Welcome to my writing blog! I'm big on the following:
whump ✦ found family ✦ QPR ✦ resilient / competent protagonists ✦ creepy antagonists ✦ sci-fi ✦ institutional settings ✦ lab/medical settings ✦ military settings ✦ medics ✦ aro/ace characters who don’t know yet or are just finding out
Masterlists: Short Fics /// Signal War /// Team Alphabet /// Prompts + Tropes
🔸🔶 QUICK NAV 🔶🔸
🔶 Short Fics Masterlist - a degustation menu of short, snack-sized stories. Fic descriptions in the masterlist.
Or just dive in: Names for the Nameless /// "Put a little more energy into it." /// "Here you go." /// Accidental Scar Reveal /// Refusal /// The Stars, They Are Falling /// Override /// Erasure Part 1 ▸ Part 2 ▸ Part 3
🔶 Signal War Masterlist - Medic in a scifi, military setting falling into one whump narrative after another (ft. aroace main character, QPR, competent whumpee, creepy whumper)
Start here:
- begin with the opening arc, or
- jump into the deep end with the whump-centric path (streamlined, skips Whumper's obsessive build-up).
🔶 Team Alphabet Masterlist - team of rookie enforcers rescue a captive living weapon whumpee (ft. team dynamics, found family, military academy setting.)
Start here:
- the the origin story or
- when whumpee is rescued.
🔶 Whump Prompts + Tropes Masterlist - a collection of my explorations on genre themes and ideas
Featured: Team Dynamics yes yes yes /// Resistance /// The Inadvertent Whumper /// The Procedural Whumper /// Competent Whumpees /// Snikt /// Drag Path
🔶 Medical Trivia (or Things to Give Your Whumpees) - just me being inappropriately over-enthusiastic about various injuries + body details for whump storytelling purposes
Lung Injuries /// Seizures /// Blood Tells A Story /// More Than One Brain /// Tears
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*twirls hair* hey so do you have any ideas on what riko's voice sounds like?
The first thing I thought of when you asked was "nondescript" and "proportionate". Like if you saw him and then heard his voice, it wouldn't make you do a double take. HAHHAHAHA Like imagine if Riko had a really high nasal voice or a super low deep voice
So the quality of his voice isn't anything that would stand out in a crowd... but because he's so used to being a survival state, he uses his voice a lot as part of how people perceive him. He's adept at making himself sound easy and charmy, or nonchalant or jocular. Or even compressing it so he sounds boring and compliant and like he wouldn't be the sort to make trouble.
Oh and he can sound really stupid. Like you'd listen to him and think, this guy's not very quick. And he'd match it by doing something very subtle with his eyes and mouth so it supports the story. He doesn't even know he does it around new people he's trying to suss out, until Mish points it out.
But in his natural state, especially when he starts relaxing around Mish, he wields his voice less like a weapon or manipulation, and decompresses into how he'd naturally use it.
It's naturally upbeat, bright, excited. The sound of it carries naturally, so you'd hear snippets of the shit he's saying even in a noisy environment. And he'd use pretty much his entire vocal range, not just the one most people use in polite company. Like, he'd screech one sentence, growl the next, just because the conversation allowed it.
He's a great storyteller. (Which is why Mish's future kids love him.) He's quite adept at using his voice to draw people in, even if it's not apparent they're listening to him tell a story.
When he's not being vigilant, he talks a lot. I think one of the reasons why he attached himself to Mish was because she made him feel safe, and he could just talk at her non-stop, until she needed to concentrate on something. She'd tell him to shut up for a minute, because she needed to figure out some spreadsheet calculation, and he'd just say "k" without any rancor. Then after a couple of minutes, she'd say, "continue" and he'd just pick up where he left off HAHAHHA
I mentioned he has perfect pitch. But every time he sings or hums, it's off key. It's so habituated he can't help it anymore.
With Mish he allows himself to slow down. If his voice were a ball, he'd bounce it less, let it roll more.
