15th-century game board from Venice, Italy.
source / Haverst
Peter Solarz
I'd rather be in outer space 🛸
todays bird
Mike Driver
Xuebing Du

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Aqua Utopia|海の底で記憶を紡ぐ
sheepfilms

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Three Goblin Art

Kiana Khansmith
Show & Tell
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@sweetbitterbitten
15th-century game board from Venice, Italy.
source / Haverst

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Clara Novello by Edward Petre Novello, 1833
National Portrait Gallery, London
The Property of a Noble Lady (Das Naschkaetzchen) (1862) - Wilhelm Amberg (1822–1899)
“A monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.”
— Ocean Vuong, from “A Letter To My Mother That She Will Never Read”, published in The New Yorker (via soracities)

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Releasing Butterflies (c. 1894) by Emile Villa (French, 1836 – 1900), signed lower right ’E Villa’, oil on canvas, 46 x 33 in (116.8 x 83.8 cm), Private Collection
Léon Bonvin (1834-1866, French) ~ Vase of Flowers Near an Open Window, 1864 / Vase of Wild Flowers, 1863
[Source: thewalters.org]
Ivan Kramskoy - A Girl with her hair unbraided (1873)

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Casper dir. Brad Silberling | 1995
“Imagine a Carthage sown with salt, and all the sowers gone, and the seeds lain however long in the earth, till there rose finally in vegetable profusion leaves and trees of rime and brine. What flowering would there be in such a garden? Light would force each salt calyx to open in prisms, and to fruit heavily with bright globes of water—peaches and grapes are little more than that, and where the world was salt there would be greater need of slaking. For need can blossom into all the compensations it requires. To crave and to have are as like as a thing and its shadow. For when does a berry break upon the tongue as sweetly as when one longs to taste it, and when is the taste refracted into so many hues and savors of ripeness and earth, and when do our senses know any thing so utterly as when we lack it? And here again is a foreshadowing—the world will be made whole. For to wish for a hand on one’s hair is all but to feel it. So whatever we may lose, our very craving gives it back to us again. Though we dream and hardly know it, longing, like an angel, fosters us, smooths our hair, and brings us wild strawberries.”
— Marilynne Robinson, Housekeeping
“I am a dream swallower, and I poison myself. I have a palate for rare, erratic impulses.”
— Anaïs Nin, from a diary entry featured in Linotte: The Early Diary Of Anaïs Nin (1914-1920) (via loveage-moondream)
Mary Magdalene in a Grotto (Marie Madeleine dans la grotte), (1876) by Jules Joseph Lefebvre (French, 1836 – 1911), oil on canvas, 71.5 cm (28.1 in) x 113.5 cm (44.6 in), Hermitage Museum, Saint Petersburg
𝜗𝜚 ⠀𝗕𝗬 𝗧𝗛𝗘 𝗣𝗥𝗜𝗖𝗞𝗜𝗡𝗚 𝗢𝗙 𝗠𝗬 𝗧𝗛𝗨𝗠𝗕 ﹔ romantic declarations sentence starters . please like or reblog if you plan on using . don’t claim as your own .
i love you, and I will love you until I die and if there’s a life after that, I’ll love you then.
i swear on us because there isn't anything I believe in more.
is it you? have my prayers been answered?
I will fall in love with you over and over again.
I am not the man you fell in love with - I am not the man you once adored.
don't tell me you're not the same person - you're always my husband.
would you fall in love with me again if you knew all I've done?
no matter how long it's been, you're mine.
you must allow me to tell you how ardently I admire and love you.
one word from you shall silence me forever.
i'm afraid I'm scandalously in love with you
I don't want sunbursts or marble halls, I just want you.
I've loved you ever since that day you broke your slate over my head in school.
know I am imperfect, but I will humble myself before you because I cannot imagine my life without you.
just keep looking at me. no one else matters.
I fell in love with you, and then I knew.
i have you, and i'm not going to waste a single moment we have together.
all I find myself thinking about, all I find myself being able to breathe for . . . is you.
because with you gone . . . there was nothing left for me to live for.
I have never met anyone like you. it is maddening, how much you consume my very being.
I desire you. I burn for you. I can't sleep at night for wanting you.
this has to be the most self-centered thing I've ever said, but no, I think you just wanted to vex me.
anything in my power, I give to you.
i thought you were dead once, and it almost destroyed me. i could not bear it if you died again, not when i could save you.
did I happen to say, I dream of you every day.
I was praying that you and me might end up together.
I'm holding you closer than most, cause you are my heaven.
I was made to keep your body warm.
did my heart dare to love until now?
all my agony fades away when you hold me in your embrace.
I would have loved you all my life.
be still and know that I'm with you.
something always brings me back to you.
I never wanted anything so much as to drown in your love.
i've spent so long running from love - convinced it would destroy me. i don't wanna be that person anymore. i want the storybook thing.
I don't think I could love you more.
it might not be long, but I'll love you 'till the day that I die.

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Odysseus Elytis, translated by Edmund Keeley, from "Marina of the Rocks,"
Wild Blackberries - Lucy Clayton
British , b. 1970s
Watercolour, blotted line technique and ink on paper , 42 x 59.4 cm.