Cosmic Tuesdays

The first on-screen kiss between two men.

In this scene, the lower pilot is dying. He had been captured, managed to escape, and stole a German plane to fly back. The upper pilot–his best friend and rival for the love of Clara Bow*–shot him down, believing he was the enemy. This is him kissing his friend goodbye.

“But that’s still slashy!” you can say. Yep, it is. “You can read this as homoerotic!” Yes, you can. “Why are you denying this? Is it because you think being gay or bi is shameful?” A thousand times no. I am pointing this out because I think this is an important piece of evidence about what homophobia has done to our society and to male expressions of emotion. 

In 1927, the obvious reading of this scene, for audiences, was not that this was a romantic kiss. Audiences primarily understood this as an expression of friendship and love, because of course it was perfectly natural for non-romantically involved men to embrace or even kiss, particularly at highly emotional moments. Of course a dying man would want to be held during his last breaths. Of course a guilt- and grief-stricken man would want to kiss his friend goodbye. 

However, not very long after this, the commercialization and commodification of homophobia became a powerful force. The market (including Hollywood) began drawing lines and graphs and boxes, declaring which emotions, expressions, habits, and even colors “belonged” to men and to women. This kind of touch, which would not necessarily have been sexualized during many eras or in many cultures, became forbidden to men in the US, Britain and Canada (and many other places, too) within the decade–and is still lost to them today. This scene–a far more honest expression of grief and affection than anything we’re used to seeing in today’s action films–became gay. 

Now, if you strongly wish to write “Wings” slash, you can still do so–and not entirely by putting on your goggles! University culture of the 1900s-1920s definitely allowed for a far wider range of sexual behavior than frats do now, etc. I don’t want to police what anybody can and does find in “Wings.” But I think we should acknowledge what we lost when capitalism decided that, for men, kisses could only be sexual. 

I would never pay money for a redbox. if you ask politely and are very very persistent (i.e. annoying) they will let you take it away

here's my dad and i taking it away

luckily there are no shortage of freaks like us who will just take them away on our own volition. we did it all "by the book", too: we set up cones and caution tape, disconnected electricity properly, used an angle grinder to grind down the bolts in the concrete so nobody would trip on them, then cleaned everything up afterward and sealed off the electrical panel so the store would know everything is safe and tidy. though they were hesitant when we were first contacting them, they were honestly very relieved and grateful when we finally took it away, especially once they saw that we "knew what we were doing" (we don't) and look like we've "done this before" (we haven't).

the fun part: the reason why this redbox, in particular, was completely full and unraided is because the computer hardware inside had failed some months before the bankruptcy, and a failing company sure as hell wasn't gonna send a tech out to our podunk dipshit city to fix it, so it was impossible to rent movies or take any discs out. plus, for who knows how long, people were returning old redbox discs to this machine and not taking any out, leading to a much higher variety of movies than your average redbox.

there is a thriving community of redbox hackers and modders out there, as well, creating open-source software for repurposing the machines and not letting their very interesting and robust disc-management hardware go to waste. this one belongs to my brother (who was very annoying persistent and did all the legwork of contacting managers and securing permission) who is a programmer by trade and will be hacking it into a family-access movie library, with whatever discs we want. i mean the machine is completely weatherproof and has a built-in AC unit, it would be such a waste to not try to turn it into something cool.

if we get another one, i'm gonna try to mod it into some sort of art or zine vending machine. the disc boxes are just the right size for small print art or stickers. would make a great "little free library" too.

But if you asked, “Would you let the statue of liberty burn in order to save your child? your spouse? someone you loved a great deal?” the tune abruptly changes. At the very least, there’s a hesitation. Even if they deny it, I’m willing to bet that gun to their head, the answer would be “yes.”  

The basic problem here is that people have a hard time seeing outside their own sphere of influence, and empathizing beyond the few people who are right in front of them. You’ve got your immediate family, whom you love; your friends, your acquaintances, maybe to a certain degree the people who share a status with you (your religion, your race, etc.)–but beyond that? People aren’t real. They’re theoretical. 

But a national monument? That’s real. It stands for something. The value of a non-realized anonymous life that exists completely outside your sphere of influence is clearly worth less than something that represents freedom and prosperity to a whole nation, right?

