineptly) plagiarized a large chunk of "If I Could Start Again," but then I got this comment on the appendix I recently attached to that ficānot the fic itself, or I might've believed it for .5 seconds longer. Behold:
I'm really upset! Your writing in (x fanfiction) is way too out of character. Is it even logical for the story to develop this way?! Just so you know, the "MARVEL: GAME MAKER SYSTEM" on webn0vel is the real deal when it comes to fanfiction. It's absolutely amazing and worth reading. My life changed after diving into that fanfiction!
-e31ym776 (Guest)
I love the complete lack of specifics, even before you get to them forgetting to fill out their form and include a title, but what the heck is this supposed to achieve? Is this a sock puppet account hyping up the writer's own fic? Is it more plagiarism? Is anyone else getting this kind of comment on their MCU stuff? As far as I can tell, the story the commenter so prefers isn't even about Marvel characters, it just has Marvel in the title, and it has 15.5 MILLION views so why would it need to feebly attempt to redirect readers from completely different websites? I am confusion.
Okay that first reviewer clearly doesn't understand how kryptonite works but sounds like Sephora accidentally created a product line using Spiders Georg's face cream.
thatĀ āpakige?ā post but me, a couple hours after posting a fic, likeĀ ācomints?ā
F5 F5 F5
⦠F5 F5 F5 F5F5F5F5F5
WHEEZING
With only 2 days to go before the marathon starts, how many of us are the cat right now?
@iwillrememberyoumarathon
Writing Tip:
If you donāt feel like actually writing, prepare for writing:
Open your WIP Word doc
Read the last page again
Scribble notes on what happens next
Once youāve done this, you might just find yourself wanting to continue after all. And if you donāt, no worries. Youāve made it easier to jump back into it later.Ā
This always works for me! Really good advice!
I do this to get into the writing mood. I can tell myself: āI donāt have to write, no pressure. Look, Iām not writing, this isnāt writing.ā
^^GREAT advice!
The easiest way for me to get more written in a chapter I've already started is to reread and edit what's there. It often flows into new paragraphs without much effort.
4 days!!!
@iwillrememberyoumarathon

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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My weird yet effective writing routine
To me, writing is quite an intuitive process.Ā I basically just follow my gut.Ā Nevertheless, throughout the years, Iāve been able to develop a pretty effective routine, and Iām going to share it with you now!
Writing circuits.Ā I donāt know about you, but Iām super lazy, and I also love to procrastinate.Ā So, instead of writing for three hours straight, I split this time into little circuits and plan them throughout the day.Ā Letās say Iāll write for an hour in the morning, then an hour and a half in the afternoon and so on.Ā Itās also incredibly beneficial for your health ā both mental and physical.
Have a plan.Ā Iām a discovery writer, and I donāt really outline that much.Ā But as I go about my day ā eg. when working out, or running, or cooking, or eating, or sitting and doing nothing because of this procrastination right ā I think about what I want to accomplish.Ā And I usually ask myself the following questions. What is the purpose of this scene? Which characters should appear in this scene? Should it be more visual or more internally-focused? What actually happens? How should I describe it? Thanks to this, I have a general plan, and Iām much more motivated to actually write instead of visualizing that scene in my head (we all know this, donāt we?).
Write.Ā Then I write.Ā I write whatever pops into my head.Ā I donāt care if itās logical.Ā I donāt care how many times I use abruptly, saw, felt, etc.Ā I just allow my imagination to create this story.
Notes.Ā When I end my final little session, I usually leave some comments for myself.Ā Whatās going to happen next, whatās the next big thing I want for my characters, etc.Ā Having these notes makes everything easier;Ā I immediately know what Iām supposed to do.
Having fun.Ā I donāt care about the word count, deadlines, or anything like that.Ā I enjoy the process, and Iām always very grateful for everything I write.Ā I actually have this cute/weird habit:Ā Whenever I end my writing session, I say āthank youā.Ā Out loud. (Yeah, awkward, huh?)Ā Thank you for my amazing imagination which allows me to create places and people in my mind!Ā This kind of approach always makes me happy and even more motivated for my next writing session.
A great way for me to actually get some writing done is to work on it at all kinds of strange little moments. I used to bang out entire fic chapters on receipt tape when I was a Walmart cashier. Somehow it feels harder to find opportunities to write when I have more free time and less oversight. So frustrating.
7 days until the first story!
@iwillrememberyoumarathon
On dialogue tags
What that rule means, why it's in place, and when best to break it.
I think the only thing that pulls me out of a story faster than overuse of fancy alternatives to "said" is when the writer has an allergy to identifying characters by pronouns or even their names. "The tall one"/"the blond one"/"the firstborn"/etc. It's like a series of little unnecessary riddles getting in the way of what's going on in the scene. It doesn't help paint a picture of the characters involved and sometimes makes it harder to tell how many characters I'm supposed to be keeping track of. Please, I am begging you, just use their names. In most cases, that'll work best and won't feel repetitive to the reader. Besides, I have a hard enough time remembering characters' names when they appear the right amount in the story!
The main exceptions that come to mind are:
If the PoV character doesn't know names of other characters yet, it's a good opportunity to think about which physical trait would jump out at them most, but this is probably best as a short-term strategy and they should learn names quickly.
If the characters you aren't naming are too minor to bother giving names, such as a group of vampire goons Buffy has to fight, pronouns and one memorable descriptor each should be enough to get her to the end of combat. "Goatee Guy," "Bad Bangs," "Sewer Breath," etc. Sometimes it's funny to go even more basic and identify them as "Goons 1, 2, and 3."
If you're writing about a character who is particularly defined by their profession or a certain descriptor, using that one repeatedly to identify them can be very effective. For example, in the Witcher books, the omniscient narrator uses "the Witcher" more often than "Geralt," which works very well in a setting where the general public is highly suspicious of Witchers and questions their humanity, and sometimes Geralt himself isn't so sure about his capacity for human emotion.
The main point remains, though, that using a wide array of descriptors in all the places where a pronoun or name will suffice can be very ineffective and distracting.
Only 11 days left! I'm in trouble!
@iwillrememberyoumarathon