when you are in the middle of a story...

@sweetbitterbitten

it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It's only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else. {multi rp account, no card, rules and such on blog itself} strongly affiliated with threecardtrick

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oldpaintings

The Four Roses and Lady of the Roses, 1901 by František Dvořák (Czech, 1862–1927)

#all encompassing aesthetics

•18+ Adults Only

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random-brushstrokes

Albert Bartholomé - The Artist's Wife (Périe, 1849–1887) Reading (1883)

#all encompassing aesthetics

Striker is settling his hat atop of her head as he flops next to her. Two glasses of amber liquid are in his hands-- one for the pair of them. He grins, his golden tooth glinting in the lowlight as he holds one out to her. "Lookin' thirsty, sugar."

the world shades itself in leather, leaves her laughing a lilt like a lopsided record as she tips her head this way and that - a doll dwarfed by the decisions of her damned handsome dressmaker. she blows a raspberry of itching delight, a happy drunk’s attempt at puffing air upwards as like to loft a feather rather than a full ten gallon.

she hums as her hand reaches out {fullness of cheek already finding his shoulder a sensible cradle on which to solidly crash} accepts, affords easy going touch. “born parched. ever present punishment,” she snickers into the liquor and sighs - going limp and languid against his side.

#heedingcalls #possible character ;; mimzy #yessssss get floppy sloppy silly mimz!

his suit is finest make one could martyr for in maintaining. it’s clear he does so with the constitution of a coroner {professional, clean-cut}and a conceit akin to altar’ed rite {the sober solemnity of a priest}. it’s but missing one touch he has not taken upon himself to fix.

he’s lucky his ticket in comes with a grab bag of genuine last minute gifts.

she produces the pocket square with a flourish, folding an intricate fusion of fabric and geometric blueprint as easily as a crisp greenback to a garter belt. pulling him in by the lapels without a lick of lasciviousness {only an earnest desire to do right by his attire} - she fits it in studiously, her only other stubbornness in smoothing the scene thereafter with the palm of her hand.

one pat, then two and she turns back to the speakeasy door.

#heedingcalls #possible character ;; mimzy #she’s helping him sneak in somewhere #acts of service?#twice in one night?#what next mimzy my girl?#for mordecai

mimzy is feeling a tad soft tonite.

like for some tranquility vibes from the tank engine.

#possible character ;; mimzy

•18+ Adults Only

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typewriter-post

#all encompassing aesthetics

desescrita

“But longing is momentum in disguise: It’s active, not passive; touched with the creative, the tender, and the divine. We long for something, or someone. We reach for it, move toward it. The word longing derives from the Old English langian, meaning ‘to grow long,’ and the German langen—to reach, to extend. The word yearning is linguistically associated with hunger and thirst, but also desire. In Hebrew, it comes from the same root as the word for passion. The place you suffer, in other words, is the same place you care profoundly—care enough to act.”

— Susan Cain, Bittersweet: How Sorrow and Longing Make Us Whole

#all encompassing aesthetics

7pleiades7

The Enchantress (c. 1901) by Arthur Wardle (British, 1864 – 1949), signed bottom right ‘Arthur Wardle’, oil on canvas, 62 x 43 in. (157.5 x 109.2 cm.), Private Collection

#all encompassing aesthetics

vigilantefilms

#slips the sin in

haverst

15th-century game board from Venice, Italy.

source / Haverst

#all encompassing aesthetics

•18+ Adults Only

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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mauricevanes

#all encompassing aesthetics

ddestroyangels

Clara Novello by Edward Petre Novello, 1833

National Portrait Gallery, London

#all encompassing aesthetics

valentineua

The Property of a Noble Lady (Das Naschkaetzchen) (1862) - Wilhelm Amberg (1822–1899)

#all encompassing aesthetics

dvoyd

“A monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.”

— Ocean Vuong, from “A Letter To My Mother That She Will Never Read”, published in The New Yorker (via soracities)

#all encompassing aesthetics

7pleiades7

Releasing Butterflies (c. 1894) by Emile Villa (French, 1836 – 1900), signed lower right ’E Villa’, oil on canvas, 46 x 33 in (116.8 x 83.8 cm), Private Collection

#all encompassing aesthetics

•18+ Adults Only

Watch Anya Live on Cam

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions

Free to watch • No registration required • HD streaming

peaceinthestorm

Léon Bonvin (1834-1866, French) ~ Vase of Flowers Near an Open Window, 1864 / Vase of Wild Flowers, 1863

[Source: thewalters.org]

#all encompassing aesthetics

random-brushstrokes

Ivan Kramskoy - A Girl with her hair unbraided (1873)

#all encompassing aesthetics

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