adult backpack wearers of the world unite
Claire Keane

#extradirty
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
Show & Tell
$LAYYYTER

macklin celebrini has autism

shark vs the universe

Game Changer & Make Some Noise
Fai_Ryy
I'd rather be in outer space šø
TMBGareOK. The Official They Might Be Giants tumblr

if i look back, i am lost
todays bird
Today's Document

Product Placement
art blog(derogatory)
seen from Türkiye
seen from United States

seen from United States

seen from United Kingdom

seen from United Kingdom

seen from Venezuela
seen from United States
seen from Singapore
seen from United States
seen from United States

seen from Canada
seen from Brazil

seen from United States
seen from Bangladesh

seen from United Kingdom

seen from United Kingdom
seen from Chile

seen from Peru
seen from Ecuador
seen from Germany
@strangeandoff-putting
adult backpack wearers of the world unite

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Okay but in retrospect, how freaking sad is this? It's basically a kid sending their absent parent their best photo from picture day in school, hoping to be told how smart they look.
You will be deeply missed š
Heartbroken and still sort of in disbelief that this has actually happened.
This might be the funniest reply Iāve ever seen in my life
I AM WHEEZING
PLEASE STOP REBLOGGING THIS OMFG
Iām so emotional about dinosaur stuffed animals,,, there are these creatures, extinct long before any of us were alive, but we found their bones and their eggs and their footprints. And we made drawings and models of what they couldāve looked like. And we made them into stuffed animals so we could hold them. We made them soft so we could love them. Iām sobbing
Yeah, we're the animal so preoccupied with petting other animals we're sort of collectively upset there are animals we never get to pet, so we make proxies to snuggle and tell their ghosts we'd have loved them if they were here.
...and tell their ghosts we'd have loved them if they were here.
Hang on i just have to cry for a minute

