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Hi!! I'm Samara (pronouns: idk man. you tell me). This is me more or less completely remaking. More info about this blog (and this blogger) below the cut!
we're not kids anymore.
tumblr dot com
Game of Thrones Daily

JBB: An Artblog!
occasionally subtle

Origami Around

roma★

Jules of Nature
Mike Driver
Xuebing Du
Not today Justin
PUT YOUR BEARD IN MY MOUTH
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祝日 / Permanent Vacation
ojovivo
DEAR READER
Claire Keane
taylor price
seen from United States

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@strawberrysamara
🍓
Hi!! I'm Samara (pronouns: idk man. you tell me). This is me more or less completely remaking. More info about this blog (and this blogger) below the cut!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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my stomach hurts and I can't sleep ):
The thing about Lord/Knight gay romance is that there’s no way you can cut it that doesn’t make the sex hotter. At a baseline, the Lord is allowing his subject to be his equal partner behind closed doors in a society defined by hierarchy their physical love a blaspheme against the laws of feudalism, but if the knight is dominant, they’re literally upending the fabric of society by having the Lord follow his Knight’s orders and that’s hot and if the Lord is dominant than it’s just another expression of his Knight’s sworn devotion to be at his lord’s service at all times and that’s hot and if it’s historically accurate Christianity then they’re not only desecrating and perverting the Knight’s vow, they’re making sinners of each other in the process and that’s HOT
reblog to give a strawberry to the person you reblogged this from
scientists are experimenting on cross-breeding a crab and a cheetah; things could go sideways real fast

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I biked alone for the first time in about eleven years today! (:
patience is such a compelling dynamic in relationships sorryyy it’s the peak of romance to me
“i’m not ready” “i’ll wait” and i’ll be in shambles
dark/gothic judaica: an aesthetic that could be an artistic goldmine
Torah Ark Curtain from 20th century North Africa // Scene from a production of The Dybbuk by Vilner Trupe, 1910s // art by E.M. Lilien just in general // veil & style by Mirjam on wrapunzel // Jewish Henna by Bella Ríos // 1910s Jewish dress from Galicia // "Hebrew Dark Academia" pin posted by jewish_opinion on pinterest // Marissa Nadler - a gothic folk musician who is Jewish // Rosh Hashana card from CJH Museum Collections // Art from Hershel and the Hanukkah Goblins by Eric Kimmel, Illustrated by Trina Schart Hyman. Scholastic, 1990 (this book was an essential part of my childhood) // "Schemajah Hillel," page 18 from the book "Der Golem", illustrations by Hugo Steiner-Prag // The Praying Jew (Rabbi of Vitebsk) by Marc Chagall, 1914 // Yemenite-Israeli dancer Rachel Nadav lighting the Shabbos candles // Tefillin Bag, c.1930, Eretz Yisrael. belonging to a Shmuel Yankovitz // Lili Liliana in "Der Dybbuk", 1937 // The Tzadik’s Son, 1912, by Lazar Krestin // Marrakesh Mezuzah // Pomegranate photo from unsplash
Still thinking about how Victor hesitated after burning down his lab and leaving the Creature for dead as he heard him crying out his name in terror---mirroring the last time he saw his mother alive whose last words to him were his name, cried out in pain and fear from behind closed doors.
I'm not okay.
Okay, wait I’m still not done thinking about this because just before Victor commits to killing the Creature, he asks him to prove himself an intelligent being by saying a word, any word, besides “Victor”.
Of course, Victor really has no intention of saving him. It’s all a flimsy excuse that seeks to justify destroying him. He issues this challenge fully anticipating the Creature will fall short of the mark. Only, the Creature doesn’t.
Yet, the moment the Creature utters “Elizabeth”, his fate is sealed. Victor's jealousy and resentment towards the Creature allows him to dismiss this evidence of intelligence by confirming, in his mind, that the Creature is only capable of parroting words he hears without understanding.
Still, Victor pauses and there is this powerful moment where the two look at each other with varying degrees of frustration and resentment.
There is something in the Creature’s eyes. Something different. Victor considers this revelation only for brief a moment but he does consider it. Yet, it’s not enough to halt him in his course. He is determined to destroy the Creature if only to soothe his wounded ego as a jilted lover and eradicate all evidence of the “failed experiment” he considers little more than a stain upon his perfect record.
Yet, as Victor walks away from the burning lab, the Creature calls to him by name again and again. Victor. Only Victor. Never Elizabeth. If the Creature truly had only been parroting the only two words he knew, surely, he would have called out “Elizabeth” at some point, too. He didn’t. He called out solely to Victor in his urgency and fear, and you can pinpoint the exact moment that Victor realizes that he was wrong. The Creature understands the meaning and difference between the two words. He understands the danger he is in. He is calling out for Victor's help by name.
For a brief moment, the Creature is once again his triumph, the miraculous being that he brought to life and is, by all means, his son. Once again, the Creature is that miracle bathed in sunlight which he just abandoned to flames. For that one brief moment, in Victor’s eyes, the Creature is a man. One capable of thought and emotion and understanding. One that needed him. Suddenly, what Victor has done is no longer disposing of “faulty equipment”, it’s coldblooded murder.
Victor had been lamenting the fact that the Creature only ever uttered his name again and again without any real comprehension or significance, only to realize that the Creature did in fact understand its significance and had been calling out to him by name because Victor truly was the centre of his world. There was only one other who had spoken his name in such a way.
Who else, but his mother?
“Victor!” Once spoken with that same unconditional reverence and affection was now being cried out in desperation and fear, just like his mother in her last moments.
Suddenly, Victor is once again that helpless child, separated from his screaming mother by a door, beyond which death is quickly closing in. Horrified, Victor does what he could not do for his mother when he was a child, he runs back. In that moment, I feel that he was trying to save his mother just as much as he was the Creature. Yet as even as he tears open the doors, by then it’s already (presumably) too late.
Not only did the Creature's screams remind him of his dying mother calling out his name, but they proved beyond the shadow of a doubt that he was no longer disposing of evidence, he was killing his child.
This thought has been in my head for months now and I still can’t stop thinking about it, so I need you all to suffer with me on this one, gang.
IT’S SPRINGTIME YOU KNOW WHAT THAT MEANS. PASS THE INSTRUCTIONS ON NOT GIVING UP BY ADA LIMÓN
IT’S THE GREENING OF THE TREES THAT REALLY GETS TO ME!!!!!!!!!!!

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Tumblr Sexyman Contest 2026 Round 2 Part 9
Alucard (Castlevania)
Spock (Star Trek)
Frankenstein (2025) | Vintage Hardcovers
“I will make you bleed. I will make you humble. You may be my creator, but from this day forward, I will be your master.”
"what is this BABY doing in space!???"
-Rocky, probably
Its so fucked up that the ace community experienced so much (and I don't use this lightly) trauma at the hands of other lgbt people and no one fucking addresses it
And if you have the privilege to doubt if it was truly traumatic? If perhaps that's too strong a word? Maybe reflect on that. Because there truly is no other way of saying it.
The person who said I should have also mentioned the aro community you're 100% right aro folks were subject to this same horror and you deserve to have that acknowledged
All the aro and ace and aroace people leaving their stories in the tags of how scared they were or are to this day to come out TO OTHER QUEER PEOPLE know that I read them all.
that makes me curious
do you think you could beat up your blorbo in a fistfight if you had to
yes
no
nuance i guess?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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hello everyone, hope you enjoy this lab mouse adaptation of Frankenstein; I am completely exhausted
H A P P Y B I L L & T E D D A Y ! || 6/9