A lot of the time he uses his voice, it originates from his head/throat. But when he's with Mish, even if it's just lying on the floor in his room tossing a snack bar in the air while she does some coding thing on her pad, his voice moves to his chest. Becomes warmer, more mellow, more grounded.
Hahahah. I don't know if I answered your question. It's more like vibes rather than the actual quality of his voice
<< Signal War /// Masterlist
Taglist (comment or DM to be added or removed): @stars-hide-our-fires // @hueningplushie //@deerslayer14 // @elvenarcane // @thelazywitchphotographer // @ziploc849 // @whumpacabra // @withdrawingramen // @starlit-hopes-and-dreams // @deadbvcky // @pumpkin-spice-whump /// @hot-rangers-in-chains
Not sure if you're familiar with the enneagram personality type system, but I was wondering what Riko and Mish's types are?
I kinda picture Riko as a 3, since he seems very performative but I could also see him as a 7. It's hard to know since we don't get very many Riko POVs that are just him being normal and not in great distress. What is going on in that head of his (if anything)?
As for Mish I frankly have no idea lol.
Familiar?? Darling. Baby. My love. You have no idea how FIXATED I am with the enneagram. Also MBTI and to a lesser (but no less enthusiastic) degree, Gallup's Strengthfinder.
omg omg omg I get to talk about this
OK, first the gobbledygook. The rest of what has turned out to be an essay will be less technical sounding, I promise:
Riko is: ESTP 7w6 so/sp.
For Mish, she is asserting herself more and more as an IxTJ 8w9 so/sp.
(It hasn't yet become clear to me whether she is N or S yet... a lot of stuff happens in later arcs that would make that aspect clearer.)
OK, brace yourself. Because I am grabbing your vest and we are going on a DEEP DIVE BAYBEEEE.
So yes! Riko does present as a an Achiever (3) because of his (somewhat grotty) charm and chameleon-like behaviour. He is extremely adept at looking at situations and figuring out what they need from him and how to fold himself into the shape people want. His actions can look look very very very close to that of a 3.
BUT! The reason why he is an Enthusiast type (7) and not an Achiever/Performer type (3) is because of his CORE motivation:
A 3 is trying to prove their worth.
Riko on the other hand, is trying to stay free - of pain, of helplessness, of being trapped.
A 3's strategy is centred around effectiveness, reputation, or achievement. Riko doesn't do that. If anything, he actively resists being put on any sort of pedestal (he resisted Vetch calling him Ghosthands in the Selah arc).
In Surface Tension, Riko shows he really doesn't care about his reputation. He'll happily tell people he has an STD if it will achieve his goal of them leaving him be.
He lets people underestimate him, constantly undermines himself, and acts a lot stupider than he really is. If the spotlight ever lands on him, he worms his way out from under it. (Duck & Weave)
Not because he doesn't enjoy the attention; he actually is quite the slut for it. He's great at creating it AND holding it, when it serves him.
But he resists having people turn the spotlight on him because has learnt early in life that when people are watching you, your options dwindle. When you are in the light, you can't escape.
Vetch's attack on Riko in the Selah arc was particularly damaging because it targeted ALL the pain points of an Enthusiast (7). Riko became the centre of Vetch's obsession, and he couldn't escape. And then Vetch removed his ability to escape or speak, and trapped him in that maintenance corridor with him. No exits. No talking himself out of it. Pretty much a game over scenario for him.
Aaaaagh.
This constant need to keep moving is also why he very almost leaves in Plant, even though it's probably the best place he's landed in.
It's safe (so far), he's valued by his team, and he's built a deep relationship with Mish. You'd think they are reasons to stay, but for Riko they are reasons to LEAVE. Because they are temptation to stay still. And staying still is dangerous.
The plant is not just a cute gift from a good friend. It represents taking root, and having to STAY and take care of something. Mish and the plant and everything else GOOD are the things that terrify him, because they are all pulling at him to stay put rather than move on, which is his SOP. THAT'S why he's so scared and anxious in Plant.
And talking about fear, it's not his love for Mish that makes him stay. He's used to leaving good things behind.
