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I'd rather kiss the drummer! - ka12
𖤓 when their bassist breaks his hand two weeks before the biggest uni band competition of the year, they need a replacement. fast. You weren’t planning on joining a band, especially not one that’s competing against your ex. But when their post shows up on your feed, it suddenly feels like the perfect idea. Revenge first. Everything else later.
𖤓 kimi antonelli x fem!reader, band au, uni au, rivals, strangers to bandmates to lovers, smau + written (multi-part), drummer!Kimi, quiet!Kimi x chaotic!reader, fc:bea
𖤓 note: My goofy ass has never touched a guitar, let alone been in a band so um if all the music stuff also doesn't make any sense, just ignore it pls!
𖤓 Sunny radio! I can't believe this series has already come to an end. Honestly, writing this has been so fun, and part of it is because of the support you guys have given me, and I couldn't have appreciated it more. Love every single one of you pookies!
𖤓 Listen to "Teenage Dirtbag" when reading this!
Profiles | Part one | Part two | Part three | Part four | Part five | Part six | Part seven | Part eight | Part nine | Part ten
The day of the competition arrived like a freight train — loud, fast, and impossible to stop.
You woke up at 5 AM, your stomach coiled into a knot so tight you could barely breathe. The flat was still dark, still quiet, but your mind was already racing through chord progressions, setlists, the transition in the third song that Arvid had made you run seventeen times. You lay in bed for a full ten minutes, staring at the ceiling, replaying every practice, every mistake, every moment that had led to this.
Then you thought about Mark. About the way he'd kissed that girl on stage. About the way he'd grabbed your arm at the party. About the way he'd looked at you like you were something he owned, something he could discard, something he could pick back up whenever he wanted.
Today, you were going to remind him exactly what he'd lost.
Your phone buzzed.
You stared at the message. Your heart did something complicated — a flip, a stumble, a warm spreading feeling that you were still learning to name.
You smiled. For the first time all morning, you smiled.
Then you got out of bed and started getting ready.
Your phone didn't stop buzzing after that.
The venue was the university's main concert hall — a sprawling space with high ceilings, tiered seating, and a stage that had hosted everyone from visiting lecturers to actual touring bands. Today, it was packed. Students filled the rows, waving banners and shouting over each other. Parents perched in the back, clutching programs and looking confused. Professors who usually spent their weekends grading papers had somehow been coaxed into the audience, and a few of them — you spotted your econometrics lecturer in the third row — were actually smiling.
The atmosphere was electric. It felt less like a competition and more like a concert, the kind where you forgot to be nervous because the crowd's energy was too loud, too bright, too alive.
Your friends had claimed seats in the front row — you could see them from the wings, a cluster of familiar faces and homemade banners. Devon was holding one that said "STATIC HEARTS SUPREMACY" in glittering gold letters. Gabriel had somehow acquired a foam finger. Isack was sitting with his arms crossed, pretending to be unimpressed, but you could see him bouncing his knee. Ella was filming everything on her phone, already crying.
And Franco — Franco was holding a banner that said "Y/N — ECONOMICS DEPARTMENT'S FINEST" with what looked like signatures from half your lecture class underneath.
Your throat tightened.
You spotted other faces in the crowd too. George was in the third row, sitting next to Oscar, both of them looking like they'd been dragged there against their will but were secretly enjoying themselves. Lando was with them, craning his neck to see backstage, probably looking for Devon. A group of third years from the charity committee — the ones you'd worked with, the ones who'd seen you play at that showcase last spring — were waving at you from the left side of the hall.
Even some of your lecturers had shown up. Your econometrics professor caught your eye and gave you a thumbs up. Your microeconomics tutor was holding a sign that said "PLAY LIKE YOUR GPA DEPENDS ON IT" which was both supportive and stressful.
You were not going to cry. You were not going to cry.
Then you saw Ollie's parents in the back row, waving at you excitedly, and you almost lost it.
Backstage, the green room was chaos.
Five bands milled about, each one a cluster of instruments and nerves and last-minute tuning. The Velvet Strings were huddled in the corner, doing vocal warm-ups that sounded like dying cats. Midnight Echo was near the stage entrance, Mark at the center of them, his guitar slung over his shoulder, his expression a careful mask of confidence.
He hadn't seen you yet.
Good.
You wanted him to see you on stage.
"Y/N." Arvid appeared at your elbow, his face pale, his hands shaking slightly. "I can't feel my fingers."
"You're fine," you said.
"I can't feel my fingers, Y/N."
"You're fine. You've played this set a hundred times."
"Not in front of five hundred people."
"Then pretend it's just us. Pretend it's practice. Pretend —" You grabbed his hands. They were cold. "Breathe, Arvid. Just breathe."
He took a breath. Then another. His shoulders loosened slightly.
"Thanks," he said.
"That's what I'm here for."
"To stop me from spiraling?"
"To stop everyone from spiralling." You glanced around the room — at Liam, who was charming a group of sound techs; at Ollie, who was flexing his newly healed hand like he'd forgotten how to use it; at Kimi, who was sitting in the corner, eyes closed, drumsticks resting on his thighs, his breathing slow and steady
You wanted to go to him. But you also wanted to give him space. The tension between wanting to be near him and not wanting to overwhelm him had become a familiar ache over the past few weeks.
He opened his eyes.
Found yours.
Smiled.
That was enough.
"Someone has to keep this ship afloat." You finally respond to Arvid.
Arvid almost smiled. "You're different than I thought."
"How did you think I'd be?"
"Dramatic. Difficult. A liability."
"And now?"
He was quiet for a moment. "Now I think you're the best thing that's happened to this band."
Before you could respond, the green room door swung open. A stage manager with a clipboard and a headset poked her head in.
"Midnight Echo. You're up in five."
Mark stood. His bandmates followed. They filed toward the stage entrance, instruments in hand, and that was when Mark saw you.
He stopped.
His eyes widened. His mouth opened. His face cycled through a series of expressions — surprise, confusion, dawning horror — before settling on something that looked like rage.
"What are you doing here?" he demanded.
You kept your voice calm. "Same as you. Competing."
"You're not in a band."
"I am now."
"What band?"
Liam stepped forward, all easy charm and sharp edges. "She's with us. Static Hearts. Our new bassist."
Mark's gaze snapped to Liam, then back to you, then to the bass case at your feet. His jaw tightened. His hands curled into fists at his sides.
"You're kidding."
"Nope."
"I'm playing for my band." You picked up your bass, slung it over your shoulder. "Whatever happens after that is up to the judges."
"You're doing this because of what happened. Because of —"
"I'm doing this because I love music." You stepped closer, close enough that only he could hear. "But yes. Part of me is doing this because I want to watch you lose."
His face went red. His mouth opened to say something else — something vicious, probably, something designed to hurt, but before he could, the stage manager called his name again.
"Midnight Echo. Now."
Mark's eyes burned into yours for one more second. Then he turned and walked toward the stage, his bandmates trailing behind him.
You watched him go.
Your hands were shaking.
Kimi appeared at your side. His hand found yours — warm, steady, grounding.
"He's good," Kimi said quietly. "Their band. They're good."
"I know."
"But we're better."
You looked at him. His face was calm, certain. He wasn't trying to reassure you — he was just stating a fact.
"Yeah," you said. "We are."
Midnight Echo's set was good.
You hated to admit it, but it was good. Mark was a talented guitarist — you'd never denied that — and his band played with a tightness that came from years of practice together. The crowd loved them. They cheered, they clapped, they shouted for an encore that wasn't coming.
When Mark walked off stage, he was smiling.
Then he saw you waiting in the wings.
His smile faltered.
"Not a shit set," you said.
He didn't answer. He just stood there, breathing hard, his guitar still strapped to his body, his eyes fixed on your face.
"Why are you really here?" he asked.
"I told you already. Competing."
"With him?" He nodded toward Kimi, who was standing a few feet away, pretending not to listen.
"With my band."
"This is about revenge."
"Like I said before, this is about music." You picked up your bass. "But if revenge is a side effect, I'm not going to complain."
Mark's face twisted. Before he could respond, the stage manager's voice cut through the green room.
"Static Hearts. You're on."
You turned.
Walked toward the stage.
Didn't look back.
The crowd was a wall of sound.
You couldn't see individual faces from the stage — just a sea of bodies, waving hands, glowing phone screens. The lights were bright, too bright, washing everything in gold and blue. The monitors hummed at your feet. Your bass felt heavy against your hip, familiar, grounding.
Arvid was at the front of the stage, guitar in hand, his earlier nerves replaced by something that looked like focus. Liam stood at the microphone, his eyes scanning the crowd, a smile playing at his lips. Ollie was in the wings, his cast finally gone, his hands clasped together like he was praying.
And Kimi — Kimi was behind you.
You could feel him there. His presence was a warm weight at your back, steady and solid and somehow more reassuring than any words could be.
"Ready?" Liam asked.
You nodded.
"Ready," Arvid said.
From behind you, two drumsticks clicked together. Kimi's signal.
Liam turned to the microphone.
"Hello, everyone. We're Static Hearts. Thanks for coming out tonight."
