THE ARISTOCATS 1970, dir. Wolfgang Reitherman

Kiana Khansmith
sheepfilms
let's talk about Bridgerton tea, my ask is open
Alisa U Zemlji Chuda
I'd rather be in outer space 🛸
"I'm Dorothy Gale from Kansas"

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almost home
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if i look back, i am lost
Show & Tell

#extradirty

Kaledo Art

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@surelyisadream
THE ARISTOCATS 1970, dir. Wolfgang Reitherman

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you: are you okay?
me: *looks off into the distance*
me: in theory.
Amsale 2024
i do have to say that no matter how shitty any sort of media is or how shitty your own creations are. always remember

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Purse
c. 1651-1700
silk, linen, metal
England
London Museum
by Arthur Elgort
MARY POPPINS (1964)
dir. robert stevenson

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maybe orpheus always looks back because his very effort to reverse death means that he can't look forward. if he could look forward, he could accept eurydice's death, grieve, and keep moving in life. his refusal to accept her death is looking back. his going down to the underworld, asking hades and persephone for her life, trying to lead her out... it's all 'looking back'. he does nothing for the entire story except look back. orpheus! looks! back! it's his entire thing! the story ends the same way it begins: orpheus looked back.
…to arrive at that beautiful ancient innocence which consists of the ability to plunge into dream…
Albert Camus, from Youthful Writings; “Essays on Music”
Me, before I saw this: old timey dancing in cartoons has to be over-exaggerated for effect
Me, now: old timey dancing in cartoons had to be toned down to promote a sense of realism because they were too good at it
if ur gonna be pressed into service by your liege lord, u want to be the swiftest rider. get good at horses, because they're always sending the swiftest rider off to do some other shit that is, crucially, away from the battlefield. I'm telling u. when ur forces are outnumbered and the enemy legions show up with some unexpected advantage, someone in command is gonna say, "send the swiftest rider to alert the queen!!!" that's u. u want to be that guy
The Idaho Statesman, Boise, October 23, 1912

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A scrapped illustration for Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892).
PRIDE AND PREJUDICE (2005) dir. Joe Wright