It's his FEAR of seeing how she'll react to the news of him leaving. The moment she walks in that door and sees him packing, he's pretty much done for. He's been rewired so completely he cannot survive watching her be upset with him because of something he's done.
In that scene, he's stuck between the fear of being trapped by his affection for Mish and his fear of making her sad pissing her off.
Stupid boy.
Sorry, back to the enneagram.
So the reason he is 7w6 instead of 7w8 is because of how he behaves under pressure.
If he was 7w8, he would be more confrontational, a lot bolder, and less concerned with belonging.
But because he's 7w6, he tilts more toward wanting to help and to contribute. Like in Grit.
So even though outwardly his rebellion and stubbornness looks very w8, as a w6 he aims that behaviour to being in service to a group, a person or a system. That's him idiotically disobeying direct orders to evacuate the gassed tunnel and trying to his superior officer to safety in Grit. (Also, he really did delusionally think he could make it out.)
It is also very clear in how he acts with authority. A 7w8 would act in open defiance. A 7w6 reroutes. He finds loopholes, charms, redirects. In Grit, he pretended the blast had damaged his hearing and he couldn't hear his superior's orders to leave her. (That little shit.)
Oh yeah, and the fear he displays with disappointing Mish? Also very 7w6. A 7w8 is a lot more comfortable with conflict and would actually rise to meet it.
Should I write more about instincts (so/sp stuff) and his MBTI? I feel like this has become a lot longer than anyone expected... I seriously get over-excited when it comes to character design with personality frameworks. I've had to learn to gently pump the brakes when I get like this hahhahahah
Aaaaaand I haven't even written about Mish. This... is concerning.
But seriously, is this too technical and obscure? I can write a version that is less so! It does kinda count as Riko/Mish lore, I think. So I'd love for those unfamiliar with the enneagram to know what I'm on about!
For the people who haven't read the fics mentioned:
Surface Tension - Riko doesn't want to hook up. Says he has an STD.
Grit - Riko disobeys orders like the little shit he is
Plant - taking root. Very scary (for Riko).
Selah arc - he can't run, he can't hide, he can't talk his way out of this.
Duck & Weave - Riko avoids the spotlight like his life depends on it. (Because it does). This is part of the Selah crc.
<< Signal War /// Masterlist
Taglist (comment or DM to be added or removed): @stars-hide-our-fires // @hueningplushie //@deerslayer14 // @elvenarcane // @thelazywitchphotographer // @ziploc849 // @whumpacabra // @withdrawingramen // @starlit-hopes-and-dreams // @deadbvcky // @pumpkin-spice-whump /// @hot-rangers-in-chains (after some lovely comments I decided to tag the usual taglist, originally I was going to write a simplified version without the enneagram references, but it turns out it stands as it is!)
i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.
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I'm writing the next chapter in the Afterburn Arc, but these little canon nuggets have been taking up brain space. Nobody asked, but...
⬩Mish gets notoriously hangry when she doesn't eat on time.
⬩Riko has perfect pitch. He picks up the operating sounds of appliances and whistles them back in uncanny imitation. Elevator chimes, ICU machinery, cleaning bots, door code confirmation beeps etc.
⬩But he will never sing or hum in tune. Only whistle. (There's an angsty story waiting in the wings about this.)
⬩Cold Spray is the second time the sock has made an appearance. The first time was in Plant. Blah blah blah allegory for how they are an inseparable pair.
⬩There really are no good pictures of Riko. He's always caught mid-blink, or there's a weird dust speck on the lens messing up the image, or he's caught in a motion blur as if the camera had caught him turning away... EVEN THOUGH HE ABSOLUTELY DIDN'T MOVE. This is canon across all the Rikoverses. (There's also another little fic waiting in the wings regarding this.)
⬩Riko is an unapologetic liar. He will lie his pants off any time anybody asks anything too personal. Sometimes he'll drop a truth in the middle of the lie, but nobody will know it, because it as unhinged as the other lies he's telling. Eg: that he grew up in the circus. Fact: he DID spend some of his childhood in a travelling circus. His mother was having an affair with a circus staff.