The crowd cheered. Someone wolf-whistled. Somewhere in the front row, you saw the banner from your economics department — large, glittering letters that read "GO Y/N! BRING IT HOME! — FROM ECON DEPARTMENT" — and your heart swelled so much you almost missed your cue.
"This first song," Liam continued, "is about starting over. About finding something you didn't know you were looking for. About —"
"Just play the song," Arvid muttered.
Liam grinned. "About playing the song. Here we go."
And then you were playing.
The first song was fast, aggressive, a statement of intent. Your fingers flew across the fretboard, finding notes you'd practiced a thousand times. The bass thrummed through your body, vibrations traveling up your arms, into your chest, down into your legs. The crowd moved with you — swaying, jumping, screaming lyrics you'd written together in Arvid's cramped dorm room.
The second song was slower. More emotional. A ballad about loss and recovery, about the people who leave and the people who stay. You thought about your grandfather as you played — about his hands guiding yours across the strings, about his laugh, about the way he'd looked at you like you were capable of anything.
You played for him.
The third song was the one you'd been waiting for.
It was their original — the one Arvid had written before you joined, the one that had made you want to be part of this band in the first place. It started with a bass solo, just you, alone on the stage, the spotlight hot on your face.
You closed your eyes.
And you played.
The notes came easily now, flowing from your fingers like water. You'd practiced this solo a hundred times, a thousand times, but tonight it felt different. Tonight it felt like you had something to prove — not to the judges, not to the crowd, not even to Mark.
To yourself.
You opened your eyes.
The crowd was on its feet.
You couldn't hear individual voices anymore — just a roar, a wave of sound that crashed over you and lifted you up. Your name was in there somewhere, buried beneath the cheering, but you couldn't find it. All you could find was the music, and the stage, and the boy behind you who was playing like his life depended on it.
The song built toward its climax. The drums swelled. The guitars soared. And you — you turned.
Kimi was looking at you.
His eyes were dark, focused, but there was something else there too. Something soft. Something that looked like pride.
You crossed the stage.
Three steps. Two. One.
You leaned down, grabbed the back of his neck, and kissed him.
It wasn't gentle. It wasn't careful. It was a kiss born of adrenaline and relief and weeks of tension finally breaking. Kimi's hands came up to your waist, pulling you closer, and the crowd — the crowd lost its collective mind.
Someone screamed. Someone else started crying. Somewhere in the front row, you heard Gabriel's voice rise above the noise: "THAT'S MY BEST FRIEND."
You pulled back, breathless, laughing.
Kimi was smiling — really smiling, his whole face transformed.
"What was that for?" he asked.
"I don't know," you said. "It felt right."
He pulled you back in.
The song ended. The crowd kept cheering.
And when you turned to face the audience, you saw Mark.
He was standing in the wings, his face pale, his jaw slack. His band had already performed — they'd been good, technically proficient, the kind of performance that usually won competitions. But no one was talking about them anymore.
Everyone was talking about you.
You caught Mark's eye.
You smiled.
Then you turned back to your band, to your friends, to the boy who had somehow become something more, and you let the moment wash over you.
It was perfect.
The winners were announced an hour later.
The five bands stood on stage, arranged in a line, waiting. The tension was unbearable — you could feel it in the air, thick and electric. Arvid was gripping his guitar so hard his knuckles were white. Liam was holding his breath. Even Kimi looked nervous, his drumsticks tucked under his arm, his jaw tight.
The head judge stepped to the microphone.
"Third place," she said, "goes to Midnight Echo."
A smattering of applause. Mark's face was stone. His bandmates looked like they wanted to be anywhere else.
"Second place — The Velvet Strings."
More applause. A group of first years near the back of the stage looked like they might cry.
"And first place —"
The pause stretched. The crowd held its breath.
"Static Hearts."
The world exploded.
Arvid dropped his guitar. Liam fell to his knees. Ollie came sprinting onto the stage, his cast finally gone, his arms wide open. He tackled you in a hug so tight you couldn't breathe.
"WE WON," he shouted. "WE ACTUALLY WON."
"We won," you repeated, the words not quite real.
"We're going to nationals."
"We're going to nationals."
Kimi appeared at your side. His hand found yours — warm, steady, real.
"We did it," he said.
"We did it."
He squeezed your fingers. You squeezed back.
Across the stage, Mark was being escorted off by a stage manager, his face twisted with fury. He was saying something — shouting something — but you couldn't hear him over the noise of the crowd.
You didn't care.
You couldn't care.
Because your friends were hugging you. Because your professors were cheering. Because somewhere in the crowd, Franco and Ella were crying, Devon was screaming, Gabriel was filming everything, and Isack was already acting like your manager and selling your autographs.
And because Kimi was still holding your hand.
He didn't let go for the rest of the night.
An hour later, backstage, the adrenaline had started to fade.
You were sitting on an equipment case, your bass across your lap, staring at the trophy on the table. It was real. The win was real. Nationals were real.
But something else was nagging at you.
Your time with the band was supposed to be temporary. That had been the deal — fill in for Ollie until his hand healed, play the competition, then step aside. Ollie's cast was gone now. His hand was fine. He'd been waving it around all night like a trophy.
Which meant you were done.
The thought hit you harder than you expected.
"Hey." Ollie appeared at your side, dropping onto the equipment case next to you. "Why do you look like someone died?"
"I don't —"
"You're making your sad face. The one you make when you're pretending not to be sad."
"I don't have a sad face."
"You definitely have a sad face."
You were quiet for a moment. Then: "Your hand is healed."
Ollie looked down at his hand, flexing his fingers. "Yeah. It is."
"So I guess —" You swallowed. "I guess this is it. I'll pack up my bass. You'll take back your spot. And I'll —"
"Stop."
You looked at him.
Ollie's expression was serious — more serious than you'd ever seen him. "We've been talking. The band. Arvid and Liam and Kimi and me. We've been talking for weeks."
"About what?"
"About you." He shifted to face you. "About how different the band feels with you in it. About how much better we are when you're playing. About how none of us want you to leave."
"But your hand —"
"My hand is fine. But we don't need just one bassist. We can have two. It'll change our sound. Make it richer. Arvid's already been working on arrangements." Ollie paused. "If you're down. We're down."
You stared at him.
"I thought you'd be happy to have your spot back," you said.
"I thought I would be too." He grinned — that stupid, infectious grin that you'd pretended to hate for months. "But then you showed up. And you were annoying and rude and you told me my cupcakes looked like a toddler decorated them —"
"They did look like a toddler decorated them."
"They were delicious."
"They were average at best."
"But you stayed. You helped. You made the band better." Ollie's voice softened. "You made everything better."
Your throat tightened.
"So," he said, holding out his hand. "What do you say? Want to be a permanent member of Static Hearts?"
You looked at his hand. Then at his face. Then across the room, where Kimi was watching — not interfering, just watching, his expression soft and hopeful.
You thought about the past few weeks. About the practices and the parties and the dinner at Antonio's. About the way Kimi looked at you. About the way playing bass made you feel — like you were finally, fully, yourself.
You took Ollie's hand.
"Yeah," you said. "Okay."
Ollie whooped. Liam cheered from across the room. Arvid looked up from his phone and said, "Finally," like he'd known all along.
And Kimi — Kimi smiled.
That small, private smile that made your heart feel too big for your chest.
Later, after the chaos had died down, you found a quiet corner.
Ollie was talking to Arvid about setlists. Liam was doing an interview with the campus newspaper. The green room was half-empty, most of the other bands having already packed up and left.
You were sitting on the floor, your heart still racing.
Kimi sat down beside you.
"So," he said.
"So."
"About that kiss."
You felt your face warm. "What about it?"
"It was good."
"It was alright."
"Alright?"
"I've had better."
"Liar."
You laughed. He laughed. The sound was soft, private, meant only for the two of you.
"I didn't plan that," you admitted. "The kiss. It just — happened."
"I know."
"I don't want you to think —"
"I don't think anything." He shifted closer. "I just know that I've wanted to kiss you for weeks. And now that I have —"
"Now that you have?"
His hand found yours. His fingers intertwined with yours, warm and certain.
"Now that I have," he said, "I'd like to do it again."
You looked at him — at his dark curls, his brown eyes, the small smile playing at his lips.
"Okay," you said.
"Okay?"
"Yeah. Okay."
He leaned in.
This kiss was slower than the first. Softer. It wasn't for the crowd or the cameras or the competition. It was just for you. For him. For the thing that had been building between you for weeks, unspoken but undeniable.
When you pulled back, you were both smiling.
"So," you said. "Nationals."
"Nationals."
"We're going to have to practice."
"A lot."
"Together."
"Obviously."
You rested your head on his shoulder. His arm came around you, pulling you close.
Somewhere across the room, Ollie whooped.
"FINALLY," he shouted. "I'VE BEEN WAITING FOR THIS FOR WEEKS."
"Shut up, Ollie," you called back.
But you were laughing.
And so was Kimi.
And somehow, that made everything perfect.
statichearts has posted!
statichearts
📍F1 University Hall
statichearts turns out things worked out okay.
❤️ liked by yourusername, liamlawson, kimiantonelli and others
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liamlawson massive understatement
↳ isackhadjar aren't you the one who runs the band account??
olliebearman BEST THING THAT EVER HAPPENED TO US
francoluvr i remember when she said she wasn't joining 😭
↳ gabihere character development fr
↳ devondsdiary proud of her
user34 the girl in the second slide is in my econ class!!! go yn!!