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
A professor gave us an extra credit option: take a picture of yourself outside, doing something that you would not usually do. We were told not to take it too seriously. Here is my entry:
I maintain that sticking my head in the mailbox is not something I do on a regular basis.
Love that some of you are reblogging this. You looked at a picture of a guy with his head in a mailbox and went "yeah"
Can't wait to see if everyone did something like this or if they had a normal reaction. I will keep you posted.
[ID: a photo of a pale person wearing a black t-shirt and jeans with his head in a mailbox /END ID]
Hello to everyone asking for an update!
The professor has said that he will put all submitted pictures into a powerpoint to be shown in class tomorrow (Tuesday, March 9th). I am very much looking forward to seeing the reaction from him and from the rest of the class. I promise to keep you informed.
Update: the professor saved my picture for last. I was told that I had "truly embodied the spirit of the assignment" and that I had gone "above and beyond."
Also, to everyone who is worrying about whether or not I got my head out, I was gifted with a very small head, and while I got out just fine I would NOT recommend this if you have a large head or even a normal sized head.
Hey you guys should make this into a meme.
Hows this?
Perfect
2017-2018 Subaru Forester
My favorite Shakespeare thing is when he writes a major plot point but just has someone tell us about it to save on special effects.
Hamlet gets kidnapped by pirates but we donāt see that part. Itās a letter.
The Oracle of Delphi shows up in the Winterās Tale and rather than do all the special effects required to make that adequately supernatural, two guys come on stage and go āwoah that was coolā
Thereās a big storm on the night that Duncan is murdered and we learn about this when half the cast of Macbeth says āsure was stormy last nightā
Shakespeare, the OG low-budget director taking the easy way out.
you do NOT want to be a vampire. sit down. you do NOT long for the night. you have seasonal depression. you would miss garlic too much. you would get killed by other vampires because you do NOT have the social skills required to keep up the ruse. BE REALISTIC.
Breakfast Across the Globe
BY FAR THE SEXIEST POST ON THIS SITE
So hungry now *crying on the inside*
In a special place in my home I keep only memories, keepsakes from the cordillera: photos of many of those who died, objects from the plane, things I collected from everyone who died and who we did not expect to stay alive. So I save them in this altar, which is my most sacred and beloved piece of furniture. I carried back a lot of objects in a bag, but there were some things that we didnāt know which dead boy they belonged to, nor did any survivor recognise it as his own. [...] I have dozens of things from ā72. But the thing I value most, because I feel that it symbolises everything we lived through, is a silver cross that is missing its left arm. It is a cross that somebody had hanging over his heart, although I found it lying in the snow. It is about 4cm long, and the whole arm thatās left measures less than 2cm. It suffered some sort of violent impact in the centre ā whoever had it received a severe blow to the middle of his chest. But what moves me most about it is that despite being dented, despite the fact that itās missing an arm, with the metal all jagged and torn, all the same it keeps being, unmistakably, a cross. That was what happened to us. We were dented and bruised, beaten down and terribly abused, but we kept on being whole men.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Every summer I forget how much I fucking love spiders Iāve drunk one every day this week
Drinking spiders??!
You put ice cream in a glass and pour soft drink over it. It creates a thick layer of delicious foam on top of a sweet, creamy drink with ice cream in it.
And yes I did attempt to get a picture by googling āAustralia spiderā like a fucking moron.
I think thatās called a float in the states. Although we usually plop the icecream into the glass after the soda. Similar effect though.
We wouldnāt be able to call it that because the word is way too easy to confuse with a floater, which is a meat pie floating in a bowl of pea soup. It is every bit as delicious as a spider though. I should get some pies and pea soup.
I would like to announce that this is not a standard Australian food, itās exclusively a South Australian one and the rest of Australia is just as appalled as the rest of the world.
Itās not our fault that the rest of Australia is incorrect about food.
#WE HAVE SPIDERS IN AOTEAROA and they serve CUNT#im gonna steal ice cream from work this weekend and make spiders with it. i will steal the fizzy from work also#i fucking hate my bossĀ
Living your best life I see
āaverage person eats 3 spiders a year" factoid actualy just statistical error. average person eats 0 spiders per year. Spiders Georg, who lives in South Australia and BADLY misinterpreted our survey question,,
SOCIETY OF THE SNOW (2023) dir. J. A. Bayona
āCause my faith⦠Sorry, Numa, isnāt in your God. Because that God tells me what Iām supposed to do at home. But he doesnāt tell me what to do on the mountain. Whatās happening here is a completely different situation. Numa. This is my heaven, I believe in another god.
Gustavo Zerbino, guardian of memories
Gustavo's chapter is one of my favourite things about Vierci's Society of the Snow, and every time I read this part it rips my heart out.