<< Signal War
Taglist (comment or DM to be added or removed): @stars-hide-our-fires // @hueningplushie //@deerslayer14 // @elvenarcane // @thelazywitchphotographer // @ziploc849 // @whumpacabra // @withdrawingramen // @starlit-hopes-and-dreams // @deadbvcky // @pumpkin-spice-whump /// @hot-rangers-in-chains (are you getting enough enrichment? no, really, are you?)
Guys! A full year ago, I wrote a story, and it REWIRED the way I understood myself.
Through this short story, I discovered that not only was my main character aromantic and asexual, but SO WAS I.
My discovery came VERY late in my life, so I have DECADES worth of experiences to reexamine through this new lens.
All of a sudden, SO MUCH of my life now makes sense.
It has turned out to be a significant discovery, more than an exercise in labelling myself. I am not overstating it when I say it has given me the courage to rescript my life.
So I wanted a small but meaningful way to celebrate the milestone, so I looked through the stuff I've written since I joined Tumblr in March... and I realised I have written more QPR and aro/+ace posts than I expected! So I've decided I'll share them in a themed mini-list.
QPR features highly, because it's very much tied to my aroace discovery.
Also tread carefully, if you don't know me already, because Here Be Whump. (Which I really must explore, because WHY are so many of the people into whump also aro/+ace???? 🤯)
Project Hail Mary Punched me In the AroAce - I watched Project Hail Mary and immediately felt so.... represented.
Surface Tension - the little story that had me come out to myself. I wanted to research what orientations my characters had so I could properly write the intimate conversation they were going to have.
And then, B💚💜M! (Aroace discovery, QPR)
Plant - the same characters from above in a moment that could have tilted into a romance if it weren't already committed to be a queer platonic dynamic. (QPR)
Ask: What are Riko and Mish to each other? - an ask that specifically requested clarification on what the two characters were to each other, I was really happy to be able to talk about how they were NOT at all a romantic couple and their dynamic wasn't ever going to develop into one. (QPR)
Something Stupid - part of a larger ongoing whump arc that features their QPR, but the front part of this chapter fleshes out how their dynamic works out between the two characters. Creating privacy via oversharing hahahahah (QPR, angst, whump)
Erasure - a story about a character whose memories are being targeted for erasure, but the memory wipe won't take, because a certain someone is just embedded too deep in his psyche. (QPR yearning, angst, whump)
How appropriate that tomorrow kicks off Pride Month! I'll making an effort to create a few more posts on the aspec orientation in the coming weeks as I process it through my own nervous system.
I think this milestone is a lovely opportunity to be a little more intentional in doing so. Please be kind and patient with me if I make any missteps or misspeak, I am still learning.
Here's to another year of discovery and brand new maps! 🧭
calling my lover "mine" but not in the way that my toothbrush or notebook are mine, mine in the way my neighborhood is mine, and also everybody else's, "mine" like mine to tend to, mine to care for, mine to love. "mine" not like possession but devotion.
I wonder if being bullied as a kid has any inoculating factors? like "I can do this now, because I could do this at 4 feet tall" type stuff. or does it just permanently make you into a quivery little prey animal? much to consider.
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His nosebleed spatters an erratic pattern on the white floor. Behind them, his dragging feet smear it into a broken trail, like a painter drunkenly wielding a brush.
Featuring: QPR, collapse arc, panicking caretaker, medical whump, whumperless whump
CW: Febrile state, mental confusion, seizures, nose bleed
Signal War /// Afterburn Arc /// Part 1 >> Part 2 >> Part 3 >> Part 4
Cold Spray
RIko's neck is arched, his eyes rolled back in his head. He is convulsing where he lies, stretched halfway out into the corridor. The blue blanket has bunched uselessly under him, absorbing none of the impact as his elbows and knees jerk and thud against the floor.
Mish’s heart is pounding. She's seen dozens of people seize before.
But this is Riko. Riko shuddering against the floor, Riko arching in her grip.
Her mind flashes to the injectors she saw in his med kit. There was an anticonvulsant-- For a frantic moment, the urge to grab it and jab it into his thigh is overwhelming.