↳ user56 I swear we have never been more united as a department than right now
↳ user21 what's the big deal? The drummer is literally in my engineering lectures, so why u all acting as if the econ department is the only one that can produce talent lmao
↳ user34 user21 chill??? yn is way cooler than that emo guy
↳ devondsdiary I'm crying why is there a whole war in the comment section
↳ gabihere wait till they learn that they are dating
ellamoore 🥹🩷
yourusername all thanks to me btw
↳ arvid.mp3 alr calm down
↳ olliebearman I'M CRYING
↳ arvid.mp3 please stop commenting
↳ olliebearman NEVER
yourusername has posted!
yourusername
yourusername always liked the drummers better anyway
❤️ liked by statichearts, ellamoore, kimiantonelli and others
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gabihere why am i blinking in every photo
↳ devondsdiary because god is fair
francoluvr so proud of you!! ❤️liked by yourusername
olliebearman DELETE PHOTO 6
↳ yourusername no
↳ arvid.mp3 Why the hell can I only see your legs? ollie for fuck's sake, your hand just recovered.
liamlawson not enough photos of me
↳ isackhadjar good
ellamoore prettiest bassist ever!! ❤️liked by yourusername
↳ yourusername love you!!
devondsdiary that's my girlfriend btw
↳ yourusername eating you out when I get home
↳ landonorris eyo what.
↳ landonorris devon, you're still coming to my place right? RIGHT?
↳ gabihere relax bro they always freaky like that
georgerussell glad to see the economics notes survived
↳ yourusername barely
landonorris slide 1 🤨
↳ oscarpiastri subtle
↳ olliebearman OSCAR DON'T ENCOURAGE HER
kimiantonelli cool bass
↳ yourusername thanks
↳ olliebearman OH BROTHER
Three Months Later
The nationals were two weeks away.
You were in the rehearsal room — the same cramped space, the same cracked leather sofas, the same posters of bands you'd never heard of. But everything else had changed.
Arvid was relaxed. Actually relaxed. He still took practice seriously, but he'd stopped muttering about chord progressions in his sleep. Liam had stopped setting things on fire. Ollie had stopped waving his healed hand around like a trophy, mostly because you'd threatened to break it again.
And you — you were happy.
It was a strange thing to admit. You'd spent so long convincing yourself that happiness was temporary, that feelings were dangerous, that caring about people only led to pain. But here, in this room, with these people, you couldn't pretend anymore.
You cared.
You cared about the band. About the music. About the boy who sat behind the drum kit and looked at you like you were the only person in the room.
Kimi caught your eye across the room. His mouth curved into that small, private smile — the one he saved just for you.
You smiled back.
"Okay," Arvid said, clapping his hands. "From the top. Nationals setlist. Let's make it perfect."
You picked up your bass.
Kimi picked up his sticks.
And together, you played.
kimiantonelli has posted!
kimiantonelli
life's been good lately
❤️ liked by liamlawson, yourusername, olliebearman and others
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liamlawson HE POSTED
↳ olliebearman EVERYONE STAY CALM
↳ arvid.mp3 you two are impossible
landonorris third month annual upload
↳ francoluvr slide 5 is literally y/n 😭
↳ gabihere subtle as a brick
↳ olliebearman SLIDE 2 TOO???
random86 since when does Antonelli have a girlfriend?
↳ user12 no because that's literally yn from the charity committee, why did he post her?
↳ devondsdiary take a guess sherlock
yourusername the girl in the green sweater looks super cool
↳ kimiantonelli she is
olliebearman THEY CAN'T KEEP GETTING AWAY WITH THIS
↳ oscarpiastri i think they're trying to keep it a secret
↳ georgerussell they're failing
↳ olliebearman THANK YOU GEORGE
Epilogue — Six Months Later
The nationals were over.
You hadn't won — not first place, anyway. But you'd placed second, which was more than anyone had expected, and the experience had been incredible. You'd played in front of thousands of people. You'd seen your face on a banner. You'd watched Mark's band crash and burn during their second song, which was its own kind of victory.
Now, you were back in the rehearsal room, working on new material. The band had decided to keep going — to write new songs, to play new shows, to see where the music took them.
And you — you were still here.
Still playing bass. Still annoying Arvid. Still pretending you didn't love it when Ollie called you his "favorite bassist."
Still falling for Kimi a little more every day.
He was behind you now, his hands on your waist, his chin resting on your shoulder. The others had left an hour ago, but you'd stayed behind, claiming you needed to practice.
"You don't need to practice," Kimi said.
"I need to practice."
"You're lying."
"I never lie."
"You're lying right now."
You turned in his arms, facing him. His face was inches from yours — close enough that you could see the freckles across his nose, the faint shadows under his eyes.
"Maybe I just wanted to be alone with you," you admitted.
"I know."
"Then why did you let me pretend?"
"Because it's cute when you pretend."
You shoved him. He didn't move.
"I hate you," you said.
"No you don't."
"I genuinely do."
"You kissed me on stage in front of five hundred people."
"That was for revenge."
"You kissed me again backstage."
"That was —" You paused. "Okay, that was for me."
Kimi smiled. That small, private smile that still made your heart race.
"I love you," he said.
The words hung in the air, soft and certain.
You'd heard them before — from him, in quiet moments, when it was just the two of you. They still felt new. Still felt fragile. Still felt like something you were learning to deserve.
"I love you too," you said.
He kissed you.
The rehearsal room was dark. The amps were off. The only light came from the single bulb above the door.
But you didn't need light.
You had him.
And somewhere in the distance, you heard Ollie's voice: "ARE YOU TWO DONE YET? I WANT TO LOCK UP."
"GO AWAY, OLLIE," you shouted.
"I'M TIMING YOU."
Kimi laughed against your lips.
You laughed too.
And for the first time in a long time, everything felt exactly right.
Secret message from Sunny!! okay lowkey thinking of branching this into a whole universe and making an ollie fic? like, since Kimi got his happy ending, I feel like I gotta do the rest of the band too. let me know if this is something you are interested in gang.
taglist: @sunlightsunset @recklessyears @butwhocaresstillthelouvre @straykidsobsessionandenha @honeyedshark @hannahbananababybanana @lauray1x @thatcrazybooklovergirl @beabadoobee81 @f1obsessor4life @avkizi @imakeartandwatchf1 @lliicsa @zhqvie @acethedinosaur @thegirlinblackgreensilver @fuckingsimp4azriel@sarahlizbeth070 @hrtsaeko @sanguineassassinblizzard @sandrasteahouse @babydollmari3 @thequeenofdramaqueens @imsleepingwhataboutu @thisisthesoundofthend @archival-aphrodite @aceofspades190 @josephinel83 @cherryniyaah @hwyfar-gwen @dessashippr
Childhood best friend!Isack headcanons - ih6
𖤓 childhood best friend!isack x childhood best friend!reader
𖤓 note: read the Oscar version, Lando version, Kimi version and Max version here!
𖤓 Sunny radio! Something to comfort the Isack girlies after the Monaco podium disaster... can we please just get one happy thing, like that's my babygirl right there ꉂ(˵˃ ᗜ ˂˵)
Childhood best friend!Isack who was the kid who would never, ever back down from a fight whether it was a literal scrap on the playground or a heated argument over a video game. And you? You were the only one brave (or crazy) enough to stand right there next to him, adding your own two cents to the argument.
Childhood best friend!Isack who has a temper that is legendary. He’s loud, he’s expressive, and he wears his heart on his sleeve. But the funniest part is that you are the only person who isn't intimidated by it. When he’s fuming, you don't walk on eggshells; you just roll your eyes and say, "Are you done yet, or do you need another five minutes to pout?"
Childhood best friend!Isack who is your ultimate partner in crime. If there is a rule to be broken or a prank to be pulled in the paddock, he’s already looking at you with that mischievous glint in his eyes, waiting for you to give the nod so you can cause absolute mayhem together.
Childhood best friend!Isack who is incredibly loud and boisterous about his love for you. He doesn't do "subtle." If you do something cool, he’s shouting it from the rooftops. If he’s proud of you, he’s making sure the entire garage knows that his best friend is the absolute goat.
Childhood best friend!Isack who is fiercely, aggressively protective. If someone dares to disrespect you or even looks at you the wrong way, his temper flares instantly. He doesn't just defend you; he makes it his personal mission to make sure that person knows they messed with the wrong person.
Childhood best friend!Isack who uses "competitive banter" as his primary love language. Every single interaction is a challenge. "Bet you can't beat me to the car," or "Bet you can't finish that whole pizza." It’s constant, high-octane teasing that keeps your relationship feeling electric and alive.
Childhood best friend!Isack who is the only person who can truly "read" your anger. Since you both share that fiery temperament, he knows the difference between when you're actually mad at him and when you're just having a "bad day" moment. He knows exactly when to push your buttons and when to just sit in the chaos with you.
Childhood best friend!Isack who has a surprisingly soft side that only you get to see. When the adrenaline dies down and the temper cools, he becomes incredibly clingy. He’ll lean his head on your shoulder or grab your hand, needing that grounding connection to the one person who truly understands his soul.