I handed a piece of paper to Sergio, who was with the medic JosĆ© Bravo, paper which I had torn out of a notebook where I wrote down the names of each person who had died, indicating the corresponding pile of bones for each name. I acquainted the mountaineers with the remains of all of them, so that if at some future date their relatives came here, each one would be able to find the remains of their son and take him home if they wanted. Sergio stared at me as though I had lost my senses. I was with them for two hours at the nose of the plane with that paper, explaining everything to them. I wanted someone else to know. [...] I knew that Nandoās mother and sister were on this side, along with Liliana Methol. I knew that for two reasons: because they might be food tomorrow and, if we were to get out alive, their families could take them back to Montevideo if they wished. I knew who was here, who was there, who was in between, each scattered in his own place. Sergio DĆaz took my hand and said, āThank you, thank you, Gustavo, but it doesnāt matter, itās over, and you donāt need to worry any longer.ā He wanted to protect me, but I wanted to protect my friends.
hold on sorry you're telling me the name of the boat was "the terror"?? i always assumed that was a retroactive name! did they WANT things to go horrifically awry???
obsessed with the implication that nominative determinism could have saved them
renaming my ships to HMS We Won't Die in the Arctic and HMS No Scurvy before successfully navigating the northwest passage
One of my favourite bits of media history trivia is that back in the Elizabethan period, people used to publish unauthorised copies of plays by sending someone who was good with shorthand to discretely write down all of the play's dialogue while they watched it, then reconstructing the play by combining those notes with audience interviews to recover the stage directions; in some cases, these unauthorised copies are the only record of a given play that survives to the present day. It's one of my favourites for two reasons:
It demonstrates that piracy has always lay at the heart of media preservation; and
Imagine being the 1603 equivalent of the guy with the cell phone camera in the movie theatre, furtively scribbling down notes in a little book and hoping Shakespeare himself doesn't catch you.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Something happened to me that I always talk about. I would say (to the survivors): "Hi, Enzo, I play Numa" and they would say 'Oof, Numa'. And they would give me a hug." I would say, "But this person doesn't know me, he's not hugging me. He's hugging Numa through me." And it was very powerful. You saw there what he was leaving. There is something inexplicable about Numa that he left in others, that they feel a weight. They feel an extra gratitude. There was something very heavy there that you felt, and it left you with that responsibility. You would say: "Ah, look at this person, how special. How they remember him. What is a person like to be remembered like that? What did he do? What did he leave?"
ENZO VOGRINCIC
#this reminds me of what was said about marcelo's actor in the book: #'a group of survivors clustered around the actor playing the captain- Marcelo-' #'looking for physical differences because he looked so much like the real Marcelo' #and it was the same case for many of the actors #the likenesses the actors have to the people they portrayed range from 'very similar' to 'downright identical' #i wonder if it was almost cathartic (in a way) for the survivors and loved ones to 'see' their friends and family members again #society of the snow #enzo vogrincic
I think about this a lot, too. It must've been so surreal for them.
why I'm happysad that they let Numa be the narrator in Society of the Snow.
So if you, like me, have been more than a little obsessed with the story of Uruguayan Air Force Flight 571 for a very, very long time, your stomach probably dropped like mine did when the narrator introduced himself as Numa Turcatti. (My immediate thought was, "why would you do this to us?!") If you went in blind, I feel for you!
But while the film gave us a version of Numa, since it's from his perspective what it doesn't really give us is the group's perspective on him. He comes across a bit like an outsider, and although, yes, his only surviving friend was Pancho Delgado, he wasnāt an outsider for long at all. On the contrary. So, here are a few excerpts from the books that tell you more about what he was like and how much they all loved him, because I feel like thatās important.
From Alive, Piers Paul Read:
Next to Parrado, Numa Turcatti was the most generally beloved of the boys. [...] Since he had known few of the boys before leaving Montevideo, it was proof of his strength, simplicity and complete lack of malice that he became so loved and respected by them.
On celebrating Numa's birthday while trapped under the avalanche:
The boys gave him an extra cigarette and made a birthday cake out of snow. [...] Many would have liked to give him a better time on his birthday, but instead it was he who improved their spirits. "We have survived the worst," he said. "From now on, things can only get better."
From Society of the Snow, Pablo Vierci:
āWhen I talk about Numa, I canāt help but cry,ā says Coche Inciarte. āHeās the best person Iāve ever met in my life. However tenderly I cared for those who were losing heart, Numa did it much better because he never got tired. He was constantly aware of everyone elseās distress. He radiated peace, he never gave up, and when he came near me, I felt like Jesus Christ himself was among us, with such mercy and compassion in his eyes. I donāt know where he got his strength.ā āI could never imagine him living in everyday life, because I met him and I loved him in that torment of the Andes,ā says Coche. āHe had a hard time eating, like I did. We ate the bare minimum in order to survive. I lost one hundred pounds, he lost more. And just like me, his leg became infected after the avalanche. We operated on our legs together with a razor blade. But he deteriorated more quickly than I did, because he had given so much more; he had been too generous.ā