No.
She doesn't know what he's on. Doesn't know what's causing the seizures. She can't afford to make guesses.
The seizure lasts just under a minute. She knows because she times it.
Riko's last spasm sends his leg kicking out inside his room; something crashes unseen behind the half closed door.
“Riko?” she calls, and she hates how her voice cracks. He opens his eyes but they don’t track her. His throat moves without sound, his Adam’s apple shifting under blood going tacky.
She reminds herself that he's a patient and that she's a nurse.
But all she wants to do is sit here and hold him. She grips him hard, and her palms remember the sensation of his muscles bunching spasmodically against them.
His nose has started bleeding again. Blood is trickling into his hair, falling freely off his face to drip onto the floor. She can't stop looking.
"Stop it," she tells herself. "Get up. Move."
She forces her muscles to activate. Pushes herself up. And against every instinct, she turns away from Riko.
Help. She needs to get help.
Someone has to be here. They can help her lift Riko, carry him--
She bangs on doors, leaving red smears on them. Her voice comes out tight and compressed; "Help! Anyone! Someone--"
Nothing. Everyone is at the cafeteria for dinner. They’ll be here in half an hour, but right now the corridor yawns wide and vacant.
A cleaning bot hums along the seam of the wall in the distance.
Behind her, a soft scuffle against the floor. The sound of Riko starting to convulse again. The hiss of the door trying to close on him.
There is an emergency comm unit near the showers. If she runs, she can get there and--
A door cracks open down the hall. It's Grav, leaning his hefty frame out of his pod.
"Grav!" she gasps. "Riko! He--"
He takes one look at her face, flushed, stricken-- and looks beyond her at Riko’s body spilled halfway out into the corridor, his limbs twitching, blood running slick down his neck.
“Shit,” Grav says succinctly.
Behind him, Mish makes out the form of a woman, coming to the door. “Grav?” the woman says.
A head pops out. Grimma.
Grimma the facility nurse.
She's bra-less in a too-big t-shirt, black lace panties showing under the hem. Her hair is not in her usual severe bun, instead hanging loose and tousled around her face.
Mish's brain does a skip and a stutter.
Grav and Grimma. Wait till Riko hears about this.
Grimma's eyes snap to Riko. “Shit.”
And both of them are moving immediately, sprinting down the corridor.
They drop down next to Riko, tilting him onto his back. And even though Mish knows they have never officially worked together on a team, they act in tandem, as if they've been practicing.
Practicing! her mind howls, with inappropriate hilarity. The voice she hears in her head is Riko's.
They scan him quickly, the hands of a nurse and emergency med tech moving with experienced speed over Riko.
“Seizing,” Grimma says. “And burning. What the hell happened?”
“I-- I don't know-- I was trying to get him to the showers--” Mish says, tripping over herself.
“Good call,” Grimma says. “Grav, lift.”
Riko has gone still. They hoist him up, unevenly. His legs crook awkwardly, as if he's a broken toy.
They move fast, his arms slung loose around their shoulders, his skin searing the back of their necks. He hangs like a dead weight, his head swinging limp between them.
His nosebleed spatters an erratic pattern on the white floor. Behind them, his dragging feet smear it into a broken trail, like a painter drunkenly wielding a brush.
Ahead of them, Mish pushes the door open as they reach the communal showers. Riko is propped in the corner of the nearest stall, his head lolling on his shoulder.
Mish yanks at the showerhead, aiming it at his slumped figure. Swings the knob violently all the way to cold.
The blast of water hits him full on.
He jerks, limbs snapping up gracelessly; a puppet whose strings have been brusquely yanked.
“F-uck!” he yells.
His voice is high and furious, startled and cracking on the syllable. His eyes are wide and wet as he looks at Mish with a look of such abject betrayal--
Her heart clenches painfully and her knuckles go white around the showerhead.
Then his head sags, and he crumples sideways, sliding down the tiled wall. His legs fold awkwardly under him, his arms limp and extended across the tiled floor of the shower stall.