Childhood best friend!Isack who is incredibly stubborn. If you two disagree on something, it can turn into a three-hour debate that ends with both of you huffing in frustration, but the second the tension breaks, you're both laughing so hard you can barely breathe.
Childhood best friend!Isack who loves to "brag" about your shared history. He loves bringing up the embarrassing things you did when you were kids, not to mock you, but to remind you that no matter how famous he gets, you'll always be the person who knew him before the world did.
Childhood best friend!Isack whose confession happens in the middle of a heated, ridiculous argument. You're both mid-debate about something totally nonsensical, maybe a movie choice or a silly mistake he made in practice and the volume is rising, hands are gesturing wildly, and the energy is intense. Suddenly, you snap, "God, Isack, why are you so difficult?!" and he stops dead in his tracks. The silence is jarring. He’s breathing hard, his eyes dark and blazing, but not with anger. He steps into your space, crowding you against a wall or a car, his presence overwhelming. "Because it's hard!" he growls, his voice dropping to a low, frustrated rasp. "It's hard trying to act like you're just my best friend when every time you walk into a room, all I can think about is kissing you!" He looks completely undone, his bravado stripped away by the sheer weight of his feelings. Before you can even find your voice to argue back, he crashes his lips against yours in a kiss that is fierce, desperate, and tastes like a long overdue explosion.
I'd rather kiss the drummer! - ka12
𖤓 when their bassist breaks his hand two weeks before the biggest uni band competition of the year, they need a replacement. fast. You weren’t planning on joining a band, especially not one that’s competing against your ex. But when their post shows up on your feed, it suddenly feels like the perfect idea. Revenge first. Everything else later.
𖤓 kimi antonelli x fem!reader, band au, uni au, rivals, strangers to bandmates to lovers, smau + written (multi-part), drummer!Kimi, quiet!Kimi x chaotic!reader, fc:bea
𖤓 note: All the uni stuff is UK based, so if some things seem odd, sorry gang idk how uni life or degrees work in other countries! Also my goofy ass has never touched a guitar, let alone been in a band so um if all the music stuff also doesn't make any sense, just ignore it pls! Episodes will be posted weekly!
𖤓 Listen to "Teenage Dirtbag" when reading this!
Profiles | Part one | Part two | Part three | Part four | Part five | Part six | Part seven | Part eight | Part nine | Part ten
The four days leading up to the competition were supposed to be about music.
Instead, they were about avoidance.
You perfected the art of not looking at Kimi. It was harder than you expected — harder because your eyes had developed a habit of finding him across rooms, across crowds, across the cramped space of the rehearsal room. You trained yourself to look at the ceiling instead. On the floor. At Arvid's perpetually furrowed brow. Anywhere but at the boy with the dark curls and the quiet hands who had, apparently, been leading you on this entire time.
The first practice after the party was unbearable.
You arrived early — deliberately early — and set up your bass on the far side of the room, as far from the drum kit as physically possible. The space wasn't large, maybe fifteen feet across, but you made those fifteen feet feel like a canyon.
Liam arrived next. He took one look at the arrangement, one look at your face, and wisely said nothing.
Arvid arrived after him, already muttering about chord progressions. He stopped in the doorway, scanned the room, and said: "Why are you sitting over there?"
"Better acoustics."
"The acoustics are the same everywhere."
"I like the wall."
"The wall is the same everywhere too."
You didn't answer. Arvid looked at Liam. Liam shrugged. Arvid sighed — the kind of sigh that suggested he was already exhausted and practice hadn't even started — and took his place by the amp.
Kimi arrived last.
He didn't look at you. You didn't look at him. You felt him enter — felt the shift in the room's temperature, the weight of his presence — but you kept your eyes fixed on your bass, on the strings, on anything other than his face.
He walked to the drum kit. Sat down. Picked up his sticks.
The silence between you was thick enough to choke on.
"Okay," Arvid said, clapping his hands together. "From the top. First song. Let's go."
You played.
Or rather, you went through the motions. Your fingers found the notes, your body remembered the rhythms, but something was off — something fundamental, something essential. The music felt hollow. The timing was wrong. You were rushing, or he was dragging, or maybe you were both so busy not looking at each other that you'd forgotten how to listen.
Arvid stopped the song halfway through.
"What was that?"
No one answered.
"The bridge was a disaster. The timing fell apart. Y/N, you came in early."
You opened your mouth to apologize — but the words that came out were not an apology.
"His drumming was off."
Kimi's head lifted. His eyes met yours for the first time all night — dark, unreadable, something flickering beneath the surface.
"I wasn't off," he said.
"You rushed the fill."
"I didn't rush anything."
"Your tempo was inconsistent."
"My tempo was fine. You weren't watching for the cue."
"Because I couldn't hear the cue —"
"Okay," Liam interrupted, stepping between you like a referee at a boxing match. "Okay. Let's take a breath."
Arvid pinched the bridge of his nose. "The competition is in four days. FOUR DAYS. And you two are —" He gestured vaguely at the space between you, at the tension crackling like static electricity. "Whatever this is. I don't care what happened. I don't care who did what. I need you to play. Together. In sync. Like you did last week."
Last week felt like a different lifetime.
"From the top," Arvid said. "Again."
You played.
It didn't get better.
By the end of practice, Arvid looked like he hadn't slept in a year. Liam was uncharacteristically quiet. Ollie, who had been watching from the sofa with his stupid blue cast, kept opening his mouth to say something and then thinking better of it.
You packed your bass without looking at Kimi. Without saying goodnight. Without acknowledging that he existed.
You were halfway to the door when Arvid's voice stopped you.
"Y/N."
You turned.
Arvid's expression was unreadable — but there was something underneath, something that might have been concern if Arvid was capable of concern.
"Whatever this is," he said quietly, "fix it. Not for me. Not for the band. For yourselves."
You didn't answer.
You walked out into the cold night and didn't look back.
The next three practices were worse.
Arvid stopped saying "from the top" and started saying "please, for the love of god, just listen to each other." Liam stopped trying to mediate and started hiding behind his guitar. Ollie stopped coming altogether, claiming his "moral support was no longer effective" — which was his way of saying he couldn't stand to watch.
You and Kimi didn't speak.
Not about the party. Not about the girl in the garden. Not about the dinner at Antonio's, or the kiss on the cheek, or any of the moments that had made you think — stupidly, naively — that maybe he felt the same way.
You told yourself it was better this way. Cleaner. You'd been wrong about him. You'd been wrong about everything. The best thing you could do was focus on the competition, play your best, and never think about Kimi Antonelli again.
The problem was that you couldn't stop thinking about him.
Every time his drumsticks hit the snare, your chest tightened. Every time his knee brushed the edge of your peripheral vision, your heart stumbled. Every time he opened his mouth — which was rare, because Kimi spoke about as often as it snowed in April — you found yourself leaning in before you could stop yourself.
You hated him.
You hated him for making you care.
You hated him for leading you on.
You hated him for making you believe that someone like you could be someone worth noticing.
And most of all — most of all — you hated yourself for still wanting him to look at you.
He didn't.
He wouldn't.
And that was the worst part of all.
By the third day, the tension had infected everyone.
Arvid was snapping at Liam. Liam was snapping at Arvid. Even Ollie, who had returned to practice in a last-ditch effort to restore peace, looked like he was about to cry.
"Okay," Arvid said, setting down his guitar with more force than necessary. "Stop. Everyone stop."
The music died.
Arvid turned to Ollie. "Fix this."
"Me?"
"You know her better than anyone. You brought her into this band. Fix it."
Ollie looked between you and Kimi — at you, with your arms crossed and your jaw set, and at Kimi, with his drumsticks frozen mid-air and his expression carved from stone.
"I'll try," Ollie said.
"Try harder."
Ollie stood up. Walked toward you. "Can we talk?"
"No."
"Just for a minute —"
"I have class."
"It's 7 PM."
"I have night class."
"Economics doesn't have night class."
"Since when are you an expert on my schedule?"
Ollie's shoulders sagged. "Y/N, please. Whatever happened — whatever you think happened — just tell me. Let me help."
You looked at him — at his stupid blue cast, at his earnest face, at the genuine worry in his eyes — and felt something crack inside you.
"You wouldn't understand," you said.
"Try me."
You shook your head. Grabbed your bag. Walked out.
Behind you, you heard Ollie sigh.
Behind him, you heard nothing at all.
Because Kimi never made a sound he didn't have to.
Ollie found your friends outside the student dormitory.
It had taken him three days to work up the courage. Three days of watching you and Kimi circle each other like wounded animals. Three days of Arvid's glares and Liam's sighs and the growing sense that something was about to break.
He didn't want to talk to your friends. Your friends intimidated him — not because they were scary, but because they were yours. They were the ones who knew you. The ones you trusted. The ones who would defend you against anyone, including him.
Especially him.
Franco was the first to spot him. Franco was always the first to spot everything — he had a way of sensing people, of feeling their presence before they appeared. He was sitting on the low wall outside the building, a textbook open in his lap, his face tilted toward the weak sun.
When he saw Ollie, his expression didn't change. But something in his posture shifted — a subtle straightening of the spine, a slight narrowing of the eyes.
