sureisnice

UGUiSU STORE

Shanzhai Lyric at Goldsmiths

Dis-Orientation Guide, UC United 

Stuart Bannocks

Google Search On series short film

Hansen and Rubin have written a programme that culls communication from chat rooms and other virtual spaces, identifying the prevailing themes and topics of discussion, and funnelling them to a concave, hanging grid of 231 small digital screens of the type usually found in cash registers. They arranged six formal acts through which the chatter expresses itself visually on the screens and aurally via eight male, British-tinged computer voices from speakers installed around the room. The communications appear as either whole or truncated phrases that include statements about nationality, age, gender, sexual preference, religion, politics or everyday life. At particularly striking moments the text washes rapidly across the screens in patterns akin to the topologies created by the movement of wind across a wheat field (also evoked by the soundtrack) before clicking to a legible halt.

More about the film

The New Yorker cover, 30 September 2019

Marchesa Spring 2020 Ready-to-Wear

Design by IN-FO.CO

By Danusha Laméris

It is a meditation on home, memory and displacement within a physical structure that is on the verge of demolition, less than fifty years after the architects’ utopian vision was realised. Suh is interested in the ‘intangible quality’ of Robin Hood Gardens as much as its architectural shell: the ‘energy, history, life and memory that has accumulated there.’

Artist Demond Melancon

Electronic press kit

Alex Prager

by Godkidlla Art Production