The water pelts down, uninterrupted.
His clothes go translucent, plastered against his skin. His bootlaces dangle into the drain with the weight of the water.
Mish starts to shiver. She watches as the blood on him washes away in pink sheets across the tiles, going around her work shoes.
And then, again.
His hands twitch first, and then his fingers splay and claw into shapes she has never seen Riko make. Seconds later, he goes into full-body convulsions.
He thrashes violently, his back arching. His jaw is clenched so tight it changes the shape of his face. His head jerks repeatedly, and she drops hurriedly to her knees beside him. She grips his head between her palms, trying to keep it from slamming against the tile.
Her knuckles are getting bruised.
Mish lets out a breath that sounds like a sob. But it's not. Because she's not crying, she's not. She's a nurse, this is a patient, she needs to get it together, this is just a patient--
“Hang on, Mish--” Grimma is already at the wall panel, slamming the emergency intercom.
“We have a medical emergency in the communal showers, level B12-- seizures, possible hyperpyrexia--”
Grav has picked up the showerhead and is keeping the water coming. She's completely soaked now, and there's blood pinking the knees of her uniform.
Mish holds him until he goes still again, and this time, he looks so gone that she has to press her shaking fingers into his neck to assure herself that his heart didn't stop.
He looks absolutely awful, like a bad copy of himself. As if someone ran out of colours except chalky whites and bruised greys and tried to paint him with their non-dominant hand.
She can see a sliver of his eyes through his lids, and she knows he's unconscious. Still, she peers past the clumped lashes, trying to see if she can find any spark of him in his eyes.
Blood is leaking out of his nose, spilling over her hands.
She's not a nurse anymore. She's just... she's just holding on to him.
She wonders if "fuck" is going to be the last thing he says to her.
+++++++++++++++++
The med team arrives in minutes. She tells them as much as she knows, which is nothing. Except the number of times he seized since she found him, and for how long.
They roll his sodden, limp body onto the gurney and strap him down, and as they push him out the communal showers, she makes as if to go with them.
Grimma steps in her way. Mish tries to go around her, but Grimma puts out her hands on her shoulders and grips hard enough that Mish stops.
"Mish, don't," she says.
"I have to go, in case-- maybe I can help, if they need extra hands, I can--"
Grimma shakes her head. "Mish, they've got him. They'll take care of him."
Mish's gaze follows the gurney as it is wheeled out of sight. Riko's face is white and insensate under the oxygen mask, his head tilted back. The last thing she sees as the door swings shut behind the gurney is his one bare foot, next to his boot, which is still laced onto his other foot.
"I need to go with him," Mish says. "He-- he needs his sock."
Grimma's eyes drop to Mish's hand, curled in a death grip around Riko's dripping sock. The one Mish had pulled off him as he was being strapped onto the gurney.
Grimma's gaze comes back up to Mish's face. It is strangely blank and distant.
"Don't do this to yourself. There's no waiting room where they're taking him. You'd see everything," Grimma says.
Mish blinks, as if waking up. She looks sharply at Grimma. "I'm a professional nurse."
Grimma purses her lips, and then says very kindly. "Not right now, you're not. You're his friend. And you're in shock."
A thick, soft towel comes over Mish's shoulders, enveloping her.
Grav.
He layers it over her, and holds her gently from behind.
Mish feels herself start to shake in his embrace. Her shoulders shivering. Something rattling loose inside her.
He holds her for a long moment. A slow squeeze, and then he lets go.
He hands a towel to Grimma, who accepts it, and starts to wrap it around her waist. She speaks quietly to Grav as she does so, they both look at her.
Mish feels like a child being discussed. Her fingers grip tighter over the sock, and she feels water being wrung out of it. She bends her head to look.
The runoff is pink. And Mish shudders, a convulsive, full-body shake that feels like she's a dog trying to shake off water.
Grimma is right. She mustn't go with Riko. She couldn't watch and not do anything.
"I'm going to go with them," Grimma says. "I'll let you know immediately when I know anything certain."