Moncho Sabella:
Numa taught us about the anonymous heroism of giving more of himself to others than he reserved for himself. In that balance between solidarity and selfishness, which decided whether you lived or died, he tilted the balance in favour of the others to the detriment of himself. [...] And when the avalanche came and covered the plane, the one who worked the hardest, the one who removed the most snow so that we could come back to life, was Numa. Again, he was exceeding his own limits. [...] In the end, his immune system was so devastated that he got one infection after another. We gave him antibiotics and the doctors on the mountain attended to him every day, but finally he left us. And with him, we all died a little more.
Gustavo Zerbino:
I always remember Numa up there, full of despair, when he told us that he would rather die watching the sky, walking, instead of ending life immobilised in a cave of broken metal. For that reason, after the avalanche, he kept digging and removing snow without rest until he burned himself out with exhaustion. He always thought that his time had come but he wanted to work until the final moment, doing whatever he could to help. I cared for him all those days; I saw how he was hurried to the brink of death, with no defences, getting one infection after another. I went up to him and first I gave him a kiss on the cheek to greet him and asked him how he was doing. He just stared at me with a kind of infinite peace. He never complained. But Numa was quickly deteriorating: from that physical strength and vigour he had had at the beginning, he finished as a skeletal dying boy. He held on to his characteristic qualities until the end though. He was that same stoic guy when he was strong and when he was wasting away.
āGustavo Zerbino didnāt tell us the whole truth [about the expedition] because he didnāt want us to be discouraged. When I asked Numa about it, he couldnāt lie and he told me: āAs far as we went, all you could see were more mountains.ā But even so, he always wanted to be an expeditionary. āI want to go,ā he told me, even though I knew at once he could never go, he was too exhausted and too hurt.ā So Numa approached Daniel FernĆ”ndez, knowing that he had influence over the others, and he tried to convince him: āI can do it, Daniel, please believe me. I can do it.ā Daniel recalls, āWhen I told him that his injury made it impossible, he started working even harder than ever, like a bull, shovelling snow to unbury the plane after the avalanche to show that yes, he could do it.ā
Finally, from Alive, after Numa died:
On this particular afternoon, Javier Methol lay at the back of the plane. "Be careful," he said to Coche as he rose and stepped over Numa's body. "Be careful not to step on Numa." "But Numa's dead," said Parrado. Javier had not realised what had happened, and now that he understood his spirits dropped completely. He wept as he had wept at the death of Liliana, for he had grown to love the shy and simple Numa Turcatti as though he were his brother or son.
I'm not sure the Numa we see in the film is quite the same person that he actually was on that mountain, but I'm so, so glad that he got a voice. He fought so hard for them all.
So, yeah. In the immortal words of Jake Peralta,
Knowing how you're always limited with how much you can fit into a 2.5 hour movie, I think that these elements of Numa and how loved he was do come through in the movie, but it's subtle.
Numa being the eyes of the audience (if they're not familiar with the story), does carry this sort of quiet and distant observation of the other boys. We see them develop through Numa's eyes and I think you're right that we don't get a whole lot of how the others see Numa, but I do think that some of it is there!
I think this comes through the most in a few scenes between Numa and Nando. Nando being one of the central figures in the movie and one of the driving forces determined to get off the mountain (I don't want to call him the main character because that feels disingenuous to the others but... he kind of is presented that way) makes his interactions with Numa carry the weight of the group as a whole. From calling him "my new friend Numa" during the payada before the avalanche, to returning from the expedition to the tail and immediately plopping himself down and going, "So I hear you're lazy now." It's made clear that Numa is well-liked/loved and considered a core member of the group.
Something that really struck me about the film was how so much of the relationships between the boys are conveyed through these long quiet gazes. And Numa is a part of that. He's always there. He's always observing. And he's always DOING. And I really do think that just how much he was loved by all of them and how he had become such good friends with all of them is on full display in that single shot of the survivors all staring with such unique and individual expressions of sorrow when he dies.
I definitely agree with everything you've said here, too! It's just that his standing in the group is hard to convey fully from his perspective, but they absolutely did the best they could.
It was a clever choice to have him be the narrator. Letting us get to know him and care about him, and for those who don't know the story, assume from the beginning that he's going to live, only to lose him - that's basically what it was like for the group, too. By doing that they let us feel a tiny, tiny bit of what losing him was like for them.
Ugh. So many "if only"s for him. It'll never not break my heart.