"Ollie, right?" Franco said, though it sounded more like a statement than a question. They both knew Franco already knew his name—he just enjoyed watching Ollie try not to get annoyed.
"Yeah."
"From the band."
"Yeah..."
"Y/N's friend."
"I thought I was." Ollie swallowed. "I don't know anymore."
Franco closed his textbook. "What do you want?"
Before Ollie could answer, Devon appeared. She must have been inside the building, because she came through the doors with a coffee in one hand and a scowl on her face — a scowl that deepened when she saw who was standing on the pavement.
"Who the fuck are you?"
"Devon —" Franco started.
"No, no, I want to know. Who is this guy and why is he lurking outside our building?"
"I'm not lurking —"
"You're lurking adjacent."
"I'm standing."
"You're standing in a lurking manner."
Gabriel emerged from the building next, drawn by the commotion like a moth to flame. His eyes landed on Ollie, widened slightly, and then narrowed.
"Oh," Gabriel said. "You're the one from my class. The one who sits next to me during exams."
"That's me."
"The one who asks for answers."
"I don't ask —"
"You literally asked me for the answer to question seven last week."
"That was a special circumstance."
Gabriel crossed his arms. "What are you doing here, Ollie?"
Ollie looked at them — at Franco's careful neutrality, at Devon's open hostility, at Gabriel's suspicious curiosity — and realized he was outnumbered.
"I need to talk to you," he said. "About Y/N. About Kimi."
The energy shifted.
Devon's scowl hardened. "If you're here to defend your boy —"
"I'm not here to defend anyone. I'm here to figure out what happened." Ollie took a breath. "Y/N is mad at Kimi. Kimi is mad at Y/N. Neither of them will tell me why. And the competition is in two days, and the band is falling apart, and I just —" He stopped. Swallowed. "I just want to help."
Devon laughed. It was not a nice laugh. "Help? You want to help? Your boy led our girl on for weeks. Dinner dates. Walks home. Hand-holding. And then — what? He has a girlfriend this whole time? He's been hugging some other girl at parties?"
"It's not what you think —"
"Then what is it?" Gabriel demanded. "Because from where I'm standing, it looks like your quiet little drummer friend played Y/N like a fiddle."
"He didn't —"
"He hugged someone else. She saw it. We all saw it."
Ella appeared in the doorway, still in her Hello Kitty pyjamas that have definitely seen better days. "What's going on?"
"The enemy is here," Devon said, jerking her thumb at Ollie.
"He's not the enemy —"
"He's friends with the enemy, which automatically makes him the enemy."
Ella looked at Ollie. Her expression was soft — softer than the others — but there was something in her eyes, something that said she was paying attention.
"You're Ollie," she said.
"Yes."
"The one who broke his hand."
"Yes."
"The one who begged Y/N to join the band."
"Yes."
"The one who's been trying to set her up with Kimi since day one."
Ollie blinked. "How do you —"
"I notice things." Ella tilted her head. "You're not the enemy. But you're not helping, either."
"I'm trying to —"
"You're trying to fix something you don't fully understand." Ella stepped forward, her voice gentle but firm. "So let me help you understand. Y/N thinks Kimi has a girlfriend. She saw him hugging someone in the garden at the party. She heard the girl call him Andrea. And she thinks — she thinks everything between them was a lie."
Ollie stared at her.
"That's why she's mad?"
"Yes."
"But —" Ollie's face shifted — confusion melting into disbelief melting into something that looked almost like laughter. "That's his cousin. Chiara. His older cousin. She was on a year abroad. She just got back."
The group went silent.
"His cousin?" Franco said slowly.
"His cousin. She's in the year above. She takes media studies. Lando's in some of her classes — I think they've worked together on projects." Ollie ran a hand through his hair, laughing now — a disbelieving, incredulous laugh. "You're telling me — you're telling me this whole time — Y/N thought Kimi was hugging his GIRLFRIEND?"
Devon's mouth opened in disbelief.
"Lando," she said.
"What?"
"Lando. Lando mentioned a girl. An Italian girl. In his media class. I thought — I thought he was talking about someone else — but if she's Kimi's cousin —"
"She is."
"And she was at the party —"
"She surprised him. She wasn't supposed to be back until next week."
Devon looked at Franco. Franco looked at Gabriel. Gabriel looked at Ella.
"We have to tell her," Franco said.
"I've been trying," Ollie said. "She won't talk to me. She won't talk to anyone. She just — she shuts down every time I bring it up."
"Because she's embarrassed," Ella said softly. "She thinks she fell for someone who was never available. She thinks she was stupid. And Y/N — Y/N doesn't do stupid."
"So what do we do?" Gabriel asked.
No one answered.
Then Franco stood up. "We find someone she will listen to."
"Who?"
Franco's eyes drifted across the quad, toward the economics building, toward the office on the second floor where a certain third-year student council member spent his afternoons grading papers and pretending he wasn't invested in campus drama.
"George," Franco said. "She'll listen to George."
George Russell did not want to be involved.
This was his first response when Franco explained the situation, and his second response, and his third. He was a third-year economics student, the department's unofficial golden boy, and he had spent the better part of his university career avoiding exactly this kind of interpersonal chaos.
"I'm not a couples counsellor," George said, leaning back in his desk chair. "I'm a student. I have essays. I have exams. I have —"
"You're the only person she respects enough to actually listen to," Franco interrupted. "She worked for you. She trusts you. And right now, she's not trusting anyone else."
George pinched the bridge of his nose. "Why me?"
"Because you're annoying and persistent and you don't take no for an answer," Gabriel offered.
"That's supposed to convince me?"
"It's the truth."
George looked at the group standing in his office — Franco's earnest expression, Devon's crossed arms, Gabriel's chaos energy, Ella's quiet determination, and Ollie, who looked like he hadn't slept in days.
"Fine," George said. "But I'm not happy about it."
"No one's happy," Devon said. "That's why we're here."
You were walking back from the library when George fell into step beside you.
You almost didn't notice him — your mind was elsewhere, tangled in chord progressions and the memory of dark eyes and the growing sense that you had made a terrible mistake. But then he spoke, and the voice was unmistakable.
"Y/N."
You stopped. "George?"
"Don't look so surprised. I do leave my office occasionally."
"You never leave your office."
"I'm branching out." He fell into step beside you, matching your pace. "Walk with me."
"I was going back to my dorm —"
"Walk with me anyway."
There was something in his voice — something that suggested this wasn't a coincidence. You looked at him, at his carefully neutral expression, at the way his hands were shoved in his pockets like he was trying to look casual and failing.
"What's this about?" you asked.
George was quiet for a moment. Then: "Kimi."
Your chest tightened. "I don't want to talk about Kimi."
"I know."
"Then why are you —"
"Because someone has to." George stopped walking. Turned to face you. "I don't know what happened between you two. I don't want to know. I have essays to grade and a thesis to write and approximately zero interest in being a messenger for a bunch of overgrown children."
"Then don't —"
"But." He held up a hand. "I've known Kimi since his first week on campus. He's quiet. He's private. He doesn't let people in. And in all the time I've known him, I've never seen him look at anyone the way he looks at you."
Your heart stopped.
"The girl at the party," George continued. "The one he was hugging. That's his cousin. Chiara. She's been abroad for a year. She wasn't supposed to be back until next week. He didn't know she was coming."
You stared at him.
"She takes media studies. She's in my year. You can ask anyone — Lando, Franco, whoever you trust. It's not a secret. It's just —" He sighed. "It's just a misunderstanding. A stupid, avoidable, completely predictable misunderstanding."
"I —"
"I'm not telling you what to do." George shoved his hands back in his pockets. "I'm just telling you the truth. What you do with it is up to you."
He turned and walked away.
You stood there, frozen, the wind cold against your face.
His cousin.
Not his girlfriend.
His cousin.
You thought about the way Kimi had looked at you across the table at Antonio's. The way his hand had covered yours. The way he'd said maybe I wanted to.
You thought about the way he'd walked away without looking back.
You thought about the way you'd walked away without explaining.
"Oh my god," you whispered.
You started running.
You found him in the rehearsal room.
It was late — nearly midnight — and the building was empty. The lights were off except for the single bulb above the drum kit, casting everything in soft yellow. Kimi was sitting behind the drums, not playing, just sitting, his head bowed, his sticks resting on his thighs.
He didn't look up when you entered.
You stood in the doorway, breathing hard, your heart pounding so loud you were sure he could hear it.
"Kimi."
He didn't move.
"Kimi, please —"
"What do you want, Y/N?"
His voice was quiet. Tired. Hollow in a way you'd never heard before.
"I want —" You stepped closer. "I want to explain."
"You don't have to explain anything."
"Yes, I do." You stopped a few feet away from the drum kit, close enough to see the shadows under his eyes, the tightness in his jaw. "The girl at the party. The one you were hugging. George told me — she's your cousin."
Kimi looked up.
"Chiara," you continued. "Your older cousin. The one who was abroad. I didn't — I didn't know. I thought —" You swallowed. "I thought she was someone else. I thought you had a girlfriend. I thought I'd been — I thought everything between us was —"
"A lie?" Kimi's voice was soft.
"Yeah."