Mish nods numbly. Grimma gives Mish a shoulder squeeze, and then walks out the communal showers, still barefoot, a towel wrapped around her waist.
Now Grav's arm is around her shoulder, and he's guiding her out the door too. But they turn right, back towards the pods.
The cafeteria crowd is trickling back in now. Mish can see where some of them had accidentally walked over Riko's blood spatters, leaving footprints. They are hushed and wide-eyed, watching as Grav walks her down the corridor.
She's dripping water, leaving waterlogged footsteps in her wake. They are diluting the blood on the floor.
She's ok. She's fine. It's just water.
Someone is standing outside Riko's door, staring at the blood smeared on the floor in front of it. He looks up at them as they approach, concern plain on his face.
"What happened? Is that Riko's blood?" he says.
Grav makes as if to walk Mish past the room, but she stops. "I need to go in," she says.
Grav looks at her. "Did you leave something in there? I really don't think you should--"
She pauses. Worries her lower lip.
"My dinner's in there," she says. "Could you grab it for me?"
Before Grav can stop her, she steps forward and keys in the door code. The door slides open, and the man from the corridor comes up next to her, craning to look in. Mish can see the bloody cot from where she's standing.
Grav steps in, and pauses, looking around. He sees the trays she left on the counter, and grabs them, carefully stepping around the smear of blood on the floor in the shape of Riko's face.
"That's a whole lot of blood," the man says. "Is he ok?"
"No," she says. "That's from his nosebleed. I found him. He was seizing."
She turns and looks at him, and something in her face makes him say, "Shit."
And he goes silent.
Before Grav gets to the door, she calls to him. "Hey," she says. "Could you also grab the plant?"
She watches him glance around again, and reach over to pick up the plant, balancing it on top of the trays. He steps out, letting the door slide close behind him.
"Let's go," he says to Mish.
"Thanks," she says. "I don't want him to come back and find it all dried up."
She lets him guide her down the hall towards the elevators back to her floor.
"Hey, uh," the man says as they walk past him. "I'm glad you found him."
"Yeah," Mish says softly.
"He's, uh, one of the good ones," the man says, somewhat lamely.
Before the elevator doors shut, she sees the little cleaning bot trundle up in front of Riko's room. It pauses in front of the smears of blood and plays its teeny cleaning melody.
It makes something twist up inside her. Riko had whistled the same tune after spilling coffee all over himself.
It had made her laugh.
The bot glides over the blood, leaving clean floor in its wake. In a few seconds, it will be as if Riko had never bled there.
Part 1 >> Part 2 >> Part 3 >> Part 4 (Next chapters coming soon. Check the Signal War Masterlist for updates!)
<< Main Masterlist << Signal War
Note: The cleaning bot is a paid actor.
Taglist (comment or DM to be added or removed): @stars-hide-our-fires // @hueningplushie //@deerslayer14 // @elvenarcane // @thelazywitchphotographer // @ziploc849 // @whumpacabra // @withdrawingramen // @starlit-hopes-and-dreams // @deadbvcky // @pumpkin-spice-whump // @hot-rangers-in-chains (staring at my taglist through foliage with binoculars)
“This means… of Rocky, possessive. Of the speaker.”
“My.”
“Correct. But only for names.”
“So you’re calling me…?”
Rocky repeats the word: “My Grace. Yes.”
“Are there other Graces? Why do you need to specify?”
Rocky considers this, tapping his xenonite-encased claws idly against the floor.
“No other Grace,” Rocky says. “We just do this.”
“Like an honorific,” Grace guesses. “It goes before everyone’s name? Everyone you know?”
Rocky whirs in surprise. “No, no, no. Not at all.”
“Okay, then who? What makes me qualify?”
Rocky is silent for a moment.
“...Does this offend Grace?” he asks, voice lower.
Grace blinks. “No! I don’t think so. Is there a reason to be offended?”
“Good,” Rocky says, relieved. Grace is starting to recognize what Eridian relief sounds like. “No, no reason.”
“Who else do you call that?”
“You don’t have this on Earth?”
