audre lorde, from âuses of the erotic: the erotic as powerâ included in sister outsider: essays and speeches
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audre lorde, from âuses of the erotic: the erotic as powerâ included in sister outsider: essays and speeches

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Dora Maar, Study for Petrole Hahn, 1935
19th-century French oracle deck, originally printed by B.P. Grimaud
Interior â The Artist's Studio by Henry Jobson Bell (English, 1864â1926)
âA book, too, can be a star, âexplosive material, capable of stirring up fresh life endlessly,â a living ďŹre to lighten the darkness, leading out into the expanding universe.â
â Madeleine LâEngle

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Georgian 15k RepoussĂŠ Garnet Heart-Motif Locket Bracelet
Stories as survivalâŚ
This weekâs focus on âRamadanâ made me think how often we see stories and storytelling in The Sandman linked to endurance (and hope as the thing that helps us endure what is near unbearable).
Calliope: Trapped, silenced, abused, plus her entire being the source of someone elseâs âstoriesâ. And because she is a muse, story is basically the equivalent of the psychological self here, and thatâs been taken from her. And thatâs why endurance is also, on a symbolic level, so much harder for her than for everyone else: Because she is story. But thereâs also the flip-side: She is story, and stories endure.
Barbie: Bored in a world that feels like itâs not enough and therefore unliveable. And while the Land doesnât survive, it has saved her for a while because⌠well, a million reasons really, but one is that stories have structure, and thatâs something you can hold on to when everything else is falling apart.
â ¡ đ¤ ¡ â đđđđ đđđđ đđđđ đđ ¡¡¡ a collection of soup gone cold and blankets shared, the intimacy of being cared for when you are at your worst. genre: romance, hurt and comfort, soft angst, domestic.
You're burning up. Don't argue with me. Get back in bed.
I made soup. It's not great. Eat it anyway.
You should have called me the moment you started feeling like this.
Stop trying to get up. There is nothing on this earth that needs you upright right now.
I found three blankets and a hot water bottle. Pick your combination.
You look terrible. I mean that with so much love.
Let me take your temperature. Stop being difficult about the thermometer.
I cancelled everything. Don't apologize. I wanted to be here.
You fell asleep mid-sentence. I stayed anyway. I hope that's okay.
Drink the tea. Yes, all of it. I'll make more.
I've been checking on you every hour. You keep telling me to go home. I keep not going.
Your voice sounds awful. Rest it. We can talk tomorrow.
I'm not going anywhere. Stop thanking me for staying.
You hate being taken care of. I know. Do it for me anyway.
The fever broke. I don't think you know how relieved I am right now.
Sleep. I'll be right here. I'll wake you up if anything changes.
I brought your favourite thing from the place on the corner. Don't cry. Please don't cry.
You're a terrible patient and somehow I still want to be the one doing this.
I know you think you're being a burden. You are not a burden.
Let me sit with you. I don't need to talk. I just don't want you to be alone.
You tried to make your own tea and you could barely stand up. Sit down. I've got it.
I've seen you strong. This doesn't make you weak. It just makes you human.
You smell like fever and you still somehow look like everything to me.
Lay your head here. Right here. I've got nowhere I need to be.
I brought every movie you've ever mentioned. We have time.
You're mumbling in your sleep. I'm not going to tell you what you said.
I changed the sheets while you were in the shower. Don't make it weird.
You need to eat something real. I know you don't want to. Eat something real.
I've been sitting in this chair for four hours. I'd do it four more.
Stop apologizing for being sick. People get sick. Let me help you.
Your hands are cold. Give them here. I'll warm them up.
I found the medicine in the back of the cabinet. Take it. All of it. Don't negotiate.
You're not inconveniencing me. Taking care of you is exactly where I want to be.
I didn't know you got like this when you were sick. Softer. I like knowing this about you.
You asked for me. Out of everyone, you asked for me. I haven't stopped thinking about that.
The heating pad is on the lowest setting. Tell me if you need it warmer.
I'm not leaving until your temperature is normal. Make your peace with that.
You cried a little when the soup was too hot to eat yet. I pretended not to notice.
I've never seen you let anyone take care of you before. I'm honoured. I mean that.
Your hair is a mess. Can I? Is that okay? Let me just â there.
You keep saying you're fine every time I check and you are so obviously not fine.
This is the third night in a row. I'm not going anywhere. Stop looking at me like that.
You're delirious and still trying to be funny. It's working. Please stop, I'm worried about you.
I learned how to make your mother's recipe. It took three attempts. Don't tell her.
There's nowhere I'd rather be than right here, even like this. Especially like this.
You always take care of everyone else. Just this once, let someone take care of you.
I left the light on in the hall in case you woke up scared. I remember you mentioned that once.
I'm here. I've got you. Just rest. Everything else can wait.

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Iain Ballamy - If I Apologised
If I apologised it wouldnât make it all unhappen wouldnât make the darkness go away If I apologised it wouldnât mean I was forgiven wouldnât mean you wanted me to stay
Mirrormask (2005)
âMagic in Clarkeâs novel is synonymous or inseparable from the living force of the natural world. It doesnât seek to refuse reality or deny history. Instead magic functions as a radical rejection of stasis and separateness, a dissolving of borders not just on the level of nations but on the level of individual consciousness. When Drawlight is swallowed up by the enchanted wood, Clarke writes: âThe trees, the stones and the earth had taken him inside themselves, but in their shape it was possible still to discern something of the man he had once been.â This is the darker side of Clarkeâs vision of interlinkedness, an eco-consciousness that is all-consuming, vengeful even, rather than benevolent. But even this ambiguous force carries with it a kind of hope: Drawlightâs devouring represents a world where humans function as part of nature rather than stand outside of it. He is able to live  âinsideâ the world while still retaining âsomething of the man he had once been.â In her depiction of magic, Clarke reintegrates the human into the natural.â
A Candle Burning: Nation and The Agency of Nature in Fantasy, Caroline Shea
speak. now is the time. now is the hour.

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The end of a dream, c. 1908 by Giuseppe Pennasilico (Italian, 1861--1940)
Mimzy + Mo.x || Reason to Stay
moodboard requested by @sweetbitterbitten