He was quiet for a long moment. Then: "I thought you kissed Mark."
"What?"
"At the party. On the dance floor. I saw him — I saw him leaning in. I saw everyone cheering. I thought —" He looked away. "I thought you got back together. I thought I'd imagined everything."
"He kissed me. I didn't kiss him back. I slapped him. I told him to leave. Franco and Ella and Gabriel — they all saw. They made him leave." You stepped closer. "I would never — I wouldn't do that to you. To us. To whatever this is."
Kimi's eyes met yours.
"Whatever this is," he repeated.
"Yeah."
"What is this?"
You didn't have an answer. Not a good one. Not one that made sense outside the language of late nights and shared coffee and the way your heart raced every time he looked at you.
"I don't know," you admitted. "But I want to find out. If you still — if you're still —"
"I am." His voice was barely a whisper. "I never stopped."
The space between you dissolved.
You didn't kiss — not yet. You just stood there, close enough to feel the warmth radiating off him, close enough to see the relief flooding his features, close enough to know that whatever came next, you would face it together.
"The competition is in two days," you said.
"I know."
"We should probably practice."
"Yeah."
"Together."
"Yeah."
You smiled. For the first time in days, you smiled.
Kimi's mouth curved in response — that small, private smile that you'd thought you'd lost forever.
"From the top?" he asked.
"From the top."
The band noticed immediately.
Not because you and Kimi were obvious — you weren't. You were careful. Quiet. You sat near each other but not too near. You made eye contact but didn't stare.
But something had shifted. The music was different. The timing was right. The tension that had been strangling every practice for days had dissolved, replaced by something lighter, something easier, something that sounded like two people who had finally stopped fighting themselves.
Arvid stopped mid-song.
"What changed?"
No one answered.
Arvid looked at you. Looked at Kimi. Looked back at you.
"I don't care," he said. "Whatever it is — keep it. The competition is in two days. We're going to win."
Liam grinned. "That's the spirit."
"It's not spirit. It's strategy."
"Same thing."
"It's really not."
But Arvid was almost smiling.
And when you caught Kimi's eye across the room, he was almost smiling too.
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Childhood best friend!Ollie headcanons -ob87
𖤓 childhood best friend!ollie x childhood best friend!reader
𖤓 note: read the Oscar version, Lando version, Kimi version and Max version here!
𖤓 Listen to "Supercut" by Lorde when reading this!
Childhood best friend!Ollie who was the boy who always shared his snacks with you. Even when you were kids, he had this incredibly generous spirit; if he had a treat, his first instinct was to make sure you had some too. It was his way of showing he cared before he even knew how to use his words.
Childhood best friend!Ollie who is your biggest hype man. He doesn't just give you a compliment; he makes a whole production out of it. If you wear a new outfit or achieve something small, he’s there with a bright, dazzling grin, telling everyone in the room exactly how amazing you are.
Childhood best friend!Ollie who has a "gentleman" streak that never went away. Even as a teenager, he was the one opening doors for you, walking on the street side of the sidewalk, and making sure you were always comfortable. It’s a natural, ingrained part of who he is.
Childhood best friend!Ollie who is incredibly easy to talk to. He has this way of listening really listening where he leans in, eyes focused entirely on you, making you feel like you’re the only person in the world. He remembers the little details of your stories, the ones you thought he’d forgotten years ago.
Childhood best friend!Ollie who is a total sweetheart when he's nervous. When he's facing a massive pressure situation in the paddock, he’ll subconsciously reach for his phone just to see a photo of you or a text you sent. You are his "calm in the storm."
Childhood best friend!Ollie who loves to make you laugh when you're being too serious. He has a very cheeky, playful side, and he knows exactly which silly face to make or which ridiculous joke to tell to break your tension and bring that smile back to your face.
Childhood best friend!Ollie who is incredibly respectful of your boundaries, but he’s also mastered the art of "accidental" closeness. He’ll sit just a little too close on the sofa, or let his hand linger on yours a second too long when he's handing you something, testing the waters of how you feel.
Childhood best friend!Ollie who is deeply inspired by you. He sees your strength and your passion, and he uses it as fuel. When he's on the track, he thinks about how he wants to make you proud, and that thought alone gives him the extra tenth of a second he needs to make a move.
Childhood best friend!Olliewho is a bit of a romantic at heart. He loves the idea of grand gestures, even if he's too shy to actually pull them off yet. He’ll send you songs that "remind him of you" or pick out small, thoughtful gifts that show he’s been paying attention to your interests.
Childhood best friend!Ollie who gets a little bit flustered when the topic of "dating" comes up. He’ll try to act cool and casual, but you can see the way his cheeks turn a soft pink and how he suddenly finds his shoes very interesting when someone asks him if he's seeing anyone.
Childhood best friend!Ollie whose confession is incredibly sweet and a little bit nervous, which makes it even more endearing. It happens after a long day of travel, maybe sitting on the floor of a hotel room or leaning against a balcony overlooking a city. The mood is soft, and you're both tired and comfortable. You make a joke about how you two are "basically an old married couple" because of how well you know each other. Ollie goes quiet, his usual bright energy settling into something much more tender. He looks at you, his eyes searching yours with a vulnerability that makes your breath hitch. "Is that all we are, though?" he asks softly, his voice a little shaky. "Because to me, it's always felt like so much more. I've been trying to find the right moment to tell you, but I'm terrified that if I say it, everything changes." He reaches out, his fingers tentatively brushing yours, before he leans in and gives you a kiss that is gentle, hesitant, and so incredibly full of pure, honest affection.

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In Another Life - F1 drivers
𖤓 where they look at you and realise they want to spend the rest of their lives with you or where they think: oh. this is it. this is everything.
𖤓 inspo: based on "I would have really liked just doing laundry and taxes with you" - Waymond Wang (my favourite film ever)
𖤓 fem!reader x grid (ob87, ka12, gr63, cl16, lh44, ln4, op81, mv3, ih6, aa23, cs55)
𖤓 wc: 3,935
𖤓 Sunny radio! This one's for the EEAAO girlies. The ones who get that love isn't about grand gestures — it's about choosing someone in the small, boring, beautiful moments. Each driver, one moment where they realise forever doesn't have to be loud. It just has to be with you.
𖤓 note: Gang, I tried my best not to repeat the scenarios or wording, but if I failed, pls don't kill me it was hard to come up with a new context for 11 drivers 😭Any love would be appreciated.
𖤓 listen to: "Something About You" when reading this.
CHARLES LECLERC — The Grocery Run
The supermarket is almost empty at 11 PM.
Charles should be home. Should be sleeping. Should be reviewing data for tomorrow's sim session. Instead, he's following you through the produce aisle, watching you squeeze avocados like you're defusing a bomb.
"Not this one," you mutter, tossing it back. "Too soft."
"We've been here for twenty minutes."
"We've been here for twenty minutes because you keep putting back the good ones."
Charles laughs — a real one, the kind that used to come so rarely. You don't look up from the avocados, but your mouth twitches. You know what you do to him.
He leans against the shopping cart. Watches you debate the structural integrity of a tomato. Your hair is messy. You're wearing his hoodie — the old one, the one he almost threw away, the one you stole and never gave back. There's a smudge of something on your cheek. Flour, maybe. Or chocolate. He doesn't ask. He doesn't want to stop looking at you long enough to find out.
You're squeezing tomatoes like your life depends on it. Like this matters. Like getting the right one is the most important decision you'll make all week.
And Charles realises, standing in the fluorescent glare of a half-empty supermarket, that he wants every grocery run with you. Every wrong avocado. Every 11 PM debate about produce. Every single boring, beautiful minute of it.
"Charles."
"Hm?"
"You're staring again."
"Can you blame me?"
You finally look up. Your eyes are soft, tired in a way that has nothing to do with sleep and everything to do with the kind of day that follows you home. You'd told him about it earlier — the bad meeting, the rude email, the way everything felt a little too heavy. He'd listened. He'd made tea. He'd suggested grocery shopping at 11 PM like it was a reasonable solution.
It was. Somehow, it always is with you.
"I love you," he says.
You blink. "I know?"
"No, I mean —" He stops. Shakes his head. Tries again. "I'd do this forever," he says quietly. "The grocery shopping. The bad avocados. All of it."
The words hang in the air between the avocados and the tomatoes. Your expression shifts — something soft, something surprised, something that looks like the first time you realised this was real.
"That's a weird thing to say in a produce aisle," you say.
"I know."
"You're so weird."
"I know."
You step closer. Wrap your arms around his waist. Press your face into his chest. The shopping cart bumps against his legs.
"I'd do grocery shopping with you in this life too," you mumble against his hoodie.
Charles holds you tighter.
"Good," he says. "Because I'm not letting you go."
The avocados are forgotten.
They'll remember tomorrow. Right now, nothing matters except your heartbeat against his and the quiet hum of the fluorescent lights and the way you fit in his arms like you were always supposed to be there.
LEWIS HAMILTON — The Kitchen at 2 AM
Lewis can't sleep.
This isn't unusual. He's spent most of his life learning to function on less rest than most people need. But tonight is different. Tonight, the silence is too loud. The city outside is too still. His mind is too full of things he doesn't want to think about.
He finds you in the kitchen.