Grace considers. What for, friends? He couldn’t call Marissa “my Marissa.” That would be weird.
“I still don’t know what it means,” he settles on. “So I couldn’t tell you.”
Rocky groans in frustration. He’s a very impatient tutor. “We just say it.”
“Are you my Rocky?” Grace asks. He hits the two keys to make the my note.
“I don’t know!” Rocky says. “You decide this.”
“I decide? Who do you use it for?”
“You. Adrian. I will use it for my pebbles.”
Grace blinks. “So few?”
Rocky shifts. “I am… you do not have the word yet. Eridian who works alone often, not close to many other Eridians.”
“What, mechanical engineer?”
Rocky chitters. “Acceptable.”
“Is Adrian your only friend?”
Rocky draws back, like he’s taken offense. “I have friends. Coworkers. But different.”
So just Adrian. And him.
“This worries you,” Rocky says.
“Adrian is your mate,” Grace points out. “I’m not your mate.”
“Correct. You are not. You do not like to be a mate.”
Grace isn’t sure how to respond to that, so he ignores it.
“I’m your friend,” Grace says.
Rocky hesitates, for a second. “...Correct.”
“Like your coworkers.”
“No.”
Grace sighs, rubbing his hand across his face. Okay, maybe that’s fair. It’s not like he felt about any of his coworkers like he feels about Rocky.
“Best friend,” Grace amends. “You’re my best friend, too.”
Rocky hums. “Acceptable.”
“Just acceptable? Now you are offending me. Can you just explain?”
This makes Rocky fall silent for a minute longer than usual. Grace is half-ready to apologize and to say let’s move on and to retype his own name without the superfluous my.
“The Earth ‘best friend’ is not strong enough,” Rocky says finally. “It does not translate this way.”
Grace runs his fingers through his hair, a little nervous, for some reason. “Okay.”
“It is…” Rocky pauses. He has to pause more often, now that they’re not using the translator, to simplify his language. “It means that I am not Rocky without my Grace. You are part of… of the whole. When I wake up, I think of you. When I work. When I eat. When I think I am going to die.”
Rocky speaks slowly, but it’s still a lot of Eridian for Grace to grasp all at once. Even as he works out the sentences in his head, he can feel hot tears rising in his eyes.
“It means that when you are sick, I am sick,” Rocky continues. “And it means I will take care of you, because taking care of you is taking care of myself.”
Grace bunches up his sleeve, wiping it across his face, blinking furiously.
Rocky’s voice is soft. “So Grace is part of Rocky. Grace is like a cell. You see? My Grace.”
Grace is quiet, for a moment, trying to get himself together. When he speaks, his voice is shaky.
“...Oh.”
Rocky hums, pressing his carapace gently against Grace’s arm. “You are leaking. Does this make you sad?”
Grace shakes his head, sniffing, crossing his arms across his knees and resting his chin on his sleeves. “Not at all.”
“Good, good.”
“I feel like that,” Grace mumbles. “Just like that. Just exactly—exactly like that.”
“About your old mate?”
“Don’t act stupid. You know I’m talking about you.”
Rocky hums, burrowing closer. Grace curls one arm around his carapace. That’s not enough, so he leans over, dropping his head down so his forehead presses against the xenonite.
“My Rocky,” Grace whispers in English.
“My Grace,” Rocky echoes in Eridian. Grace can recognize the note at the start. He will add it when he plays Rocky’s name.
“How long have you called me that?” Grace asks. “Must’ve been a while. I didn’t notice it change.”
Maybe the reason why I always loved sleeping, is that I was whump-fantasizing before I fall asleep, after I wake up and till I get up, and occasionally in the mid-night wakeups
THAT FIRST SITE IS EVERY WRITER’S DREAM DO YOU KNOW HOW MANY TIMES I’VE TRIED WRITING SOMETHING AND THOUGHT GOD DAMN IS THERE A SPECIFIC WORD FOR WHAT I’M USING TWO SENTENCES TO DESCRIBE AND JUST GETTING A BUNCH OF SHIT GOOGLE RESULTS
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