People who think like this lack the compassion to realize that everyone is in someone’s immediate sphere of influence–that everyone is someone’s lover, or brother, or parent. Everyone means the world to someone. And it’s the absolute height of selfishness to assume that their lives don’t have value just because they don’t mean the world to you. 

an example: so, as the nazis began war against france, the staff of the louvre began crating up and shipping out the artworks. it was vital to them (for many reasons) that the nazis not get their hands on the collections, and hitler’s desire for them was known, so they dispersed the objects to the four winds; one of the curators personally traveled with la gioconda, mona lisa herself, in an unmarked crate, moving at least five times from location to location to avoid detection.

they even removed and hid the nike of samothrace, “winged victory,” which is both delicate, having been pieced back together from fragments, and incredibly heavy, weighing over three metric tons.

the curators who hid these artworks risked death to ensure that they wouldn’t fall into nazi hands. and yes, they are just paintings, just statues. but when i think about the idea of hitler capturing and standing smugly beside the nike of samothrace, a statue widely beloved as a symbol of liberty, i completely understand why someone would risk their life to prevent that. if my life was all that stood between a fascist dictator and a masterpiece that inspired millions, i would be willing to risk it. my belief in the power and necessity of art would demand i do so.

if, however, a nazi held a gun to some kid’s head (any kid!) and asked me which crate the mona lisa was in, they could have it in a heartbeat. no problem! i wouldn’t even have to think about it. being willing to risk my own life on principle doesn’t mean i’m willing to see others endangered for those same principles.

and that is exactly where the conservative hard-right falls right the fuck down. they are, typically, entirely willing to watch others suffer for their own principles. they are perfectly okay with seeing children in cages because of their supposed belief in law and order. they are perfectly willing to let women die from pregnancy complications because of their anti-abortion beliefs. they are alright with poverty and disease on general principle because they hold the free-market sacrosanct. and i guess from their own example they would save the statue of liberty and let human beings burn instead.

but speaking as a leftist (i’m more comfortable with socialist tbh), my principles are not abstract things that i hold aside from life, apart or above my place as a human being in a society. my beliefs arise from being a person amidst people. i don’t love art for art’s sake alone, actually! i don’t love objects because they are objects: i love them because they are artifacts of our humanity, because they communicate and connect us, because they embody love and curiosity and fear and feeling. i love art because i love people. i want universal health care because i want to see people universally cared for. i want universal basic income because people’s safety and dignity should not be determined by their economic productivity to an employer. i am anti-war and pro-choice for the same reason: i value people’s lives but also their autonomy and right to self-determination. my beliefs are not abstractions. i could never value a type of economic system that i saw hurting people, no matter how much “growth” it produced. i could never love “law and order” more than i love a child, any child, i saw trapped in a cage.

This is also why they think “get a job” is useful advice. In their heads they honestly do not understand why the NPCs who make up the majority of the human race can’t just flip a switch from “no job” to “job.” When they say “get a job” they’re filing a glitch report with God and they honestly think that’s all it takes.

Conservatives view social issues as universal constants that fundamentally are unable to be changed, like the weather. You can try to alter your own behavior to protect yourself (you can carry an umbrella), and you can commiserate about how bad the weather is, but you can’t stop it from raining. This is why conservatives blame victims of rape for dressing immodestly or for drinking or for going out at night: to them, those things are like going out without an umbrella when you know it’s going to rain. 

“But then why do conservatives try to stop things they dislike by making them illegal, like drug use or immigration or abortion?” And the answer is: they’re not. They know perfectly well that those things will continue. No amount of studies showing that their methods are ineffective will matter to them because effectiveness is not the point. The point is to punish people for doing bad things, because punishing people is how you show your disapproval of their actions; if you don’t punish them, then you’re condoning their behavior. 

This is why they will never support rehabilitative prisons, even though they reduce crime. This is why they will never support free birth control for everyone, even though that would reduce abortions. This is why they will never support just giving homeless people houses, even though it’s proven to be cheaper and more effective at stopping homelessness than halfway houses and shelters. It’s not about stopping evil, because you can’t; it’s about saying definitively what is Bad and what is Good, and we as a society do that by punishing the people we’ve decided are bad. 

A pair of patinated copper and opal glass "Pigeon" lamps by François-Xavier Lalanne, stamped, numbered and monogrammed - model designed in 1991

This will affect the trout population (a classic)

I’m gonna run away and join the circus

Fuck it, we ball (another classic)

The horrors persist but so do I (a third classic)

I’m gonna run away to Vegas

I’m gonna run away to New York/London/other large city near you

I’m too pretty to have this happen to me

The suffering is endless but so is my swag

back then i made a bunch of these but by now i lost the pic and dont know how to find the original post anymore

so anyway here is the diagram for anyone else who is interested!!

this requires pretty big carboard pieces, if you have a really big box or something you can make it from one piece, but if you don't, you can also just make each of the pieces individually and then tape them together

and then in the end you put it together like this!!

and then when you make a bunch you can put them all next to each other and stack your books like crazy