You're standing at the counter, barefoot, wearing one of his old t-shirts. There's flour everywhere — on your hands, on your face, on the floor. You're trying to make bread. Or something that was supposed to be bread. It's not going well.
"What are you doing?" he asks.
You don't look up. "Baking."
"It's 2 AM."
"I know."
"You're covered in flour."
"I know that too."
He walks closer. Peers at the lumpy dough on the counter. You're completely unbothered by the disaster in front of you. Just kneading away, humming something under your breath, flour dusted across your cheek like war paint. "Is that supposed to look like that?"
"No," you admit. "But I know you haven't been able to sleep recently. And I figured —" You shrug, finally looking at him. Your eyes are tired, but there's something else there. Something warm. Something that makes the silence in his head go quiet. "I figured if you were going to be awake, I might as well be awake with you."
And Lewis realises — standing in his kitchen at 2 AM, watching you fail at baking with the same determination you'd bring to anything else — that this is it. This is the rest of his life. Not the races. Not the podiums. Not the cameras.
This. You. Flour on the floor. Bread that won't rise. 2 AM and nowhere else to be.
Lewis doesn't say anything. He just steps behind you, wraps his arms around your waist, and rests his chin on your shoulder. You smell like flour and vanilla and something that's just you.
"I can feel you staring," you say, your attention going back to the failed masterpiece in front of you.
"I'm admiring."
"I'm a mess."
"You're perfect."
"I don't know how to make bread," you warn him.
"I don't care."
"We're going to have to eat this. Even if it's terrible."
"I don't care."
"We could order takeout."
"Y/N."
You stop. Wait.
"In every lifetime," he says, quietly, "I would choose this. "
You go still in his arms.
"Even if I am failing at making bread?" you say with a small pout.
"Especially then." He presses a kiss to your shoulder. "It's better."
You turn in his arms. Your flour-dusted hands cup his face. Your eyes search his.
"You're a weird man, Lewis Hamilton."
"I know."
"I love you anyway."
He kisses you — slow, soft, unhurried. The bread is forgotten. The silence is no longer too loud. And for the first time all night, Lewis thinks he might actually sleep.
LANDO NORRIS — The Takeout on the Floor
Lando's apartment is a mess.
Not the chaotic kind — the lived-in kind. Clothes draped over chairs. Dishes in the sink. A blanket fort in the living room that you'd built three days ago and neither of you had bothered to take down.
You're sitting on the floor, backs against the couch, eating takeout from containers balanced on your knees. Some reality show is playing on the TV — neither of you is watching. You're too busy arguing about whether pineapple belongs on pizza.
"It does not belong," Lando insists, pointing a spring roll at you.
"It absolutely belongs. You have no taste."
"I have excellent taste. I'm dating you, aren't I?"
You pause. "That's... actually smooth. I'm mad about it."
He grins — the grin, the one that makes you want to throw something at him and kiss him in the same breath. You're wearing his hoodie. Your hair is in a messy bun. You love him so much it makes your chest ache.
And Lando realizes — sitting on the floor of his apartment, takeout containers balanced on his knees, arguing about pineapple on pizza — that he doesn't need anything else. Not the wins. Not the attention. Not any of it.
Just this. Just you. Just the sound of your laugh and the way you steal his spring rolls when you think he's not looking.
"Lando."
"Mm?"
He doesn't say anything for a moment. Just watches you. The way you're completely comfortable. Completely yourself. Completely his.
"I want this forever," he says. "The takeout. The floor. The stupid arguments."
You stop chewing. Look at him. "That's a very intense thing to say while you have sauce on your chin."
"I have sauce on my chin?"
"Right there." You point. He wipes the wrong side of his face. You laugh — that laugh, the one that makes his chest feel too full.
"I love you," he says. Because it's true. Because it's the only thing that matters.
You set down your container. Shuffle closer until your knee bumps his.
"I know," you say. "I love you too. Now eat your spring rolls before they get cold."
"Yes ma'am."
You grin. He grins.
The reality show plays on. Neither of you notices.
OSCAR PIASTRI — The Quiet Sunday
Oscar doesn't talk much.
You'd learned this early. He's not cold — just careful. He thinks before he speaks. He measures his words like they have weight. It used to unnerve you. Now it's one of your favorite things about him.
Today is Sunday. The apartment is quiet. You're reading on the couch. He's at the kitchen table, reviewing data on his laptop. The only sounds are the hum of the refrigerator and the occasional click of his mouse.
This is what your life has become. Quiet Sundays. Shared silences. A love that doesn't need to be loud to be real.
Oscar looks up from his laptop. Watches you read. You're curled up on the couch, your feet tucked under you, your bottom lip caught between your teeth the way it always is when you're concentrating. You haven't noticed him watching. You never do.
He thinks about all the Sundays he spent alone. Before you. The quiet used to be heavy. Now it's just... comfortable. Because you're in it.
He doesn't say anything. He just watches. Commits it to memory. The way the afternoon light hits your hair. The way you mouth the words sometimes, barely moving your lips. The way you look up, catch him staring, and smile like you know exactly what he's thinking.
"What?" you ask.
"Nothing."
"You're lying."
"I'm not." He pauses. "I'm just happy."
You set down your book. "That's it? You're just happy?"
"That's it."
You look at him for a long moment. Then you pat the couch beside you. He stands. Walks over. Sits down. You lean your head on his shoulder. He wraps his arm around you.
"This is nice," you say.
"Yeah," he agrees. "It is."
He doesn't tell you that he wants this every Sunday. Every quiet, boring, perfect Sunday. He doesn't have to. You already know.
GEORGE RUSSELL — The Folded Laundry
George is folding laundry.
This should not be a romantic moment. He is wearing an old t-shirt that has a hole in the collar. His hair is sticking up in the back. There is a suspicious stain on his shorts that he refuses to explain.
But he's folding your clothes. Carefully. Methodically. The way he does everything.
You're watching from the doorway. He hasn't noticed you yet. He's too focused on getting the creases right — on your shirts, your socks, the sweater you'd left draped over the chair three days ago.
He folds everything. Even the things you wouldn't bother with. Even the things you'd given up on.
George doesn't know why he's so focused on the laundry. Maybe because it's yours. Maybe because taking care of you — even in small ways — feels like the most important thing he could be doing.
He holds up one of your shirts. It's old. Faded. The one you wear when you're sick or tired or just don't want to try. He folds it slowly. Presses the crease with his palm.
"George."
He looks up. You're in the doorway, leaning against the frame, watching him with an expression he can't quite read.
"You're folding my laundry," you say.
"It needed to be done."
"At 11 PM?"
"The timing felt right."
You cross the room. Sit on the bed beside the pile of folded clothes. Pick up a shirt — one of yours, one he'd folded so perfectly it looks store-bought.
"You're staring at that shirt like it's precious," you say.
"It's yours."
"That doesn't make it precious."
"To me it does."
You're quiet for a moment. Then you set down the shirt and take his hand.
"You're strange, Russel"
"I know."
"I love you anyway."
He squeezes your hand. He doesn't say anything else. He doesn't need to. The laundry is forgotten. The late hour doesn't matter. He's exactly where he wants to be.
KIMI ANTONELLI — The First Rain of Autumn
Kimi doesn't believe in fate.
He believes in hard work. In data. In the things he can see and touch and prove. He's never been one for grand romantic gestures or sweeping declarations.
But then it starts raining.
You're walking back from the café down the street — the one with the good pastries, the one you'd dragged him to because you said he needed to "experience life outside the simulator." He'd complained the whole way. You'd ignored him.
Now you're both soaked. Your hair is plastered to your face. You're laughing — not at him, not at the situation, just... laughing. Like getting caught in the rain is the best thing that's happened all week.
"You're insane," he says, but he's smiling. He can't help it.
"You're boring," you fire back. "Live a little, Antonelli."
You grab his hand and pull him into a puddle. Water splashes up his jeans. He should be annoyed. He's not.
He watches you spin in the rain. Arms out. Head back. Rain dripping down your face. You look ridiculous. You look perfect.
And Kimi realizes — standing in the middle of the street, soaked to the bone, watching you dance in a puddle — that he wants every rainy day with you. Every unexpected storm. Every moment that makes no sense.
"Kimi."
"What?"
"You're staring again."
"I'm allowed to stare. You're the one dancing in the rain."
You stop spinning. Walk toward him. Your shoes squelch. Your mascara is running. You've never looked better.
"Come here," you say, tugging his arm.
"I'm already here."
"Closer."
He steps closer. You wrap your arms around his neck. Your wet clothes press against his.
"I love you," you say. Like it's obvious. Like it's the easiest thing in the world.
He doesn't say it back. He just pulls you closer. Kisses you. Right there. In the rain. In the middle of the street.
When he pulls back, you're both dripping. You're smiling.
"That was romantic," you say.
"Don't tell anyone."
"Wouldn't dream of it."
He takes your hand. Leads you home. The rain keeps falling.
He doesn't let go.
MAX VERSTAPPEN — The Simulator Break
Max is supposed to be in the simulator.
That's where his trainer thinks he is. Where his engineer thinks he is. Where everyone who needs him thinks he is.
Instead, he's in the break room, sitting across from you, watching you struggle with a vending machine.
