Mihály Zichy - Falling Stars (1879)
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Mihály Zichy - Falling Stars (1879)

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Vincent van Gogh (1853 - 1890), The Starry Night, 1888, Oil on canvas, © Musée d'Orsay
The Starry Night
That does not keep me from having a terrible need of — shall I say the word — religion. Then I go out at night to paint the stars. — Vincent Van Gogh in a letter to his brother
The town does not exist except where one black-haired tree slips up like a drowned woman into the hot sky. The town is silent. The night boils with eleven stars. Oh starry night! This is how I want to die.
It moves. They are all alive. Even the moon bulges in its orange irons to push children, like a god, from its eye. The old unseen serpent swallows up the stars. Oh starry starry night! This is how I want to die:
into that rushing beast of the night, sucked up by that great dragon, to split from my life with no flag, no belly, no cry.
~ Anne Sexton
The poem reconfigures Van Gogh’s Starry Night not as a serene vision but as a violent, consuming force, transforming celestial beauty into a metaphor for self-annihilation. Stars are not tranquil; they “boil,” suggesting psychological unrest rather than awe. The single tree, likened to a drowned woman, evokes female suffering and bodily dissolution, recurring motifs in the author’s work.
Falling star, 1884 by Witold Pruszkowski
National Museum in Warsaw
Mary L. Macomber - Night and Her Daughter Sleep (detail) 1988 Edward Robert Hughes - Night, undated

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The Evening Star ('O Hesperus, thou bringest all good things') (from the poem 'Hesperus the Bringer' by Sappho, translated by 6th Lord Byron), 1846 - oil on canvas
— Robert Scott Lauder (England, 1803–1869)
“Meteorites, aerolites, and fireballs.” Elements of astronomy. 1868.
Night and Day (c. 1880-1885)
Artist: Edward Robert Hughes
"The Shooting Star" (L'Étoile filante) by J. J. Grandville, 1849.
Shared disease

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"Comet Donati", colour lithograph by Philippe Benoist, from Amédée Guillemin's Le Ciel (1877).
Evening Star (also known as L'Étoile du soir), (Detail), (1848), by Henry Pierre Picou (French, 1824 – 1895), signed 'HENRY PICOU' (lower right), oil on canvas, 54 × 35½ in. (137.2 × 90 cm.), Private Collection
12" by 12"
Frederick Sandys - Study of a Woman's Head, before 1904 Graphite pencil on green paper with white chalk 50.8 x 41.3 cm Museum of Fine Arts, Boston
Henri Fantin-Latour - Flowers and Fruit

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Ecstasy
Maxfield Parrish • Painting, 1929
Hohes Sinnen, 1903 by Sascha Schneider