"It's not working," you say, pressing the button for the third time.
"Hit it."
"I'm not hitting it."
"Then it won't work."
You glare at him. He shrugs. You hit the vending machine. The candy bar drops. You look triumphant. He looks smug.
"I hate you," you say, picking up the candy bar.
"You love me."
"Debatable."
He watches you unwrap the candy bar, break it in half, and hand him the bigger piece. You don't say anything. You just do it. Like it's instinct. Like taking care of him is as natural as breathing.
Max has won races. Championships. Things people dream about. But none of it feels as good as this. Sitting in a break room. Sharing a candy bar. Watching you wipe chocolate from the corner of your mouth.
He wants this. Not the big moments. The small ones. The ones no one else sees.
"Max."
"Mm?"
"You're doing that thing again."
"What thing?"
"The thing where you stare at me like I'm a puzzle you're trying to solve."
"Maybe you are."
"Am I solved?"
He thinks about it. About the way you make him feel. About how he doesn't have to be anyone other than himself when he's with you.
"Yeah," he says. "You are."
You smile. Break off another piece of candy bar. Hand it to him.
"Good," you say. "Now eat your chocolate. You have a simulator session."
"I'm skipping it."
"You're not skipping it."
"I'm skipping it."
"Max."
He takes the chocolate. He doesn't move.
He stays exactly where he is.
ISACK HADJAR — The Disaster Dinner
Isack is supposed to be impressing you.
That was the plan. He'd cook dinner — something nice, something sophisticated — and you'd see that he was an adult. A functional adult who could do things other than drive fast.
Instead, he's set off the fire alarm.
You're both standing in the kitchen, waving dish towels at the smoke detector, coughing. The windows are open. The fan is on. Whatever was in the oven is now a blackened brick.
"I'm sorry," he says, for the fifth time.
"Stop apologising."
"I ruined dinner."
"You didn't ruin dinner. You just... created a bonding experience."
He looks at you. You're laughing. Actually laughing, like this is funny, like this isn't a disaster, like you're not judging him for being a terrible cook.
"You're not mad?"
"Why would I be mad? I can't cook either. I was going to order takeout the whole time."
"I spent three hours on that recipe."
"I know. It was very sweet. It was also very on fire."
He groans, dropping his head to the counter. You pat his back. Your hand is warm. Comforting.
Isack doesn't know why you're still here. Why you're not running. Why you're laughing instead of leaving.
Then he looks at you. Really looks. At the way your eyes crinkle when you smile. At the way you haven't let go of his arm. At the way you're looking at him like he's not a failure. Like he's just... him.
And he realizes: you're not going anywhere. You never were.
"Isack."
"Yeah?"
"You're very dramatic for someone who set off a fire alarm."
"I'm not dramatic. I'm passionate."
"Whatever"
You order takeout. Eat it on the floor. The smoke detector beeps every few minutes.
He watches you laugh. And he thinks: yeah. This is it.
CARLOS SAINZ — The Packing Night
Carlos is supposed to be packing.
He has a flight tomorrow. Another race. Another city. Another week away from you.
But he's not packing. He's sitting on the edge of the bed, watching you fold his shirts. You're not his assistant. You're not his employee. You're just someone who loves him. Someone who's learned that his shirts wrinkle if you don't fold them a certain way.
"You don't have to do that," he says.
"I know."
"I can do it myself."
"I know."
"Then why —"
"Because I want to." You look up at him. Your expression is soft, patient, unbothered. "Because I'm going to miss you. And this makes me feel useful."
Carlos's chest aches.
He watches you fold. The careful way you smooth out the wrinkles. The way you stack them in his suitcase, like you're building something important. You're humming. Something soft. Something he doesn't recognise.
He thinks about all the times he's packed alone. The empty hotel rooms. The silent airports. The feeling of always leaving something behind. He doesn't feel that anymore. Because you're here. Because you're folding his shirts like it matters. Because you make everywhere feel like somewhere he wants to be.
He crosses the room. Kneels in front of you. Takes your hands — the ones holding his shirt — and presses them to his chest.
"Carlos, your shirt —"
"I don't care about the shirt."
You shake your head, but you're smiling. You fold one more shirt. Set it in the suitcase.
"I'll miss you," you say.
"I'll miss you too," he says quietly. "It's only a week."
"I know."
"It'll go fast."
"I know."
Neither of you moves. Neither of you wants to.
"Come here," he says. You lean forward. He wraps his arms around you. Holds on.
The suitcase stays open. The shirts stay folded.
He doesn't care. He'll pack in the morning. Right now, he's exactly where he wants to be.
ALEXANDER ALBON — The First Snow
It doesn't snow in Monaco.
That's what Alex had told you, when you'd first moved here. "If you want snow, you have to travel." You'd accepted this. Mourned it. Moved on.
So when it snows — actually snows, fat flakes drifting down from a sky that's never done this before — Alex is the one who finds you first.
You're standing on the balcony. Barefoot. In your pyjamas. Just watching.
"Are you crazy?" he asks, stepping outside. "It's freezing."
"Look."
He looks. The city is quiet. The snow is dusting the rooftops, the streets, the harbour. Everything is soft. Everything is still.
"It's snowing," he says.
"It's snowing."
"In Monaco."
"I know."
You're not looking at him. You're looking at the snow. Your cheeks are pink from the cold. Your breath fogs in the air. You're shivering, but you won't come inside.
Alex watches you. The way your eyes are wide. The way you're smiling at something so small, so ordinary. Like it's magic.
He thinks about all the things he wants to give you. Big things. Important things. But right now, all he wants to give you is this. The snow. The balcony. The quiet.
"You're staring," you say, still not looking at him.
"I'm allowed to stare. You're the one standing in the snow in your pyjamas."
"It's romantic."
"It's freezing."
"It is not."
You finally look at him. Your nose is red. Your lips are blue. You're the most beautiful thing he's ever seen.
"I want this forever," he says.
"What, me in my pyjamas running in the snow like a fool?" you say with a small smile.
"Yes, and many more stupid snow days to come"
You smile. Step closer. Wrap your arms around him. He holds you tight.
The snow keeps falling. Neither of you goes inside.
OLIVER BEARMAN — The First Apartment
Ollie's first apartment is small.
Too small, probably. The ceiling leaks when it rains. The neighbors are loud. The heating doesn't work half the time.
But it's his. And you're in it. And somehow, that makes everything else irrelevant.
You're on the floor — there's no couch yet, not until next week — eating takeout from containers balanced on a cardboard box. Ollie is telling you about his day. About the engineers, the setup, the small victory he'd felt when something finally clicked.
You're not really listening to the words. You're watching his hands. The way they move when he's excited. The way he pushes his hair back when he's thinking.
Ollie stops mid-sentence. "Are you even listening?"
"Not really."
"Rude."
"I'm listening to the important part."
"What's the important part?"
You set down your container. Crawl across the floor until you're sitting in front of him. Your knees touch.
"The important part," you say, "is that you're happy."
He blinks. His ears go pink.
"I'm always happy when you're here," he says.
"That's cheesy."
"I know."
"I love it."
He looks at you. At the cardboard box. At the takeout containers. At the whole ridiculous, imperfect, wonderful mess of his first apartment.
He thinks about all the things he wants. The races. The wins. The career he's building. But right now, sitting on the floor with you, he can't remember why any of that matters more than this.
"Ollie."
"Yeah?"
"You're doing that thing again."
"What thing?"
"The thing where you look at me like I'm the only thing in the room."
"You are."
"That's very smooth."
"I'm trying."
You lean forward. Kiss him. He's warm. He's here. He's yours.
The ceiling leaks. The neighbors are loud. The heating doesn't work.
None of it matters.
GEORGE LEWIS GLAZE I USED TO PRAY FOR DAYS LIKE THIS
As Justin Bieber said himself:
WE FINALLY HEARD A THANK YOU TO EVERYONE BACK AT THE FACTORY AGAIN
I'm actually so happy the goat is so back ♡⸜(˶˃ ᵕ ˂˶)⸝♡
AN ALL BRITISH PODIUM?! GUYS TEARS IN MY EYES LETS FUCKING GO
Arsenal won, knicks won, Lewis won a race in Ferrari.
THAT WDC IS YOURS MY GOAT
no because life is actually great rn

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norris verstappen 6.7 second gap btw
no because im actually stressed
FUCK EMMA U HAVE TO WIN THE SECOND SET OR IT'S ALL FOR NOTHING
also if kimi wins he will win 6/7 races
not a 6 7 joke on my cellular device... see now I'm hoping someone else wins 😭
who we think is gonna win barcelona twin
honestly might just be Kimi because that boy is on a generational run, but like George might have a comeback so idk. But of course it would be nice to see a Max or Isack podium. Also, I'm watching the tennis match today, so I'm just hoping that nothing crazy happens in Barcelona, like I can't be asked.
emmar pls lock in
No because Emma why are you not running

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BOOM
(Totally didn't take me 55 minutes..)
YO DUDE THIS IS SO FIRE?? HELLO STOP KIMI’S FACE NOW YOU’VE GOT ME FEELING SAD FOR THE SHIT I WROTE 😭
George pole and Emma making it to the final? The universe has blessed me today.